Christianity And Religious Influence Of The Romanesque Period

In this excerpt, von Simson looks at how the writings of intellectuals influenced the development of Gothic architecture. He begins by looking at the writings of St. Augustine and his love for music and how the importance of measurement found in music also applies to architecture. He then goes on to address two important schools of thought that influenced the formation of the Gothic style: The Platonists with their focus on cosmology, and the monks at Clairvaux, including St. Bernard, who focused on spirituality. In this section, von Simson focuses on the former and the connection between the cosmos and the Gothic cathedral. He argues that these medieval scholars saw God as an architect and the cosmos as his cathedral. In his study of both St. Augustine and the Plantonists, von Simson works to identify the ways in which these intellectual schools of thought influenced Gothic architecture.

It was during the Middle Ages (300-1000 AD), that various distinctive forms of art began to emerge in western Europe. A variety of significant mosaics, buildings and other forms of art came from this time that continue to be analyzed in the present. In the book Early Medieval Art, Lawrence Nees successfully provides an intricate interpretation of these various art forms that developed in this time in history while allowing the reader to conceptualize the emerging cultures of the first millennium in Europe. Nees is able to do this by outlining key aspects of the studied works of art that symbolize how life was at this point in history. At the beginning of his book, it is apparent that Nees seeks to provide a less traditional view on art at this time when he states, “I offer a different story of early medieval art in place of the more traditional tale of the decline of Rome and triumph of Christianity”. Nees’ thesis is subsequently inexplicitly stated to analyze the role of tradition in early medieval western art and its transformation as time progressed. By following a non-conventional thesis when writing this book, Nees is able to contribute a new perspective into the overall topic of medieval art.

The Gothic period, by and large set between the twelfth and fifteenth hundreds of years in Europe, was described by religious workmanship with an attention on design. The Renaissance period, which covers the Gothic period in right on time years, is for the most part considered to have spread over from the late fourteenth century to the seventeenth century, and enormously extended the degree and topic of craftsmanship. In spite of the fact that these two periods have some normal qualities, the Gothic and Renaissance periods have altogether different purposes of core interest.

Much of the architecture in the Romanesque era evolved into Gothic architecture. The Gothic era ran from the 12th century into the 16th century. There wasn’t necessarily a clean break from Romanesque to Gothic styles of architecture, but rather a gradual shift in design. The main characteristics of Gothic architecture are the pointed ribbed vaults and arches, flying buttresses and, in place of solid walls, a cluster of columns. Due to the vertical emphasis of the design, the archways could be redesigned and stretched or pointed. Four main Figure 5 – The depressed arch supported by fan vaulting at King’s College Chapel, England.

Factors Which Led to the Spread of Christianity in the Roman Empire Christianity was not born in a vacumn. There were many social, geographical, historical and religious issues prevailing at the time of Christ and all of which were favorable to the spread of Christianity. Geograpicly, Christianity came into being in the Meditation world, the largest of the various centers of civilization at that time. Israel stands almost central to the five continents, dividing the east and west.

A reflection on religious monuments and their implements in their connection to their faith and use of prayer. This reflection uses Christian, Islamic, and Jewish religions as examples of study in the Medieval era.

This remarkable improvement in methods indicates the fresh importation of skills from the East and this applies not merely to England but to all Western Europe at that time (“The Flowering” 88). Into three main phases the development of architecture through the period may be divided. The elements of Gothic style and their gradual elaboration over a period of rather more than a century came first at the opening of the 12th century. After the year 1000 there was a fully coordinated Gothic art particularly marked by the invention of windows with baltracy, Jean d’ Orbais probably used it first at Rheims cathedral during the generation following 1211, why the east end was begun. A century followed with classic poise in which an international architecture reached its peak and produce perfect forms of castle and palace, cathedrals enriched with painting patterned tiles, figure sculpture and stained glass (“The Flowering” 92).

The Romanesque and Gothic architecture period both occurred during the Middle Ages with the Gothic period taking place during the later half. Gothic and Romanesque architecture were related in many ways, but they also contrasted in style too. Over time, masons began to test the waters and push the limits. They thought of new ways to add lighting and ways to allow more height to the building without it being to heavy and weak. Many of the reasons for the change in styles had a lot to do with society and the changes it faced. There was a greater intensity occurring in piety and literature. The Gothic style embodied this new urban society. Romanesque and Gothic shared similar characteristics, but Gothic architecture was a greater departure

Throughout history, Christianity always had a reputation, or a “name” following it. Different perspectives approached the reputation that was attached to Christianity in different manners. Justin Martyr and Porphyry had objectives when defining whether this “name” really defined Christianity and the past. They wondered whether the past really represented Christianity. Additionally they honed in on the question of was the past that people represented as Christianity really the roots of Christianity? All around Porphyry and Justin was perceptions of what Christianity rooted from and stood for.

In 312 CE, Roman Emperor Constantine achieved a victory at the Milvian Bridge. The night previous to this battle, Constantine dreamt of a cross inscribed in hoc signo vinces, in this sign you will conquer. As trivial as this dream may seem, it ultimately signified the beginning of the rise of Christianity. With his victory, Emperor Constantine converted to Christianity and supported and encouraged it throughout the empire. In 313 CE, another milestone occurred as the emperors, both Constantine I of the West and Licinius of the East, signed the Edict of Milan declaring that the Diocletianic Persecution would end, and Christianity would be tolerated in the Roman Empire. This religion began to flourish as people quickly converted from pagan

The single most important aspect of European empires, beginning just prior to the fall of Rome, is the spread of Christianity to all areas of the continent in as little as a few hundred years. Many theologians state that Christianities spread is the indirect influence of God and the adoration of people to one true faith. Though it is true that Christianity has brought about people that even atheists could call saints, it is unquestionable that Christianity was so monumental because it united larger groups of people and its spread is contributed to adherence to local customs and its lack of new ideas in comparison to other religions of the day.

     The art of the Romanesque period was characterized by the revival of sculptures and fresco painting. These were common elements of architecture. Along with those architectural advancements the period produced frequent examples of realism as well as a heightened emphasis on emotion and fantasy. The crusades acted as a main contributor to this time period lending more religious and revolutionary imagery.

After Charlemagne’s death in 814, a terrible and dark period of cultural decline and terror ensued. It took a long time for the terror to end and the conquerors of various parts of Charlemagne’s empire to come together and create conditions for peace. With that peace came the Romanesque architecture movement. Now it can be hard to distinguish what exactly Romanesque architecture was

Among various political, social, and religious strife, the Medieval Literature is characterized by Christian influence and beliefs. In medieval texts, authors highlight the importance and grandeur of the Christian faith by contrasting it with descriptions of foreign lands. As a result, people received a false view of these faraway lands that included Syria and India. In texts such as Sir John Mandeville’s The Book of Marvels and Travels and Geoffrey Chaucer’s “The Man of Law’s Tale” offer examples of othering by their misunderstanding of foreign people and criticism of their religion which in turn facilitates the authors in defining the Christian European identity.

There were two main types of architecture during the middle ages, the Romanesque style and the Gothic style. The Romanesque period took place approximately between 1096 and 1270 (the eleventh and twelfth centuries) and the Gothic period took