Chikankari Embroidery

Many Mesoamerican Indian groups in Mexico used and continue to use masks in their culture today. One of these Mesoamerican Indian groups includes the Hñahñu Indian people, also known as the Otomí Indians. Due to a loss of the unwritten customs and traditions that failed to continue by word of mouth, many mask-making origins have been lost. Researchers make assumptions with the little information they have obtained from researching the Otomíes and other close indigenous groups. The Otomí Indians associate many rituals with masks. Religious ceremonies and carnival celebrations often include masks. Masks were also often combined with storytelling, music, and rhythm (Bell). The masking rituals contain many religious and cultural aspects. The Otomí have a highly diverse history filled with cultural traditions in which masks are used to represent symbols or spirits. Masking traditions display the needs, beliefs, values and desire of a culture.

Native Americans are the indigenous people of the North American continent and the cultural traditions and art forms are unique to these regional groups. The people in these groups have several names and the first adopted name Indian by Spanish explorers proved erroneous, however, now accepted names include either American Indian or Native American. I will refer to these groups as Native Americans or by their tribal affiliation. There are diverse tribal groups original to North America who lived on the Great Plains, in the Woodlands, on the Northwest coast, and in the Southeast or the Southwest regions. Various Native American tribes created art forms such as the Apache, Cherokee, Pueblo, and Hopi communities. In my research, I found that the Navajo also contributed in many ways to Native American art through making jewelry, beading, drawing, painting, sculpting, carving, and weaving. These art works provided their tribe notoriety with countless “years of experience through their creativity and sense of design”, lending to an “astonishing volume and variety of artwork which has created a lasting legacy”, per NativeAmerican-Art.com (2010). Understandably, art comes in various forms and from various cultures, but the Native American Navajo tribe contributed vastly and merits mention for its beautiful contributions. Therefore, I

2) Why might Dixie Weaving employees choose not to cooperate with the consultants at this stage in the project?

The Hindu people who are pictured in the video segment, Budanilkantha: A Hindu Wedding, are practicing a custom of many Hindu people. A custom is the frequent repetition of an act, to the extent that it becomes a characteristic of the group of people performing the act. Although not all Hindus participate in arranged marriages, the acts that occur during the marriage are very similar. Before the wedding takes place, the bride receives a jewel that marks the central part in her hair which is a signal of her marriage.

Depending on the style one wants, it is said that some cultures may have rules as to what requirements need to be met to get certain tattoos. Polynesian tattoos have been a tradition that has been carried on from about two thousand years ago. “Tattooing is a sacred ceremony in Polynesian culture. The tattoos and their location on the body were determined by one’s genealogy, position within the society and personal achievements.” (PolynesianTattoo). This quote clearly displays the concept that only certain people, depending on their position in society, have the privilege to get certain tattoos and in certain areas of their body. This also allows others to recognize and identify that person’s position in society. In Polynesian cultures, tattoos

Original- Hideous demonic ogre like creatures who just want feast on human flesh and to terrorize humankind. They can shapeshift and take human form because of their gruesome appearance reflects their evil disposition. They have horns on their heads and wear loincloths and have diabolical grimaces. They were feared because of their cravings for human flesh.

It’s very important to be sensitive to their spiritual needs as well as their significance five K’s (forms of religious symbols or articles of faith) which they choose to wear all the times during their hospitalization. The five K’s are Kesh (long uncut hair), Kanga (wooden comb), a steel bracelet known as Kara, their underwear known as kachhehra and their cermoneal sword called as kirpenn. Health care professionals should inform the Sikh patient and their families the importance of to remove their five K’s during hospitalization or prior to any procedure and should hand it to their family or kept in safe with personal belongings ("Sikh patient’s protocol," 2001).

“The Apache were talented in arts and crafts. They were known for their beadwork in which they used shells, glass, and turquoise. They would often sew good luck beads onto war shirts. Basket weaving one of the Apache's oldest known forms of art . The burden basket and bread basket were the most common baskets. They also made jewelry, necklaces, earrings, and barrettes. Both sexes liked to wear shell jewelry (Indians.org,

In Leslie Marmon Silko’s Ceremony, Tayo, the novel’s protagonist, describes the instance before his brother, Rocky, died by stating that “the wind swept down … [and whipped] the rain into gray waves that blinded him” (11). The ability of the wind to blind Tayo demonstrates its powerful abilities to distort and individual’s perception. Furthermore, Rocky’s death is a moment that disturbs Tayo throughout the entirety of the novel and can be perceived as one of the main factors that caused his illness. The presence of wind in this moment implies that the wind plays a role in the actions of witchery. Witchery refers to the powers of evil created by the Native Americans that are attempting to destroy the world by creating a division between

Both of these two products reflect the cultural and traditional values, symbols and meanings in the life of an Indian woman. It is traditionally worn by their ancestors from 5,000 years ago. A designer saree is known as a long female garment, which comes with a size of “six to nine yards in length,” an unstitched cloth that draped in a set design. Indian women wear saree with a matching blouse that covers the upper portion of the body and wears a color matching petticoat that ties on the wrist which enables to hold the pleats. Each designer saree has a design theme that conveys a unique story. Meanwhile, the churidar suits come with a set of three pieces of material which is “kameez, salwar, and dupatta.” A long dress that covers the upper portion of the body is known as kameez that covers until the knee, a salwar tapers at the ankle that comes as a loose or tight pants that wore tightly at the wrist. A dupatta is a long stylish ornament worn on the shoulders or to cover the head while visiting the elders or the temple.

Native American beading has been accomplished for an unknown amount of time; but, beadwork is one of the most notorious art forms practiced by the Native American people. Native American people fashioned their own beads pending the appearance of Europeans. Since none of the Native Americans has metal tools, producing beads was a long, tedious, procedure. The tools the Native Americans did use, were made of stone or wood and adhesives such as sand. (Kansas

In the Sikh culture, the clothing worn is a cultural symbol of faith (G. Rings). Jess's father wears the turban and a beard to express his faith, and her mother wears

Miyake basic philosophy can be traced to the traditions of the kimono and, Samurais, paper arts, the tea ceremony and Buddhist concepts. The kimonos simple construction makes it accessible to very social strata of Japan. Despite being boxy, it drapes the body loosely with plenty of space between the body and cloth, allowing freedom of movement with simplicity of cut. While traditional Japanese clothes have been made of natural fibres such as cotton, silk and paper, Miyake places emphasis on the ancient interest and import of industrially produced clothes with synthetic materials. He sees technology as a way to revive rather than replace tradition and craftsmanship. He comments that “the joint power of technology and manual work enables us to revive the warmth of the human hand, in other words, to come close to the value inherent in artisanal work” (Sato, 1998, p. 55). By doing this he harnesses

Main point: India has many different cultures and every culture has different types of clothing they wear.

Shades of orange, purple, green, deep red, magenta and dark blue make beautiful festive colors. If you are going for a monochromatic theme, go for colors like champagne, iris, sapphire, tango pink and laurel green. Diwali festivities are spread over multiple days in some regions, during which celebrants explode fireworks, share sweets, and send greetings to friends and family. Women may have their hands decorated with henna designs. Homes are decorated with small lamps and colorful paper lanterns called diyas and kandils, important parts of Diwali decorations. In some parts of India, Hindus also create rangoli, intricate floor paintings made of colored tikka powder or sand. Rangoli designs are made up of an unbroken line, the idea being that there should be no gaps through which evil spirits can enter. Motifs are usually natural – animals, flowers, etc.— though they can also include geometric patterns.