Chinua Achebe : The Invention And Mastery Of Modern African Literature

Throughout the course of the book Achebe frequently uses African worlds and phrases to describe and show the different aspect of Igbo culture. The familiarity in, which the narrative focuses on the African language creates a sense of authenticity to the writing. What is unique about the narrative tone found within the book is that not only does the author frequently insert the african language within the diction, but the way he translates or explains the words in plain english so the readers who are unfamiliar with the language can still follow, for example: “ ‘Agbala do-o-o-o! Umuachi! Agbala ekene unuo-o-ol’ It was just as Ekwefi had thought. The

In Chinua Achebe's Things Fall Apart, it is shown that the African people had their own complex culture before the Europeans decided to "pacify" them. The idea that the dignity of these people has been greatly compromised is acknowledged in the essay "The Role of the Writer," which is explanatory of Achebe's novels. A writer trying to capture the truth of a situation that his readers may know little or nothing about needs a sense of history in order to appropriately address the topic. It is not enough "to beat" another writer to the issue. Writers should make the attempt to express a deeper understanding. Without proper mental investment in a written work, the

Change is a reoccurring theme throughout history. It destroys and creates. It displaces and introduces. It can cause death and life. The movement of imperialism in Africa brought great change to the native tribal life. Forcing the indigenous people to turn away from their century-old traditions caused violent rifts between the European settlers and the tribes, as well as internal problems between once amiable members of the Ibo culture. With the introduction of the foreign Western Society in Chinua Achebe’s Things Fall Apart, the tribe’s life and ideals are drastically altered as the new ethics and principles collide with the old traditions and laws, causing the members of the society to either adapt or be crushed underneath the foot of colonialism. Achebe’s character, Okonkwo, was impacted immensely by the cultural collision, as his previous way of life was pulverized before his eyes, and he found no reason to live any longer.

     The authors full name is, Albert Chinualumogu Achebe also known as Chinua, he was born on November 16, 1930 in Ogidi, Nigeria. He is a product of both native and European

Chinua Achebe was educated in the West, though he hails from an African tribe. His exposure to both African and Western thinking gives him a unique perspective on the colonization of Africa, which is argued to be barbaric by some, but beneficial and necessary by others. In “Things Fall Apart,” Achebe perspective comes through as he masterfully describes a pre-colonization African tribe, and how colonization percolated through it. His authentic accounts of the positives and negatives of both tribal society and colonization leave the reader to answer the question of whether imperialism was morally justifiable or not.

An archetype in literature expresses “a realm of human experience in many myths and fantasy stories” that can go deeper than “any rational or intellectual thinking” (Gillespie). The archetype of the monomyth, or “The Hero’s Journey” first originated from a mythological researcher named Joseph Campbell. The monomyth consists of “several basic stages that almost every hero-quest goes through, no matter what culture the myth is a part of” (Hamby). The Hero’s journey is vaguely apparent in Chinua Achebe’s Things Fall Apart, which depicts the African clan leader, Okonkwo, as the archetypal hero. Achebe reveals throughout the novel that Okonkwo’s ability to

The world is full of cultural collisions. Every day people meet other with different worldviews. This concept of cultural collision, is shown perfectly though Chinua Achebe’s Things Fall Apart. In the story it is the cultural collision, of the introduction of Western Ideas into the ibo society, that causes Achebe’s characters to grow and change. One character in particular is forced to reevaluate his sense of identity because of the cultural collision. This is the character of Okonkwo. The collision challenges Okonkwo’s sense of self, as a religious leader or an Egwugwu, as a leader of his people, and as a man. It is Okonkwo’s response to these challenges, that shapes the meaning of the book of that as your world changes so must you or you

Achebe includes many literary devices like personifications, hyperboles, and imagery. He writes with liveness reminiscing the old times as “the sun rose slowly to the center of the sky, and the dry, sandy footway began to throw up the heat that lay buried in it”(Achebe). He creates this tone in his writing by describing his experiences, like sudden flashbacks. This causes the readers sympathetic and more open to looking through the African native perspective. This conveys a message to foreigners that there is more to Africa than land and natural resources. It has divine culture and ancient civilizations.

When I first began reading Things Fall Apart, it helped me understand about the Nigerian culture. This novel is a post-colonial novel written by Nigerian author Chinua Achebe in 1958. It is seen as the archetypal modern African novel in English, one of the first to receive global critical acclaim. The novel follows the life of Okonkwo, an Igbo leader and local wrestling champion in the fictional Nigerian village of Umuofia who is afraid to share his feelings for fear of being thought as weak and he had to protect his reputation. He is a brave man, but stands alone a lot with his decision to fight. He believes everyone in the tribe has turned into women when they do not want to fight, but deep down he is just like them, but afraid of how people will now view him. When he starts to become violent he accidentally kills a man and is forced to leave his tribe. When he is allowed to

Chinua Achebe shows the reader the change of Africa as seen by the main character of the novel, Okonkwo. Okonkwo has the hardship of living in an ever-changing society. It is thru Okonkwo that the reader is able to visualize a society of immense cultural standing, and not as European colonizers would say, a society of savages. The main theme of culture is present in all areas of the novel, which helps to show to the reader all of its underlying themes, themes of tradition and themes of religion. Achebe sees the themes of culture, tradition, and religion in one bright light and European colonizers see those same themes in a totally different, somewhat snobbish dim light. However these themes are viewed, one thing is certain, change is on the horizon.

Chinua Achebe was a Nigerian novelist, poet, professor and critic. He is mainly known for his trilogy that investigates, using fiction, the history of Nigeria. The trilogy begins with Things Fall Apart, followed by No Longer at Ease and ended with Arrow of God. Furthermore, in this critically analytical essay, through a feminist perspective, a chapter of his second novel, No Longer at Ease, published in 1960, will be discussed. The setting of the novel is Lagos, Nigeria and Umuofia, Nigeria during the 1950s, before Nigeria attained independence from Great Britain. The novel, No Longer at Ease begins with Obi Okonkwo on trial, charged for accepting a bribe. However, using flashback, the author takes us back to the point before Obi’s departure

In every situation, varying perspectives and opinions will be present, as proven in Joseph Conrad’s Heart of Darkness and Chinua Achebe’s Things Fall Apart. These literary works reveal opposing viewpoints of Africa through the use of literary and stylistic devices. The natural, primitive society is portrayed using sensory detail, imagery, and diction, which in turn reveal the authors’ different attitudes. Through his use of arrogant diction and vivid imagery, Conrad establishes a superior tone, while Achebe incorporates words with peaceful connotations into his sensory detail to create a serene tone.

Achebe’s essay “An Image of Africa” analyzes the book Heart of Darkness by Joseph Conrad. He dissects the false representation of the african people and the bias in his book. In “Heart Of Darkness,” Conrad feels that the people of Africa are undeveloped and they are savages; he looks at all their culture and tradition and only sees it as uncivilized, he has no appreciation for their beliefs. This relates to Achebe’s book, Things Fall Apart, because Conrad’s views represents the white colonist and their feelings towards the africans. The colonists did not respect their culture or their gods. Okonkwo is well-respected by his tribe, he is extremely traditional and values his culture. The colonists are a threat to that because they do not understand or respect the African ways, they want to change it and convert them to Christianity. Okonkwo has a need to stand up for his culture and his beliefs, he feels he has to be able to prove that he is a strong and powerful man. Okonkwo worries that if he does not protect his customs, he will be seen like his father: cowardly and feminine. He has been haunted by that fear his whole life, “It was the fear of himself, lest he should be found to resemble his father. Even as a little boy he had resented his father’s failure and weakness, and even now he still remembered how he had suffered when a playmate had told him that his father was agbala”(Achebe 12). His need to distinguish himself from his father and protect his people are what drive him to make do things like kill Ikemefuna and the messenger. Things fall apart for Okonkwo because the other villagers do not have the same passion and drive as him. The

In “An Image of Africa”, Chinua Achebe comes to the bold conclusion that Joseph Conrad “was a bloody racist” (788), with his discussion centering primarily on Conrad’s Heart of Darkness as a racist text. Achebe’s reasoning for this branding rests on the claims that Conrad depicts Africa as “a place of negations at once remote and vaguely familiar in comparison with which Europe 's own state of spiritual grace will be manifest” (783), that Africans in Heart of Darkness are dehumanized through both the characterization of individual Africans and the Congo as a setting, and finally that Marlow is no more than a mouthpiece for Conrad’s personal views on race and imperialism. However, Achebe makes critical oversights and contradictions in the development of each of these argumentative pillars, which prove fatal to the validity of his overarching contention. This should not be construed, though, as a yes-or-no assessment of whether Conrad was a racist outside of what his written work suggests—Achebe himself has “neither the desire nor, indeed, the competence to do so with the tools of the social and biological sciences” (783)—but as an assessment of claims specific to Heart of Darkness and their implications for Conrad’s views and attitudes.

More than those of any other African writer, Chinua Achebe’s writings have helped to develop what is known as African literature today. And the single book which has helped him to launch his "revolution" is the classic, Things Fall Apart.  The focus of this essay includes: 1) Achebe's portraiture of women in his fictional universe, the existing sociocultural situation of the period he is depicting, and the factors in it that condition male attitudes towards women; 2) the consequences of the absence of a moderating female principle in his fictions; 3) Achebe's progressively changing attitude towards women s roles; and 4) feminist prospects for African women. In the context of this study, the Igbo people whom Achebe describes will