Christianity in Shakespear's Hamlet

Hamlet feels the moment of death is important and has to come at the right time. Hamlet had one well known opportunity to kill Claudius, but his hesitation came in when he realized he was praying. According to Karl S Guthke hamlet did not kill Claudius while he was praying because if he was to have stabbed him in the back at that moment he would go straight to heaven no matter how sinful his life was. ( Guthke 91) Hamlet shows how important the moment of death is when he says “that he will wait until lust and sin come back, and when his soul would be at the door of hell.” (Kilgore)He is constantly putting it off, because he is not ready, because he has not done thinking about it. Hamlet says he will not kill him now, he wants to find a moment that when killed he will be sent to hell.(Shakespeare)

Hamlet’s religion shapes his view on morality, ultimately guiding many of his actions regarding death. Hamlet is a afraid of life after death as demonstrated by his reluctance to kill Claudius during prayer.“Now

According to the bible, if you repent of your sins you will be forgiven and go to heaven when you die, Hamlet believes this and that is why he does not kill Claudius in this scene. Another reason he does not kill his Claudius based on the reason above, he will not give Claudius the glory of

Hamlet recognizes that suicide is a sin in the eyes of God, so consequently wishes that he could simply cease to exist. In doubting that life is worth all the hardships one must face, Hamlet briefly relishes in the concept of death, equating it to nothing more than a sleep wherein one can be rid of the “heart-ache and the thousand natural shocks” of physical life (III.i.70). Though immediately thereafter Hamlet acknowledges the startling unknown, and the fact that one does not know what comes after death. Hamlet feels a great deal of uncertainty, which surely enhances his overall frustration. Herein lies Hamlet’s reservations in regards to committing suicide: it is a sin, and the afterlife may prove to be more unpleasant than life itself.

Hamlet’s determination and addiction for revenge is confirmed when he is willing to sacrifice his entrance to heaven by separating from his values and beliefs. Initially, Hamlet wishes “that this too too sullied flesh would melt, thaw, and resolve itself into a dew!” He is contemplating suicide as a result of his father’s death and his mother’s haste in remarrying to his father’s brother, Claudius. However, Hamlet brushes off this idea as an option by saying, “Or that the Everlasting had not fixed his canon ‘gainst self-slaughter! Oh, God, God” This portrays the religious beliefs of Hamlet at the time. He wishes suicide was not a sin. However, since it is, he cannot commit it. Similarly, Hamlet also shows his beliefs and values when the Ghost shares his story and then commands Hamlet to avenge his death.

When Hamlet is set up and spied on by Claudius and Polonius, he examines the moral aspect of suicide in a painful world. He opens his soliloquy with asking a simple question, "To be, or not to be:that is the question:" (III. i. 58), that is, whether to live or to die. He then begins to question whether it is nobler to suffer life and the, "slings and arrows of outrageous fortune," (III. i. 66), or to take ones life and end one's suffering. He compares death to sleep and at first thinks that

In 1600 Europe had abandoned the ideas and teachings of Catholic Christianity and began having a Protestant view on the world. When Protestants changed their worldview they rejected the idea of purgatory, causing a key foundation of their new religion. The Protestant Worldview and reaction of it can be reflected in William Shakespeare’s Hamlet. In this time of religious and spiritual changes many people are very confused which can be closely related to Prince Hamlet’s immense amount of anxiety and “madness” that causes tension, due to the lack of knowledge and the ghost of his father.

Throughout the play, Hamlet's soliloquies entrap his motives and at times leave him stuck without a clear path to take. This is evident even from his first soliloquy As Hamlet thinks “That this too too solid flesh would melt, Thaw and resolve itself into dew; or that the everlasting had not fix’d His canon ‘gainst self-slaughter” (Ham. 1.2.). Hamlet doubts the purpose of life as he infers that he wants to committee suicide but is unsure due to it being a sin against God. Hamlet's indecisiveness can be traced back to his curiosity about after life due to his father’s ghost existing and him thinking that in murdering his uncle, Hamlet's soul would not get an afterlife. However, the time period in which Hamlet is based in, it was a son's duty to avenge his father if he was a murdered noble. “A villain kills my father; and for that, I, his oldest son, do this same villain send to heaven” (Ham.

Hamlets contemplation of ending his life shows an inward conflict within himself. In his first soliloquy, he debates whether he should commit suicide. "To be, or not to be- / that is the question: / whether 'tis nobler in the mind to suffer/ the slings and arrows of outrageous fortune, / or to take arms against a sea of troubles and by opposing, end them" (3.1. lines 64-68 Shakespeare). He questions why he should live with all of this chaos but overcomes this internal conflict because he acknowledges that in his religion suicide is a sin. “O, that this too, too sullied flesh would melt, / Thaw, and resolve itself into a dew, / or that the everlasting had not fixed His canon 'gainst (self-slaughter). O God! God!” (1.2. lines 133-136 Shakespeare). This soliloquy signifies the reality of Hamlet s internal conflict and also shows the reality of his external conflict with the society he is surrounded by. This declamation establishes

The Tragedy of Hamlet, Prince of Denmark, is one of the most famous tragedies William Shakespeare has ever written. Found throughout Shakespeare’s tragedy are many religious references. According to Peter Milward, the author of Shakespeare's Christianity: The Protestant and Catholic Poetics of Julius Caesar, Macbeth, and Hamlet, “From a purely religious point of view, which is more than just biblical, Hamlet is rich in homiletic material of all kinds, reflecting almost every aspect of the religious situation in a deeply religious age” (Milward 9). These pieces of religious literature are crucial to the plot of Hamlet. The religious elements found in this tragedy provide the plot, allusions, and foreshadowing.

In Hamlet's soliloquy in Act 3, scene 1, he presents his most rational and dominating scrutiny of the moral authority to take one's own life. He presents the dilemma of whether to commit suicide and escape one's frustrations in life, or to live because of fear of the after life. "To be or not to be-that is the question:/ Whether it is nobler in the mind to suffer/ The slings and arrows of outrageous fortune, / Or to take arms against a sea of troubles" (3.1. 64-7). He decides that the only reason people choose to live is because they fear the afterlife and it's consequences. "When he himself might his quietus make/With a bare bodkin? Who would fardels bear, / To grunt and sweat under a weary life, / But the dread of something after

Not only this, but Hamlet makes it clear that he would willingly give up his life at that point. This reinforces the idea that the Prince considers death a release; the solution to all of his troubles. At this point, it is clear to the audience that Hamlet regards death in a positive, almost welcoming manner. In his eyes, it will restore the natural order of things to their predetermined equilibrium. One of the most famous lines of the play, and probably in all of English literature, is from Hamlet’s third soliloquy. "To be, or not to be: that is the question,” Hamlet asks himself, before launching into a full-blown internal clash over life and death. He considers suicide; it would offer him release from everything wrong in his life. However, he is finally scared of death. He doesn’t know whether God will accept him, or even what awaits him in the world beyond his own. Despite the fear of death displayed by many characters in this play, Hamlet still provides a calmly accepting, even welcoming view of death.

In the play Hamlet by William Shakespeare, religion is a key theme in the play. Throughout the play Hamlet struggles with trying to avenge his fathers death, and how that would impact his and other’s standing with God. The relationship Hamlet has with God plays into the way he responds to certain things. Hamlets actions are impacted by religion, and Hamlet stops and thinks about his actions and thoughts and how that would impact his stance in heaven. In Hamlet religion plays a vital role in Hamlet’s actions and thought process.

In a following speech Hamlet’s disposition towards the world persists, yet his attitude towards death has undergone a transformation. Previously, Hamlet was quick to proclaim his desire to die, but by the third act he’s become uncertain. This hesitation becomes apparent in Hamlet’s “To be or not to be” speech (3.1.56-90). With those opening words, Hamlet debates whether he should exist or not. The fact that this is still a question for him shows that he continues to be displeased with life. Hamlet asks himself, “Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and by opposing end them? To die to sleep.” This reveals a new concern that Hamlet has, he doesn’t ask what is best for him to do, but rather what is nobler, which makes it apparent that he’s concerned with maintaining his character. Even though he maintains the desire to escape the world and the experience in it, he still cares about the image that he leaves behind. Subsequently, Hamlet uses war-like diction, comparing life to war with “slings and arrows” which makes life intolerable. This just reaffirms the ideas Hamlet has had throughout the play, however, a shift transpires when he mulls over the idea that death is like being asleep. A problem arises when he realizes that even when you sleep you experience, “To sleep; perchance to dream: Ay, there’s the rub.” This could be easily misinterpreted as Hamlet hoping to dream, but perchance

Hamlet is an intensely cerebral character marked by a desire to think things through and pick situations apart. As such, for the first three and a half scenes of Hamlet, Hamlet broods over his father’s death instead of taking action against Claudius, his father’s murderer. Hamlet finally acts because he experiences three intense emotional jolts that allow him to view his situation from a new perspective and spur him to action. Together, these emotional experiences alter his personal philosophy about the nature of death and God’s relationship with creation, and compel him to finally take decisive action.