Chinese Cinderella

Adeline Yen Mah is a Chinese girl growing in knowledge with a wealthy family. Then, a new threat arrises... Niang! She is the evil stepmother that tries to burden Adeline with as much issues as she can. Adeline tries to conquer these problems with the help of her other loving family members. In the novel, Chinese Cinderella, by Adeline Yen Mah, the author shows that being unwanted can be overcome by consulting family. She proves this by showing the help that Adeline received from her Ye Ye (grandfather) and her Aunt Baba.

In the story chinese cinderella the main character Adeline faces a lot of adversity throughout the book. She faces the most her adversity at home with her parents and siblings being unfairly cruel toward her. She has a lot of courage for going through with all this pain and still staying optimistic about everything.

This memoir, Chinese Cinderella, tells us of a little girl who has an abusive childhood. No matter that she was the top student of her class or was one of the kindest people around, her new stepmother made her childhood one that she wouldn't want to remember. “You have defined the odds and garnered triumph through your own efforts. Your future is limitless, and I shall always be proud of you” (Yen Mah 197). This quote said by her aunt, Aunt Baba, shows how she always believed in Adaline. She told her by doing what she was good at, she could accomplish what no one thought she could. Adaline has always been fighting a never ending war in her childhood, that couldn't have been minimized without Aunt Baba and YeYe. Aunt Baba and YeYe are always

Adeline comes home from her first week of kindergarten, all smiles because she had been chosen to lead the class and has received a medal and a certificate for her achievement. Her aunt Baba is full of pride and files the certificate and medal in her safe deposit box. She described the certificate as “some precious jewel impossible to replace” (page 2). Adelines academic achievements are how she eventually gains acceptance within an uncaring family. She had a lot of pride over the metal it shows the sadness she is facing everyday, with her siblings hating her achievements and her dad only caring when she receives them. “I was winning the medal every week and wearing it constantly. I knew this displeased my siblings, especially Big Sister and Second Brother, but it was the only way to make Father take notice and be proud of me” (page 15). Adeline starts to mature when she starts to realize that her achievements should only matter if it makes her happy, not just her father. Adeline's parents threaten to move her to a far away school. Adeline is elected class president. Everyone is excited, her classmates and more importantly her. Her classmates decide to celebrate at her house and this is when her parents lash out and get

When she is given the opportunity to dress in extravagant clothing and act like she is wealthy, she found a “sense of triumph that is so sweet to a woman’s heart” (3). Mathilda Loisel’s change from the exposition of the short story to the rising action is dramatic. The reader’s first impression of the character is that she is unhappy and resentful but at the party she comes off just the opposite. She was joyful and “danced wildly, with passion, drunk on pleasure, forgetting everything in the triumph of her beauty” (3). Mathilda Loisel’s true character starts to reveal itself when the reader sees how much value she puts in possessions.

Jane Yolen discusses the variations in Cinderella throughout history in America’s “Cinderella” Yolen began a career in publications as an editor and later became a professional writer, winning numerous awards and publishing over seventy novels. Yolen observes that the European Cinderella and the Asian Cinderella possess more strength than the helpless modern Cinderella. She attributes this evolution to cultural incorporations and mass market’s reproductions of the tale. American interpretations of Cinderella result in a lasting change to a dependent heroine. Yolen reveals many people are familiar with the changed Cinderella and not the former Cinderella. In Jane Yolen’s essay, America’s “Cinderella”, she denounces the debasement of women in today’s society by comparing the past Cinderella to modern Cinderella, characterizing Cinderella as reliant, and criticizing the example of Walt Disney’s Cinderella.

The autobiographical novel Chinese Cinderella, is about protagonist Adeline Yen Mah’s 1940 childhood in China. Our main antagonist in the story is Adeline’s stepmother, Niang, who is portrayed throughout the story as the ‘evil-stepmother’ figure. But is there the possibility that Adeline has unfairly depicted Niang? The time period in Naing’s life which this book takes place in, would have been an extremely difficult and stressful for her. She was forced into a marriage with man twice her age and expected to become maternal towards his five children from his previous marriage. Under Niang’s circumstances she also had to take measures to protect, manage and discipline 7 children, which we only see as cruel and violent because of the modern viewpoints.

Imagery plays an imperative role in creating emotional duality throughout the text. The reader is presented to the narrator being called upon by the Queen. When the narrator looks behind, “[the Queen’s] expression, at first quizzical, now turned joyous, showing brilliant white and perfect teeth” (lines 3-4). Verghese’s use of imagery through this line magnificently illustrates the Queen’s enthusiasm to see who she has called upon. At first, the quizzical countenance of the Queen’s face arouses misperception in the reader, questioning why she is puzzled to lay eyes on the narrator, but soon resolved when her expression turns joyous. The joyous mood created through this line is epitomized through the dazzling imagery as she shows her brilliant white and perfect teeth through her smile. Soon after, the narrator ascertains the Queen as Tsige, as he “towered over her…tongue-tied” (line 9). The use of the idiom, tongue-tied illustrates to the reader

Chinese Cinderella, by Adeline Yen Mah is a heart-rendering autobiographical novel. Throughout the text, Adeline describes her cruel family and the trauma she was confronted with at school, trying to satisfy her heartless father with educational achievements. Together we relive the childhood life of Adeline through her words and hear, what it feels like to be a rejected and unloved daughter. Furthermore, Adeline owns a special quality that helps her to handle the cruelty of her upbringing and rise above many obstacles. Adeline has been always resilient. She is very strong and tackles everything that comes her way. By being friendless and having a pet duck as a friend, she distracts herself from her coldblooded reality.

The writer ends the first phase of the tale with Desiree’s expression of her feelings at that point: “Oh mamma, I’m so happy; it frightens me” (32). This comment is both a conclusion of the first phase of the story and a prediction of what’s to come next.

In the autobiography Chinese Cinderella by Adeline Yen Mah, the narrator was influenced in many ways by the people around her. One character which influences the narrator’s life to a vast amount was her step-mother Niang. Her Aunt Baba also played a very big part on how Yen Mah turned out in her later and earlier years as well as everywhere in between. Her grandfather Ye-Ye was a constant support to Adeline Yen Mah.

On Google.com the word “significant” refers to something that is “sufficiently great or important to be worthy of attention; noteworthy.” For something to have a significant impact on someone, it must be meaningful, relevant, and important. As stated by Thomas Hardy, “A story must be exceptional enough to justify its telling; it must have something more unusual to relate than the ordinary experience of every average man and woman.” It must have something meaningful, something that pulls a reader in- so that the audience can laugh when the character laughs or cry when the character cries. It must be significant. A story that fits the definition of “significant” is one by Adeline Yen Mah. In the novel “Chinese Cinderella: The True Story of an Unwanted Daughter,” Adeline Yen Mah pulls the reader in by using the themes of loneliness and acceptance- something that is faced by nearly all at some point in their life.

Cinderella is a fairytale for children that displayed love, loss and miracles; however, when it is further analyzed, it has a deeper meaning. Cinderella is a story about a young girl who became a servant in her own home after her father remarried a malicious woman with two spoiled daughters. She was humiliated and abused yet she remained gentle and kind. She received help from her fairy godmother to go to the prince’s ball after her stepmother rejected her proposal. Cinderella and the Prince fell madly in love but she had to leave at twelve o’clock and forgot to tell him her name but she left her glass slipper behind. He sent his servants to find her and Cinderella was the only maiden in the kingdom to fit into the shoes. She

The plot and structure in this autobiography makes the story of Adeline’s childhood flow better. The orientation started by Niang marrying Adeline’s father. At Adeline’s birth her mother died so Adeline was treated badly and unfairly. In the complication, Adeline was unwanted from the start. She was sent away to an orphanage because she was wanted by no one. In the resolution Adeline decided after winning the playwriting competition that she wanted to be a writer. She studied medicine at Oxford University with Third Brother. The reflection is that no matter what your conditions are you can achieve anything like Adeline did. In the story Adeline read a newspaper article that said “It was announced

Adcock’s poetry is known for the images which are drawn from her personal experience or from the experience of friends and relatives. Though many poems deal with her personal subjects she is not confessional poet like Sylvia