Choosing Fate Over Destiny in Othello and the Epic of Gilgamesh

I have read and understand the plagiarism policy as outlined in the syllabus and the sections in the Catalog relating to the IWU Honesty/Cheating Policy. By affixing this statement to the title page of my paper, I certify that I have not cheated or plagiarized in the process of completing this assignment. If it is found that cheating and/or plagiarism did take place in the writing of this paper, I understand the possible consequences of the act/s, which could include expulsion from Indiana Wesleyan University.

Over the centuries, the concept of fate is constantly being changed to adapt to our current way of living. In modern times the concept of fate is usually connected to the themes of love and romance. However the ancient Greeks recognized fate as an inescapable reality that shaped their lives. The famous playwright, Sophocles, adopts the idea of fate in his plays to control the character’s actions. In both plays, “Oedipus the King” and “Antigone”, the writer uses the concept of fate to show human’s inability to conquer the will of the gods.

Fate is defined as the development of events beyond a person’s control. In “Oedipus the King,” Sophocles, tells us about a tragic hero (Oedipus) in which his life is predetermined by fate, because he is deprived of free will. The first act of fate on Oedipus was him being saved by a shepherd when his parents (Queen Jocasta and King Laius) left him in the mountains to die, he then met and killed his father without knowing who he was, and last, he married Queen Jocasta, later realizing that she was his mother. Every action that Oedipus took to prevent his fate, would soon be the ultimate downfall, not only for himself, but for his family and the people of Thebes.

In Oedipus the King, the theme of fate vs free will appears all through the play. Oedipus throughout the play tries to avoid his inevitable fate, which ironically seems to make his fate come

Fate and free will are epic subjects in life. When we cannot control something we blame it on fate, but we try to change the way things are with our free will.

Sophocles states that “Fate has terrible power. You cannot escape it by wealth or war. No fort will keep it out, no ships outrun it.” Fate derives from a Latin word, fatum, meaning that one’s future is predetermined. In Oedipus Rex, Sophocles unfolds the misfortune of a noble king who searches for knowledge. Evidently, Greek heroes like Oedipus are destined to rule, but are also bound to fall, therefore, he cannot alter his own fate. This tragic play proves that the power of fate is indeed stronger than one’s free will. Despite his attempts to fight his destiny, Oedipus can never outrun his fate. Regardless of his parents’ desperation to evade the predicted outcome, fate guides his journey for knowledge, leading to his destruction.

In Oedipus the King, by Sophocles, the idea of fate and destiny is brought to the forefront of the play. The idea of fate is incredibly prevalent in the play and drives a significant amount of the plot. The most important example of fate in the play is the prophecy that Oedipus is doomed to follow. The prophecy that Oedipus is supposed to fall victim to is revealed to the audience by Teiresias, a paraphrasing of the prophecy is “he’ll have no joy of the discovery: blindness for sight and beggary for the riches his exchange, he shall go journeying to a foreign country tapping his way before him with a stick. He shall be proved father and brother both to his own children in his house; to her that gave him birth, a son and husband both; a fellow sower in his father’s bed with that same father that he murdered” (Sophocles, 504-513). Even though, many of the seeds of this

    Fate seems to defy humanity at every turn.  A man may have his life planned out to the last second, but then some random force intervenes and he dies the second after he has completed his life plan.  Some believe in fate, believing that our lives are predetermined from the moment we are born.  Other people believe that everything is random, the result of some god rolling the dice in a universal poker game.  Still other people believe that each and every person is in total control of his or her destiny, every step of the way.  Who is to say which viewpoint is false?  Every culture has a unique perception of the role of fate in our lives, and no group has the "right answer," simply a

I have read and understand the plagiarism policy as outlined in the syllabus and the sections in the Student Catalog relating to the IWU Honesty/Cheating Policy. By affixing this statement to the title page of my paper, I certify that I have not cheated or plagiarized in the process of completing this assignment. If it is found that cheating and/or plagiarism did take place in the writing of this paper, I understand the possible consequences of the act/s, which could include expulsion from Indiana Wesleyan University.

Some people believe that you have no control over your life, that your life is predetermined and nothing you do will change it. Others believe that everything in life is a result of your own actions, and calling it fate is a way of negating your own responsibility. Many myths deal with this idea of destiny, and if it is possible to alter it. People may not believe that destiny controls anything in our lives, but if it does, can we change it? The protagonists in The Epic of Gilgamesh and Oedipus the King both attempt to change their destiny, but no matter how they change their ways, or how much they fight it, they are unsuccessful.

Large-scale questions of such ideas are raised in Sophocles’ play, “Oedipus the King”—a story that deals with the tragic hero, Oedipus, and his demise. Oedipus progresses through the play struggling against his own wicked destiny: the prophecy that declares that he would kill his father and marry his mother. Ultimately, Oedipus fulfills this prophecy; in fact, he had completed his fate without his own knowing and before the play even begins. Despite his belief that he was fighting against his prophesized destiny, Oedipus was ironically fulfilling it, and he slowly brings about his own downfall. He becomes a victim of his own fate. In this regard, “Oedipus the King” explores a terrifying concept: Oedipus never had free will—a puppet in every sense to the higher beings that decided his ending for him.

When Teiresias asks in Antigone (line 1051), "What prize outweighs the priceless worth of prudence?" he strikes (as usual) to the heart of the matter in Sophocles' Theban Plays. Sophocles dramatizes the struggle between fate and free will, in one sense, but in another sense the drama might be better understood as the struggle between the will of the goods (which it is prudent to follow, according to Teiresias) and man's will (which is often imprudent). Sophocles' characters are moved by their own wills, of course (either in accordance or in conflict with the will of the gods). Oedipus in Oedipus the King is determined to pursue the truth in spite of the objections of Jocasta, the priest, and his own misgivings. In Oedipus at Colonus, Theseus "cannot rest" (line 1773) until he has served both Antigone and the late Oedipus (implying that conscience is his motivator awareness, in other words, of his duty towards them). In Antigone, Antigone acts in accordance to the will of the gods (but in disobedience to the will of Creon) and does so knowing the punishment that awaits her: "Go I, his prisoner, because I honored those things to which honor truly belongs" (lines 178-9). This paper will show how while fate is a powerful force in The Theban Plays, the characters themselves are still left to exercise their own free will (either with respect or disrespect to will of the gods). Thus, the main drama consists not in the

Sophocles is the author of the famous play, “Oedipus the King”. In case you did not know, Sophocles is from Greece. In Greek mythology there are three goddesses who preside over the birth and life of humans. Each person 's destiny was thought of as a thread spun, measured, and cut by the three Fates, Clotho, Lachesis, and Atropos. In the story “Oedipus the King” fate and destiny was the main theme. On Google the definition of destiny is the events that will necessarily happen to a particular person or thing in the future. Fate is defined as, the development of events beyond a person 's control, regarded as determined by a supernatural power. In this paper I will be analyzing the story to help you understand the significance of destiny and fate to the story.

The destiny in Gilgamesh and The Iliad stories are believed to be a power that controls what happens in the future. The story of Gilgamesh and the Iliad destinies are moderately the same in significance of the conflicts and the ways of life both of the stories focused on a significant deaths. The Iliad and Gilgamesh is a remarkable reminder of the way life is in the present, but also how it is a little different. Both stories are similar in goals and destinies and how it affect the main characters. Most people believes that destiny or fate is pre-set and it is changed only by decisions we make that may be selfish and vindicated. Hopefully by the end of the essay the readers will get a better understand of stories similarities and differences.

Oracles, seers, and prophets are used in Greek tragedy to provide foreshadowing for the audience and characters. The seers' wisdom is conveyed through the pronouncement of oracles or prophecies. They confer forecasts to principal characters that affect the characters' future. Although not always believed, and often endeavored to be foiled, seers, oracles, and prophets in Greek tragedies foretell events that greatly affect the lives of prominent characters. Cassandra in Aeschylus' Agamemnon, the Oracle at Delphi in Sophocles' Oedipus, and Teiresias in Sophocles' Antigone pronounce damning prophecies that, despite ignorance, evasion,