Compare And Contrast Young Goodman Brown And The Lottery

Nathaniel Hawthorne’s “Young Goodman Brown” and Shirley Jackson’s “The Lottery” both tell stories using literary techniques of tone, symbolism, and irony that help to convey stories that leave the reader baffled by their ending. Although Hawthorne and Jackson utilize these literary techniques in a different way, both of the stories end with a sense of darkness.

Shirley Jackson is often regarded as one of the most brilliant authors of the twentieth century. Born in San Francisco in 1916, she spent the majority of her adolescence writing short stories and poetry (Allen). While she is known best for her supernatural stories, one of her most popular works is a short story called “The Lottery”. The lottery takes place in a small village in which once a year on June 24th, the town population is gathered. After the gathering, there is a drawing to see which family is chosen, after the family is chosen, another drawing takes place to see who is stoned to death. In the New Yorker's magazine book review hailed “The Lottery” as “one of the most haunting and shocking short stories of modern America and is one of the most frequently anthologized” (Jackson). This review stems heavily from Jackson’s brilliant use of irony, symbolism, and foreshadowing. However, perhaps what truly stands out is how Jackson is able to wrap all of those elements together as a way to show an overarching theme of the corruption that exists in human nature. While the real source of “The Lottery’s” inspiration is unclear, there has been heavy speculation that the roots lie heavily in the actions of the holocaust and the actions that took place during World War II. Regardless of the source material, a general consensus can be made that the plot of the lottery is a dark reflection of human actions.

In Hawthorne’s “Young Goodman Brown” although the decision to visit the devil was not one Goodman Brown following the crowd, he soon realized he had not been the only one tempted to visit the devil. Actually upon his meeting the devil, he realized that he did not want to continue his journey and wanted to return back home to his wife, Faith, but soon realized many of the townspeople were companions with satan. The themes of “Young Goodman Brown” are that religion or religious actions do not make someone righteous and although we have an appeal to live right, there is a small desire to try the “dark side”. Goodman Brown knew right from wrong growing up in the Puritan community, he also had individuals who would teach him the doctrine of his religion; however just like many people, Goodman Brown had to see what it would be like to travel into the wilderness and visit the devil. While Goodman Brown was on his way he begin to hear familiar voices and see familiar people—those who have taught him the “right” way of living. Of course since the wilderness was no place for a saint to be Goodman Brown would hide so that the others could not view him of being in error of the Christian faith. This is how the theme religion

Dystopian stories works depict a negative view of "the way the world is supposedly going in order to provide urgent propaganda for a change in direction”. Often these stories have many themes that can relate to the real world. In the dystopian story “The Lottery” written by Shirley Jackson, many themes such as false hopes,hypocrisy, ritual, and mob mentality are expressed throughout the story. In the story everyone in a small village gather in the town square for the lottery, whoever gets chosen gets stoned to death by everyone in the town including friends and loved ones. The use of different themes throughout the story relate to the literary devices and universal storytelling elements setting, verbal irony, symbolism, and social cohesion.

Within the first few lines of Shirley Jackson's "The Lottery" we are faced with such adjectives as clear, sunny, fresh and warmth. She goes on to paint a picture of small children just out of school for the summer, as the townspeople gather for the annual Lottery. This leads us to believe that the rest of the story is as cheery as the summer day initially described. We as the readers are virtually unaware of the horrible senseless events that lie ahead. Through the use of symbolism Shirley Jackson reveals the underlying decay of ethics that results from an empty ritual followed by narrow-minded people.

In Shirley Jackson’s "The Lottery," what appears to be an ordinary day in a small town takes an evil turn when a woman is stoned to death after "winning" the town lottery. The lottery in this story reflects an old tradition of sacrificing a scapegoat in order to encourage the growth of crops. But this story is not about the past, for through the actions of the town, Jackson shows us many of the social ills that exist in our own lives.

Shirley Jackson’s “The Lottery” is a story littered with warnings and subtext about the dangers a submissive society can pose. While the opening is deceptively cheery and light Jackson uses an array of symbols and ominous syntax to help create the apprehensive and grim tone the story ends with. Her portrayal of the town folk as blindly following tradition represents the world during World War II when people’s failure to not mindlessly accept and heed authority lead to disastrous consequences. . Shirley Jackson uses a large array of techniques to help convey the idea that recklessly following and accepting traditions and orders can lead to disastrous consequences.

Shirley Jackson’s famous short story, “The Lottery,” was published in 1948 and remains to this day one of the most enduring and affecting American works in the literary canon. “The Lottery” tells the story of a farming community that holds a ritualistic lottery among its citizens each year. Although the text initially presents audiences with a close-knit community participating in a social event together on a special day, the shocking twist at the work’s end—with the death of the lottery’s “winner” by public stoning—has led to its widespread popularity, public outcry and discussion, and continued examination in modern times (Jackson). One potential critical theory that can be applied to Jackson’s “The Lottery” is the reader-response

Society today sees the lottery as an easy way to win a ginormous amount of cash just by buying a little slip of paper with a combination of numbers. The irony that Shirley Jackson uses in her short story, The Lottery, is used to the extreme by not only the title being ironic, but also within the story. The lottery is seen as a way to gain cash, but the ironic part of the title is that the reader sees it and thinks that the story will be about someone winning a big prize, yet the winner is sentenced to being stoned to death. Within the story, Shirley Jackson writes about how one member of the community ultimately chooses who wins the lottery. Another ironic thing about someone chooses the winner is that one of the communities sons picked his own father to win the lottery. Linda Wagner-Martin analyzes The Lottery and its irony by writing, “Bringing in the small children as she does, from early in the story (they are gathering stones, piling them up where they will be handy, and participating in the ritual as if it were a kind of play), creates a poignance not only for the death of Tessie the mother, but for the sympathy the crowd gives to the youngest Hutchinson, little Dave. Having the child draw his own slip of paper from the box reinforces the normality of the occasion, and thereby adds to Jackson's irony. It is family members, women and children, and fellow residents who are being killed through this orderly, ritualized process. As Jackson herself once wrote, "I hoped, by setting a particularly brutal ancient rite in the present and in my own village, to shock the story's

Winning isn’t always what it seems. Hearing the word “lottery” usually develops a positive connotation in the mind of the reader, associating it with pleasure, good fortune and happiness; however, in “The Lottery,” the winner is rewarded by being brutally stoned by her neighbors and believed friends. “The Lottery,” written by Shirley Jackson in 1948, highlights how complacently our society reacts to the pointless brutality and inhumanity towards others. To demonstrate this, Jackson examines social constructs, women’s place and how instead focusing too strongly on strict traditions, we need to reexamine these rituals to determine their necessity and if they are still beneficial to society. Jackson uses seemingly ordinary details about

Nebeker, Helen E. “The Lottery’: Symbolic Touch De Force” Short Story Criticism, edited by Jenny Cromie, vol. 39, Gale Group, 2000, 75 vols, pp. 187-90. Originally published in American Literature, vol. 46, no. 1, March, 1974, pp. 100-07.

a. Goodman Brown's sets out on a walk in the forest, but knows that evil awaits him.

Young Goodman Brown and the Lottery Symbolism Use In: "Young Goodman Brown" and "The Lottery" The authors, Shirley Jackson and Nathaniel Hawthorne, both frequently use symbols within their stories "The Lottery" and "Young Goodman Brown." Symbols are utilized as an enhancement tool to stress the theme of each story. Hawthorne uses names and objects to enhance the theme, and Jackson mainly utilizes names to stress the theme, although she does have one object as a symbol of great importance to the theme. The stories both contain symbols describing evil. The majority of Hawthorne's symbols describe religion (both good and evil), but Jackson’s symbols reflect the evil nature within society as a whole. There exists a symbolic act in each story.

Nathaniel Hawthorne’s short story, “Young Goodman Brown”, is filled to the brim with symbolism. As with many works of the Puritan literary time period, Hawthorne’s inclusion of various biblical allusions are used to seemingly shape the story into a cautionary tale of acting against God’s favor. The main symbol that stands out in this story is an Old Man that represents the devil Himself.

There is a lot that goes into a fictional story, especially for the writer of the story. Most readers don’t look closely enough at a story to realize how much truly goes into it. Two major aspects that go into writing a fictional story include characterization and setting, both of which play a major role in the stories “Young Goodman Brown” by Nathaniel Hawthorne and “The Lottery” by Shirley Jackson. Without the settings and characters in these stories, they wouldn’t be the same. The stories rely heavily on both. Jackson and Hawthorne use setting and characterization to convey and reinforce the idea that things are not always the way they seem