Chopin's The Awakening: O Death Where Is Thy Sting?

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

The ending of Kate Chopin’s The Awakening is both controversial and thought provoking. Many see Edna Pontellier’s suicide as the final stage of her “awakening”, and the only way that she will ever be able to truly be free. Edna’s suicide, however, is nothing more than her final attempt to escape from her life. Edna Pontellier’s life has become too much for her to handle, and by committing suicide she is simply escaping the oppression she feels from her marriage, the suppression she feels from her children, and the failure of her relationship with Robert.

In Chapter 8, Madame Ratignolle pulls Robert aside and asks him to leave Edna alone. She explains that Edna,” Is not one of us; she is not like us. She might make the unfortunate blunder of taking you seriously.” Chopin’s use of repetition in Adele’s dialogue puts emphasis on Edna’s uniqueness and labels her as an outcast. Adele sees Edna drifting further and further away from the social norms of their accustomed society and wishes to stop her before its too late. Chopin also uses this scene to foreshadow Robert’s unwillingness to commit to Edna as he brushes off Madame Ratignolle’s warning, seeing his relationship with Edna as a fling rather than being the passionate lover Edna craves.

Over the course of time the male species has always been the gender to attain the more favorable conditions. Numerous cultures heed to the belief that the man is the provider and head of his family. This machismo nature can condition the mind to believe that a man should feel superior to a woman. The continuous cycle of male superiority flows down from father to son subconsciously. Do to this unceasing sequence of behavior women fall subject to repression and control at the hands of mentally undeveloped men. Kate Chopin’s The Awakening, illustrated this particular topic in a way that not only appealed to the readers’ sense of pathos but, the readers’ likeliness to be able to relate to the aforementioned as well. Chopin stylistically renders the struggle of the protagonist Edna Pontellier, a strong willed woman who finds herself imprisoned to the concept of trans-temporal existence, as she seeks refuge to her true being, Edna experiments relationships with multiple men that unintentionally repress her existence. Between Leonce Pontellier, Robert Lebrun, Alcee Arobin and The Colonel effect of Edna’s life they catalyze her awakening and ultimately lead her suicide.

In the iconic debated novel “The Awakening”, Kate Chopin’s novel takes place in the Victorian Era, which is in the 19th- century, similarly the novel was published in 1899. Edna is depicted as a woman longing for more, a woman who was looking for more than just a life of complacency and living in the eyes of society. The story uses Edna to exemplify the expectations of women during this era. For example, a woman’s expression of independence was considered immoral. Edna was expected to conform to the expectations of society but the story reveals Edna’s desires which longed for independence in a state of societal dominance. Throughout The Awakening, Chopin’s most significant symbol,

Though it was uncommon during the 1800’s, some women didn’t want to assume the traditional role of a typical Victorian lady. Such is the case in Kate Chopin 's The Awakening; she introduces us to Edna Pontellier a mother and wife during the said era. Throughout the story, we follow Edna 's journey of self-discovery and self-expression through emotions, art, and sex thanks to the help of people she meets along the way. Chopin decides to end the book with Edna’s suicide in an attempt to convey a sense of liberation from her repressed life, but was the reasoning behind her suicide what everyone else thinks? Consequently, this said journey took me along for the ride, and I had no complaints. As Edna figured out who she was, I felt as if I was

In Kate Chopin’s novel, The Awakening a wife and a mother of two, Edna Pontellier, discovers her desires as a woman to live life to the fullest extent and to find her true self. Eventually, her discovery leads to friction between friends, family, and the dominant values of society. Through Chopin's use of Author’s craft and literary elements, the readers have a clear comprehension as to what the author is conveying.

Throughout The Awakening, a novel by Kate Chopin, the main character, Edna Pontellier showed signs of a growing depression. There are certain events that hasten this, events which eventually lead her to suicide.

Lastly, Edna explores self-expression in her own physical passion. Her romantic relationships with Alcee and, most importantly, Robert, give her the means to express love and passion she had preciously repressed. When Edna first explores these sexual feelings she, as Davis states, "succumbs to the seductions of a roué, Alcee Arobin, without

Edna Pontellier as a character is an Interesting topic amongst scholars who have read The Awakening by Kate Chopin. The topic of her suicide is the focal point of such discussion. Weather it was an act of heroism, or the downfall of an already pitiful woman. While it may be easy to characterize suicide as a “coward's” death it's not good to be so hasty. Looking at Edna as a character one can see a woman who is clearly more progressive than the time she was in. Edna had always been on a different wavelength than her peers. One that means she was different, unpredictable, and outcast. However this isn't the case, Edna should be praised for her courage and heroism towards the

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

Chopin tells of this younger woman with an older husband who runs with her intuition in search of her own mind. Another presentation of Romanticism in The Awakening is described during Edna's search for individualism when she says of her that "...no longer was she content to 'feed upon opinion' when her own soul had invited her" (124). Edna Pontellier has a desire to be her own person in her own world when she is placed in a setting that refuses to permit such an action.

In Kate Chopin’s novel, The Awakening, the constant boundaries and restrictions placed on Edna Pontellier by society will lead to her struggle for freedom and her ultimate suicide. Her husband Leonce Pontellier, the current women of society, and the Grand Isle make it evident that Edna is trapped in a patriarchal society. Despite these people, Edna has a need to be free and she is able to escape from the society that she despises. The sea, Robert Lebrun, and Mademoiselle Reisz serve as Edna’s outlets from conformity. “Edna's journey for personal independence involves finding the words to express herself. She commits suicide rather than sacrificing her independent,

Chopin confirms this by saying, “Mrs. Pontellier was not a woman given to confidences, a characteristic hitherto contrary to her nature. Even as a child she had lived her own small life all within herself…” (Chopin, 2005, Chapter 7, para. 1). Over the summer, even though she was already married, Edna met a young man by the name of Robert Lebrun and surprisingly fell in love. “The action was at first a little confusing to Edna, but she soon lent herself readily to the Creole’s gentle caress. She was not accustomed to an outward and spoken expression of affection…” (Chopin, 2005, Chapter 7, para, 19) meaning Robert gave Edna the kind of attention that she never got from her husband, Leonce Pontellier. She became ignorant of her surroundings and carried on into this “fantasy” (Chopin, 2005). Edna’s passions became overpowering to her self-control. This was a feeling that she had not felt with her husband even when she married him. Robert decided at the spur of the moment, he would leave on a business trip to Mexico without telling Edna. This caused Edna to feel even more alone and confused because she did not enjoy being married. Chopin proclaims, “Her marriage to Leonce Pontellier was purely an accident, in the respect resembling many other marriages which masquerade as the decrees of Fate” (Chopin, 2005, Chapter 7, para. 24). Her husband was never home and the man she ultimately loved left her

Unexpectedly, Robert and Edna become extremely close with each other by summer's end. Unwilling to further his relationship with a married woman, Robert leaves the country for Mexico. Furthermore, Leónce truly believed he had no obligation to care for his children and that it was Edna’s duty to do so. “If it was not a mother’s place to look after the children, whose on earth was it?” (Chopin 7). In society’s eyes, all a man needed to do was support their kids financially while the woman supported them in other ways. Chopin focuses on two other female characters in the story, Adele Ratignolle and Mademoiselle Reisz. These women are examples of how women should be in the nineteenth century. Adele was an example of a "motherly woman.” She would gladly sacrifice anything to care for her children, husband, and household, while Edna would not. Edna finds both role models lacking and begins to see that the life of freedom and individuality that she wants goes against society. Not only did society have a specific look on how a women should be, but Leónce as well, towards Edna. “’You are burnt beyond recognition,” he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage.” This shows how Edna is not an acceptable color according to her husband’s wishes. Edna had specific guidelines to follow