Chin A Cultural Inheritance Of Traditional Virtues From Its Long Lasting History Essay

A film as popular culture becomes something that is often criticized by the Cultural Studies. A film can show many aspects of cultures because the producer tries to deliver his/her imagination or reality on it. However, it is not rare when a writer or producer deliver something about prediction or assumption if some people use a certain ideology to a society. This kind of prediction based on imagination can be clearly seen on the adaptation film, Divergent.

Presently, we come across a certain kind of vignettes, more often than not, in the news papers as well as in the magazines, talking about how wonderful about the western civilization and how Chinese people should learn from the British—learn from their “sense of gentleman”. May be after some serious consideration, people may realize that while we were fascinated with the western culture, the traditional “Chinese spirit” has begun to fade away from people’s memory—benevolence, justice and virtue, loyalty and filial obedience and the most basic “the sense of gentleman”. Ku, with his sarcastic tone, pointed out the worth of traditional Chinese culture to the flawed western values.

On November 16, 2015 I attended an event called China Rising in Sykes Theatre. The presentation was given by Marlin Darrah because of the unfortunate event that Dale Johnson’s wife was having open heart surgery. Marlin began the presentation with explaining how he had been to China and that his wife was Chinese. One joke he made was that when they had visited China, his wife was called a prostitute because he was not a Chinese man and was “stealing” her. I was unsure of what to expect from this presentation at first, only to leave with the felling as if I had actually visited all the places the video had showed.

In a similar voice as Martin Luther King Jr., Pope Francis stated, “This is important: to get to know people, listen, expand the circle of ideas. The world is crisscrossed by roads that come closer together and move apart, but the important thing is that they lead towards the Good.” 5,953 miles away, I found the “Good” at Dandelion School in Beijing, China. Through my high school, Archbishop Mitty, I was given the opportunity to take the class “Ethics Culture Justice: China”. And thus I learned how unaware I was of basic real-world facts and controversial issues regarding the United States and China. During my times at a desk, seeing the demographics for the amount of poverty in the world disheartened me, but it didn’t truly stick with me.

The role of film in our society, has uniquely created a powerful omnipresence, within human culture. Film is a narrative. The role of film in our society, has uniquely created a powerful omnipresence, within human culture. Film is a narrative; it reflects past, present, and future society. It’s a form of communication form societies- not just where society is presently and what it’s doing now- but where society has been. It holds a unique place in communication, art, culture, education, etc. It's a powerful vehicle, that is wholly unique because of its narrative and representational aspects. A medium of

China is one of the biggest, most powerful and influential countries on the planet, both economically and politicly. It is world’s most populous country and ranking second when it comes to GDP, with approximately 9 trillion dollars annually, according to the world bank. Over the last almost 70 years it has been ruled by the communist party in a one party communist system. The democratic values and traditions which people from the western world have become used with and take for granted, such as the right to vote, are not present in China and for many of its people this is an idea, which seems out of this world. The rule and power of the communist party are absolute, since it does not even attempt to simulate “holding

Reading “China Road” opened my eyes to many of the issues China faces as it attempts to become a world power. Despite being slightly outdated, this book provided good insight into what China is like in the eyes of an outsider. In addition to providing insight, this book also helped me become more aware of some of the cultural norms of China. What I was most surprised about was how different life in China is depending on where one lives. The difference in quality of life was so dramatic when comparing the cities of China to the rural farming areas. I also was amazed by how different the Chinese act in terms of their attitudes. In particular, while reading I came to a part in the story where the author spoke about a bus ride. On this bus ride, a watermelon fell off of a luggage rack and landed on a child’s head. In America, this would have been a big deal. Most likely an ambulance would have been called, a lawsuit would have been filed, and some sort of bus reform policy would be put into place. In China, nothing happened after this event. People on the bus made sure the child was okay but, after that, they returned to their normal business. Nobody made a big deal out of it, and nobody saw it as an opportunity to sue and make money. America is such a litigious country. In China, it seemed as if they had more forgiving personalities. They were less caught up in personal gain, and more focused on the important things in life.

China has always been proud of its history. Being one of the most advance civilizations way before America was even discovered, a lot of the Chinese today still cling on to their glory days even if they are one of the world’s superpowers. A massive country with patriotic citizens and a great economy is what people know of China today. However, what most people do not know and the rest wanting to forget, is that China had its fair share of atrocities done to its very own people. One of these, of course, would be the Great Proletarian Cultural Revolution, wherein under the great struggle of Mao Zedong return to power, he turned youths by the thousand to be his personal army, infamously known as the “Red Guards” and used them to persecute

When I found my first interest in the topic of China, it was in large part because we hear so much of how economic status teetering on the economic dependency we have developed over the last couple of decades. America’s situation news currently is riddled with stories about the PRC,

“In ethnographic film, film is the tool and ethnography is the goal.”[2] The film is the bridge that engages the audience, connecting them to a foreign realm, whether it be on the academic or entertainment level. Ethnography is a way for viewers to understand not only the customs of foreign individuals and cultures, but to explore their own traditions as well. Through film, the director decides whether or not to appeal to a designated audience. In the interest of aesthetic perception, films are prone to suffer from “reality-distorting techniques,”[2] altering what should be shown, creating a conventional way of viewing other cultures. In a way, films guide their audiences through how to perceive different ways of life, which causes social categorization. Ultimately, film might be one of the only ways for people to understand what lies beyond the interest of their own culture without physically injecting themselves into a foreign environment.

Hong Kong citizens have long been discontent with the Chinese Central Government over concerns about their long-term political freedom. Many believe in the principles set forth by their British colonisers: capitalism, free trade and freedom of speech. In contrast, China believes in communism by means of a one-party state and censorship. As a result of the huge disparity of social, economic and political freedoms between Hong Kong and China, Hong Kong citizens have developed their own sense of national pride, a type of ‘Hong Kong-centric identity’ that celebrates their autonomy from the Central Government (Leung). Indeed a 2011 poll found that 67% of Hong Kong citizens considered them ‘Hong Kong people’ first and ‘Chinese’ second showing the deep-rootedness of the cultural divide that exists between Hong Kong and China (The University of Hong Kong).

Media and entertainment are forms of communication that are prevalent in our society today. This form of communication provides not only the spread of information to a widespread group of people, but also the entertainment of many of its viewers on a multitude of formats. Media includes news broadcasts, magazines, newspapers, television shows, and, specifically, film and movies. The film industry, in recent years, has been growing in its views on many tough issues and, through the industry’s increasing awareness, has been presenting these issues in its films. Many of the issues that are presented in these films relate to difficult topics such as race, violence, sexual orientation, etc. However, many viewers of these films have neglected a difficult

What do cinema and movies actually mean? The term cinema is defined as the art of moving pictures or a visual media that tells stories, exposes reality and conveys messages. On the other hand, movies, also called a film or motion picture is also a story that is communicated with animating images. Besides that, the cinema often reflects to specific degree the culture, traditions and heritage of a nation, its historical concerns as well as its societies ' enjoyments, sorrows and hopes throughout history. Nowadays, many people around the world may watch movies as just a form of entertainment, but it is certainly more than

China also called the People’s Republic of China (PRC) is located in East Asia. China is the world’s third largest nation. With a land, area of over 3 million square miles and population estimated to be over 1.3 billion people. China has over one-fifth of the world’s population. It boarders thirteen countries, some of those countries include Russia and Mongolia to the north and to the south are Myanmar Laos and Vietnam.

China expresses itself as highly nationalist. Its official line defines nationalism as having anti-foreignism feelings, which results in Chinese sharing a deep, horizontal comradeship. However, I contend that Han Han and Sang Ye’s interviewee contradict these positions, in This Generation and China Candid respectively. At the same time, there are US parallels, with respect to identity, “buying American,” and international status.