Chinese Cinderella By Nai

The Artslink Queensland production of Ruby Moon by Matt Cameron can be described as an example of the Australian Gothic dramatic style. Ruby Moon, set in picture perfect Flaming Tree Grove, is about the tragic dilemma of a couple, Ray and Sylvie, trying to cope with the earlier disappearance of their young daughter, Ruby, while on the way to visit her grandmother at the end of the cul-de-sac (Queensland Education, 2014).

If you ever wanted to get revenge on people who have wronged you, then you may be able to relate to Mr. Chiu, the main character in the short story “Saboteur” by Ha Jin. Mr. Chiu’s revenge is ironic as the conflicts he finds himself in throughout the story.

Individuals should learn to accept themselves for who they are, not what society wants them to accept. As we continue to evolve, we build up our own characters, and they are typically a mix of the ethnicity and culture we inherit from our family, various encounters in our life, distinctive identity and personality we have. Our character and identity is not something that we get easily, it's an intricate process. The story “The Other Family” by Himani Bannerji is based on a mother and a daughter who immigrates to Canada. They belong to a black family, but after the immigration they are living in the dominance of the white society.The school is considered as the hegemony of Canada and teacher is considered as the mainstream, it is a sort of social institution that a hegemony shape but they does not know the awareness of marginalized groups. The mother feels anxious when she sees a drawing of a white family by her daughter. It was the misperceptions of the kid that lead to forget her identity or she was too small to identify it. So to examine about the identity of the marginalized individual the beginning is to focus on the quality of the education. It is necessary for every school system to teach equality and inclusions of every group status so that the marginalized group are not left isolated from the society. Secondly, the fear of the marginalized parents from losing their kids in the mainstream society shows their lack of confidence in their own cultural pride. Since

Women controlled many of the in house affairs, such as dealing with servants, family resources, and money. In terms of authority, a man’s mother and wife were treated with a higher level of respect than other women. Although, throughout both dynasties, when a women entered marriagehood, she became part of her husband's family; the women were also not able to obtain their dowry. During the Song Dynasty, confucian beliefs and social norms were much more present. Surrounding women, confucian beliefs generally say a women should stay at home and had the lion’s share of work. The custom of footbinding throughout the Song Dynasty further depressed women's role and social standing. Footbinding began at the higher class and elite; the custom was in place to make womens feet smaller and more attractive. This was a painful process of binding feet with cloth to achieve beauty and luxury, which became so socially acceptable that it was even forced by many parents onto their daughters. The fear was not being able to find a husband if the daughter had big feet. Over time, the status of women negatively declined between each dynasty.

Beauty of a woman was very important to men because it often showed wealth. Footbinding was a cruel way to show a woman’s beauty in Ancient China, especially during the Song dynasty. It is thought that foot binding began in around 900 AD during the Tang dynasty and continued until 1911 when it was finally banned. "The practice of binding feet was originally introduced about a thousand years ago, allegedly by a concubine of the emperor. Not only was the sight of women hobbling on tiny feet considered erotic, men would also get excited playing with bound feet, which were always hidden in embroidered silk shoes” (Wild Swans) Footbinding was considered very attractive and was very common. Many times, a girl who did not have bound feet were rejected by

Summary- In “Homeward Bound,” Janet Wu introduces her traditional Chinese grandma who she rarely knows and her bounded feet. The feet are the concrete example Wu uses to illustrate the incredible distance between she and her grandma, between the modern American culture and the old age in China. Wu feels cheated for the years she lost to spend with her grandma. However, she is looking forward to have more touch with her grandma who she has everything but nothing to say.

Growing up in today’s society can be traumatizing for any child. When it comes to growing up as a young girl, however, it can be downright devastating, but not only for the child but the parent as well. There are so many decisions to be made when choosing how to raise your child, assuring that you have instilled proper values to develop a healthy sense of self-worth and confidence.

In Cinderella Ate My Daughter Peggy Orenstein examines the triumphs and pitfalls navigating raising a daughter, in today’s mixed message world. From peer pressure and the need to fit in today’s society, young females have commercialism forced at them at every turn and in very clever ways. Doll creators have been pushing the boundaries of good taste with each new season launch. When the more “mature” actresses at the age of 17 feel the need to do something drastic to remove them from the wholesome image created for by company executives, mothers and consumers feel betrayed, and yet then we need to have a dialog with our kids as to why just last month Miley Cyrus was wonderful but now she is not okay for the viewing household.

The most interesting book I have read in the past year was “Still Alice,” written by Lisa Genova. This book narrated the life of Alice Howland, a successful Harvard psychology professor who loses herself to Alzheimer’s disease. Alice is an intelligent, ambitious woman with a loving husband, John, and their three children. Initially, Alice starts off forgetting minor details, such as words during her presentations or where she might place some of her belongings. Dismissing it, Alice goes for a run in her town square where she’s run for several years. She suddenly finds herself lost and panics because she could not figure out how to get home. Eventually, she finds out she’s diagnosed with early on-set Alzheimer’s and she is left to deal with her family and work life as well as do as much as she can each day before she loses herself completely.

The autobiographical novel Chinese Cinderella, is about protagonist Adeline Yen Mah’s 1940 childhood in China. Our main antagonist in the story is Adeline’s stepmother, Niang, who is portrayed throughout the story as the ‘evil-stepmother’ figure. But is there the possibility that Adeline has unfairly depicted Niang? The time period in Naing’s life which this book takes place in, would have been an extremely difficult and stressful for her. She was forced into a marriage with man twice her age and expected to become maternal towards his five children from his previous marriage. Under Niang’s circumstances she also had to take measures to protect, manage and discipline 7 children, which we only see as cruel and violent because of the modern viewpoints.

Lisa Genova, the author of Still Alice, a heartbreaking book about a 50-year-old woman's sudden diagnosis of Alzheimer's disease, graduated valedictorian from Bates College with a degree in Biopsychology and holds a Ph.D. in Neuroscience from Harvard University. She is a member of the Dementia Advocacy, Support Network International and Dementia USA and is an online columnist for the National Alzheimer's Association. Genova's work with Alzheimer's patients has given her an understanding of the disorder and its affect not only on the patient, but on their friends and family as well (Simon and Schuster, n.d.).

Details from Ning Lao’s life are often laid out in this way throughout the first few sections of the book. During Ning Lao’s childhood she is explained to be a very active child which causes her parents to wait until she is seven years old to start binding her feet. Ning Lao explained her experience:

In the article, Ko highlights the many misconceptions modern people have on footbinding such as keeping a woman’s foot bound, kept them in a hobbled and subservient domestic state or as sex objects . Afterwards, she states that our “certainties may turn out to be dead wrong” suggesting to readers that she is going to shine a positive light on footbinding. Ko goes more in depth about the three things men believed footbinding was, and why the tradition of binding ones foot was important at that time. The Chinese believed that wearing shoes differentiated and distinguished them from beasts as well as savages

In the autobiography Chinese Cinderella by Adeline Yen Mah, the narrator was influenced in many ways by the people around her. One character which influences the narrator’s life to a vast amount was her step-mother Niang. Her Aunt Baba also played a very big part on how Yen Mah turned out in her later and earlier years as well as everywhere in between. Her grandfather Ye-Ye was a constant support to Adeline Yen Mah.

When coupled with the line "the bound feet" (Piercy, 20), the poem appears as if it were a comment solely about the injustice forced upon Chinese women from 934 until 1949. Foot binding is a painful process which includes breaking all of the toes and arch of the foot to grossly alter the shape of the foot, so that the foot, when mature would be no more than four inches long.  The first break was usually made when a girl was three to five years old, then the feet were wrapped in yards of cloth to prevent them from growing or reshaping. The pain from the initial break was nothing compared to the enduring pain the women experienced for the rest of their lives. The pain was caused by the drastically deformed feet. (Chinese foot binding- lotus shoes)