Christian Nyby's The Thing From Another World

Puritans and reformers of seventeenth century England have been given a bad name for their part in history. This is primarily because they were working against the grain and trying to create change in world that saw change as a threat. The time period was turbulent and there was bound to be resistance in a world that was dominated by Catholics and those that had reformed to abide by their King’s law. The puritans of the time were considered extreme and rubbed people the wrong way because they wanted a world that abided by their morals and ethical codes. For this, they took the blame for the misery that many suffered during this age, but as we see in Fire from Heaven, this is not a fair assessment. The Puritans of this time wanted to improve the lives of the people and society as a whole through morality and purity.

During Mr. Rosenberg’s leave we learned different dramatic elements such as script analysis, stasis and intrusion, dramatic conflict, etc. This helps us to understand the different elements so one day when we have to apply the elements we will already be mindful of them. Additionally, we also learned about the beginning of theater dating back to ancient Greece and their different ways of displaying theater.

Even though Stanley Kubrick’s Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb screened in the midst of the sobering Cold War, critics were keen on praising the film for its mastery of humor applied to such a sensitive matter. The film is exceedingly loaded with metaphors, innuendos, and allusions that nothing can be left undissected or taken for face value; the resulting effect is understood to be part of Kubrick’s multifarious theme. Kubrick has stated that what began as a “the basis for a serious film about accidental war ” eventually birthed an absurd and farcical classic comedy. The director fuses together irony, satire, and black humor to create a waggish piece but most of all the situation of the times and its

The poem “Between the World and Me” by Richard Wright reanimates the horrible scene of a racial lynching and forces the reader to endure the victim's pain through the first person’s narrative voice. The poem contains structured lines and visual division into three stanzas. Moreover, there is one more type of division in the poem. The author uses an ellipsis four times throughout the poem. This punctuation mark frames the poem into the timeline, where the historical past of the African American poet becomes the present experience of any human, despite the race. The climax of the poem is presented in the middle of stanza two. The animated moment, which starts from the sentence “the ground gripped my feet”, dramatically shifts the

“Where Worlds Collide” is an essay by Pico Iyer who talks about the expectations and reality of Los Angeles through the perspectives of travelers from different backgrounds. In “Where Worlds Collide,” Pico Iyer argues that even though Los Angeles is depicted as a vicinity to receive wealth, happiness, and many opportunities- it is actually the antithesis, and instead, many harsh prejudice and unending craziness will occur instead; Iyer argues this by using allusions, anaphoras, and juxtapositions to help convey what he is saying.

The filmmakers’ main ideas are that the government misled and lied to the people of the U.S. so that they would believe that the atomic bomb would have no effect on their health and security, that we should question if the government should have lied to the American people, and to make us question whether or not the citizens of the U.S. would continue to be as naive as the people of the 1950’s.

The story “Way too cool” by Brenda Woods is an outlandish story because the main character Aston James changes twice. Before the change he was a teenage norm, trying to comprehend where he belongs and who he really is. The change occurs when he realizes that not being yourself is not cool but foolish. However in the end he changes back to Mr. Cool due to peer pressure and to maintain his stature. Through this last change the author helps me understand that peer pressure negatively affects one’s decision-making skills and self-esteem. This story also gives me an insight into why students give up or even commit suicide due to their peers.

“When you have the kind of disability that Aston has, there’s only one way to handle it.” In the beginning of the short story, “Way Too Cool,” by Brenda Woods, the main character Aston James is portrayed as a short-sighted, single-minded, and image-conscious asthmatic teen. Aston experiences two changes throughout this short story. The first change comes when he realizes there is more to life than being cool. But he immediately returns to his original state of mind of “being cool is everything,” when the second change occurs. At first I thought that he had changed for good and he would remake himself and his life. After the second change occurred, I realized that social stature and being cool meant way more to him then his health or anything else. His changes left me to think about the effects of negative peer pressure and acceptance.

As I have stated before, the main subject of this movie is the Cold War. I did have previous knowledge of this subject such as it

Monkey Beach by Eden Robinson gave me incredible insight into the world of Aboriginal people. While you often hear stereotypes about these people, it is often difficult to really understand what their lives are truly like. I believe that because the aboriginal communities have had such a large impact on the history of Canada, especially in the northern communities, we should receive more information and education in our schools about their history. Many textbooks do include brief stories about residential schools, but they do not allow us to see what the impact of those schools has had on their communities as a whole, and how it effects many generations. Adding stories like Monkey Beach into high school curriculum would allow a broader understanding

In this article the author, Howard Rheingold, describes his experience when he decided to visit the amish communities. There he discussed why they put self-imposed rules upon themselves. He realized it was not because they resented technology, the Amish love fancy barbeques and electric saws, but they saw that in the “english” world, people are being separated from their community. The amish decided they would try their hardest to avoid this separation caused by technological advances, “Look Who's Talking” by Howard Rheingold, convinces the reader to analyze the pros and cons of technology; to decide whether or not certain devices are beneficial towards people and their community.

The fundamental characteristic of magical realism is its duality, which enables the reader to experience both the character’s past and the present. In the novel, Monkey Beach, Eden Robinson uses this literary device to address the the trauma and mistreatment of the Haisla community in Canada by unveiling the intimate memories of the protagonist, Lisamarie, and the resulting consequences of this oppression. Monkey Beach illustrates how abuse in the past leads to another form of self-medication in the future - a neverending, vicious cycle for the members of the Haisla community. Many characters in Monkey Beach are scarred from childhood sexual abuse and family neglect, and resort to drug and alcohol abuse as a coping mechanism. These

Charles Maland’s argument for the 1964 film Dr. Strangelove is that it was one of the most “fascinating and important American films of the 1960s.” He backs up his argument with evidence of the films rejection of the Ideology of Liberal Consensus, its attack on “crackpot realism” and critique of life in the 1960s Cold War era, and finally its paradoxical revolution that sets an example for other films to come after.

In “Invisible Child,” a New York Times article written by Andrea Elliot, we follow a day in the life of a young African American girl, Dasani, growing up in New York City. However, instead of living in an “Empire State of Mind,” Dasani lives in the slums, growing up homeless with her two drug addicted parents and seven siblings. Dasani often finds herself taking care of her siblings, making sure they have enough to eat, tying shoelaces, changing diapers, getting them to the bus stop in time, and the list goes on. An 11 year old girl, essentially taking care of a whole family, as well as taking care of herself by going to school, receiving an education, and partaking in extra-curricular activities. Elliot captures the life and struggles of a family well under the poverty line, giving us an unprecedented look into what Dasani must do each day not just to grow up in New York City, but to survive.

In respects to the Film of The Thing of both the 1951 and the 1982 versions of the film. They both share a same Sci-Fi theme in which they both had social fears of society. Depending on which version of the film, they both contrast in their social fears and themes. They also contrast in The alien itself from being a super intelligent carrot to an actual sinister like creature that both can manipulate or perfectly imitate humans. The story develops differently from both of the versions of the film that the effects of it leaves a big gap between the films.