Chinese Cinderella by Adeline Yen Mah

In two fairytales Yeh-Shen and Sootface are the Chinese and Native American versions of the story, “Cinderella”. They both face hardships, but however, both of them are rewarded with something magnificent at the end of the story. This teaches us that if we are patient we will get our wishes someday. Yeh-Shen (the Chinese version of Cinderella) grew up as an orphan.

Mother Tongue is a story that describes how Amy Tan’s mother was treated unfairly because of her “broken English”. As the second generation of Chinese immigrants, Tan faces more problems than her peers do. Her mom, who speaks “limited” English, needs Tan to be her “translator” in order to communicate with the native English speakers. Tan has felt ashamed of her mother “broken” language at first. She then contemplates her background affected her life and her study. However, she changes her thought at the end since she realizes things behind language might be more valuable than language itself sometimes. Through the various different literary devices and rhetorical strategies such as the ethos, pathos, and logos appeals, as well as a

Wu-Mei struggles about family and relationships. She suffered bullying from her own family. Bullying is the use of force to abuse someone and it has been the problem for Wu-mei from the start which makes her feel unwanted. Her siblings were being aggressive to her because they believe that she was the cause of their mother’s death. There is a quote from the Bible “Do unto others what you want others do unto you” this means that do to others what you want them do to you. In the novel “Chinese Cinderella” Wu Mei is being bullied by her Big Sister by telling her that she is the cause why their mother had died. For e.g. on page 3 chapter 1, Big Sister once said to Wu mei “Mama died giving birth to you. If you had not been born, Mama would still

"Cinderella" is perhaps the most recognized fairy tale in history, one of the few that spans across generations and cultures. Every prominent culture in the world tells some similar version of this story of a poor girl going from rags to riches; over 700 versions have been accounted for worldwide. In America, numerous authors have penned their own version of the classic folktale. One of these is Tanith Lee, a prolific writer of stories for young adults. Lee cleverly found a way to include all of the traditional elements of the classic "Cinderella" tale, but added a new twist: Cinderella, or the character similar to her in this story, had malicious intentions for the prince, and her purpose throughout the tale was a malevolent one: revenge.

In the book “The Glass Castle” by Jeanette Walls, Jeanette’s life has gone through many ups and down’s, all the way from her childhood to her adulthood. As Jeanette’s growing up she sees her Parent’s hopes and dreams slowly starting to elude away into reality. From the start of the book Jeanette’s parents, Rex and Rosemary have strong hopes of being rich from mining and sifting up gold in the dessert, through rexes “new Invention’s” to help detect the gold. But as time tells, Jeannette’s feelings and faith in her parents start to diminish away. Jeannette also starts to realize that her father is causing the problem. Towards the end of the story, Jeannette says to her mom, “Mom, you have to leave dad” (wells 188), and Jeanette’s mom is astonished of what she had said and asks why she suggested that, and Jeannette simply states that “He will bring all of us down” suggesting that they need to be on welfare. When Brian and Lori Begin digging the foundation for the glass castle that Rex had designed and promised them they were going to make, the idea quickly diminished into a fantasy once the hole started to fill with old rusty beer cans.

Jook-Liang’s grandmother doesn’t let her become a movie star, because Poh-Poh thinks that Jook-Liang is a girl and that she is useless, she can’t be a movie star, she can do nothing. Conversely, that is just her opinion without any proof, even though Poh-Poh is also a woman. This kind of gender discrimination and ridiculous opinion makes Jook-Liang hate Grandmother. Thirdly, this traditional Chinese thinking makes her think about herself.

Growing up in today’s society can be traumatizing for any child. When it comes to growing up as a young girl, however, it can be downright devastating, but not only for the child but the parent as well. There are so many decisions to be made when choosing how to raise your child, assuring that you have instilled proper values to develop a healthy sense of self-worth and confidence.

English is an invisible gate. Immigrants are the outsiders. And native speakers are the gatekeepers. Whether the gate is wide open to welcome the broken English speakers depends on their perceptions. Sadly, most of the times, the gate is shut tight, like the case of Tan’s mother as she discusses in her essay, "the mother tongue." People treat her mother with attitudes because of her improper English before they get to know her. Tan sympathizes for her mother as well as other immigrants. Tan, once embarrassed by her mother, now begins her writing journal through a brand-new kaleidoscope. She sees the beauty behind the "broken" English, even though it is different. Tan combines repetition, cause and effect, and exemplification to emphasize

Jane Yolen discusses the variations in Cinderella throughout history in America’s “Cinderella” Yolen began a career in publications as an editor and later became a professional writer, winning numerous awards and publishing over seventy novels. Yolen observes that the European Cinderella and the Asian Cinderella possess more strength than the helpless modern Cinderella. She attributes this evolution to cultural incorporations and mass market’s reproductions of the tale. American interpretations of Cinderella result in a lasting change to a dependent heroine. Yolen reveals many people are familiar with the changed Cinderella and not the former Cinderella. In Jane Yolen’s essay, America’s “Cinderella”, she denounces the debasement of women in today’s society by comparing the past Cinderella to modern Cinderella, characterizing Cinderella as reliant, and criticizing the example of Walt Disney’s Cinderella.

In Cinderella Ate My Daughter Peggy Orenstein examines the triumphs and pitfalls navigating raising a daughter, in today’s mixed message world. From peer pressure and the need to fit in today’s society, young females have commercialism forced at them at every turn and in very clever ways. Doll creators have been pushing the boundaries of good taste with each new season launch. When the more “mature” actresses at the age of 17 feel the need to do something drastic to remove them from the wholesome image created for by company executives, mothers and consumers feel betrayed, and yet then we need to have a dialog with our kids as to why just last month Miley Cyrus was wonderful but now she is not okay for the viewing household.

The autobiographical novel Chinese Cinderella, is about protagonist Adeline Yen Mah’s 1940 childhood in China. Our main antagonist in the story is Adeline’s stepmother, Niang, who is portrayed throughout the story as the ‘evil-stepmother’ figure. But is there the possibility that Adeline has unfairly depicted Niang? The time period in Naing’s life which this book takes place in, would have been an extremely difficult and stressful for her. She was forced into a marriage with man twice her age and expected to become maternal towards his five children from his previous marriage. Under Niang’s circumstances she also had to take measures to protect, manage and discipline 7 children, which we only see as cruel and violent because of the modern viewpoints.

Society can learn a lot from Cinderella-like movies such as Maid in Manhattan. However, what society learns from these fairy tales is not always that Cinderella meets a prince and lives happily-ever-after. In the movie Maid in Manhattan, directed by Wayne Wang, a hotel maid meets a wealthy politician and lives a Cinderella-like tale after wearing a wealthy guest’s designer outfit. Most people focus on the obvious love story between the maid and the politician. Many overlook the psychological plight of Cinderella herself. In these tales Cinderella loses her mother and often her father too. This has a tremendous effect on the young girl’s self-worth. However, other complex relationships are also revealed, including the mother/daughter relationship. Similarly, the text “Cinderella: Not So Morally Superior,” by Elisabeth Panttaja, discusses the influences of Cinderella’s mother. These sources are worth exploring because they demonstrate how a woman’s self-worth is shaped by her relationship with her mother.

Claire Standish or “the princess” portrays the stereotypical popular teenage girl in The Breakfast Club. She is in detention with everyone else because she decided to skip class and go shopping, which also plays into the stereotypical teen girl image. It can also be assumed that she is spoiled and rich since her father tried to get her out of detention but failed, and she mentions to the group that her parents only use her to get back at the other one. She brings a fancy lunch of sushi while the other teens either have nothing or the standard lunch one’s parents might pack for them. There are a couple of times in the movie that she brings up her social standing and could even be considered as looking down on those who are not as popular as her. Even closer towards the end of the movie she informs the others that if they were to say hello to her in the hallway in front of her friends, she would have no choice but to ignore them. By the end of the movie, she has opened up to everyone else about her fears of letting her peers down and has formed a close relationship with Bender.

A reoccurring theme in Chinese Cinderella is confidence and resilient. Adeline’s family is always making her feel lost, unwanted and unloved. Because of her mother’s sudden death shortly after Adeline was born, even her siblings didn’t give Adeline the kindness that should be given to a sister. An example in the book ’’But then Mama died giving birth to you. If you had not been born, Mama would still be alive. She died because of you. You are bad luck.“ This is said of her older sister, Lydia, to her. This indicates her siblings blamed Adeline for the cause of their mother’s death and considered her ’bad luck’. ”They blamed me for causing Mama’s death and never forgave me.“ This is said by Adeline herself. This suggests that they were always singling her out

Providing the two heroines with strong and engaging personalities, the novel portrays the life of two young Chinese girls, who because of historical events and family secrets, have to grow up faster than what they had planned. The book delivers emotional themes that are powerful yet familiar, and is written in a compelling manner.