Writer Ngozi Adichie says a feminist is a “person who believes in the social, political, and economic equality of the sexes,” meaning both sexes are treated equally. “Cinderella” does not portray women as equal to men, rather it suggests that a woman’s value highly depends on a man and teaches girls to become patient victims. For instance, it places attention on a woman’s chastity, beauty, passiveness, as the story accepts abuse, discourages powerful women, and insists on a double standard.
In “Cinderella”, a woman’s worth is identified with her chastity. As Cinderella’s glass slipper is the most famous symbol in “Cinderella”, it is also the most sexist. In Perrault’s version, the prince uses the glass slipper as the only proof that Cinderella was truly the princess he danced with at the ball (Lecture Notes, 5/11/17). Further analysis can interpret the glass slipper as a sexual symbol, like the “key in the lock” (Lecture 5/11/17). Since Perrault specifically made it a glass slipper, its brittleness and fragility can be an analogy to a woman’s virtue. During Perrault’s time, a woman’s virtue is so sacred to men, that one’s future would be shattered like glass if their reputation is tainted. This qualifies as an antifeminist symbol as it places much pressure to keep one’s virtue because men have said it would devalue her.
The men in “Cinderella” also value women for their beauty. The prince has a ball for all the maidens in the land to find his future wife, which “amounts to a beauty contest” (Lieberman 386) for a new trophy wife. While some argue that Cinderella’s rebellion of going against her stepmother’s instructions of staying home shows that the story has feminist qualities, the prince weakens her achievement when he chooses her only because of her beauty as “girls win the prize if they are the fairest of them all” (Lieberman 385). Her need for independence is transformed into the prince’s need for a pretty wife, making her again an object in her family. Once integrated into the prince’s family, Cinderella goes from the maid of her family to the smiling porcelain doll next to the prince as the “first job of a fairy tale princess is to be beautiful” (Röhrich 110). This gives the impression that the only way
Anne Sexton was a junior-college dropout who, inspired by emotional distress, became a poet. She won the Pulitzer Prize as well as three honorary doctorates. Her poems usually dealt with intensely personal, often feminist, subject matter due to her tortured relationships with gender roles and the place of women in society. The movies, women’s magazines and even some women’s schools supported the notion that decent women took naturally to homemaking and mothering (Schulman). Like others of her generation, Sexton was frustrated by this fixed feminine role society was encouraging. Her poem “Cinderella” is an example of her views, and it also introduces a new topic of how out of touch with reality fairy tales often are. In “Cinderella”, Anne Sexton uses tone and symbolism to portray her attitude towards traditional gender roles and the unrealistic life of fairy tales.
This is a battle not of beauty, but of material. The prince does not recognize the face of Cinderella, only the gown she is wearing, making this fight for marriage one based on the clothing on the girls’ backs (288). While Cinderella comes home from the ball, her mother is hard at work making sure she is not seen for who she really is. Panttaja claims, “...it is quite possible that we are meant to see the mother's influence also at work in the rather mysterious way that Cinderella manages to avoid too-early detection” (287). This symbolizes how hard Cinderella's mother is working and how little it matters that Cinderella is pious and
“Oh, fairytales, where desperate, naïve girls sacrifice everything for their so-called prince charming”. The realities of these childhood classics are controversial, sexist, and dark, yet, it’s also adored by millions of young girls around the world. Cinderella, an often sugar-coated story, is a great example on how sexism and gender stereotypes prevail in literature. The Grimm Brothers touch on a variety of devices, from characterization to symbolism, all revealing the inequality in not only fictional literature but our real-life society as well. A feminist literary critic will interpret these controversial themes and apply their beliefs of equal rights into the study of the Grimm Brother’s Cinderella.
The Prince stereotypes the role of women being in need of a destined lover. He is the one that identifies Cinderella as the one in the dress, though excluding behavior, her appearance dazzles him for two nights at the ball. Most importantly, he’s not the hero of the fairytale, but readers can interpret the fairy godmother as the savior of Cinderella’s demise. The role of magic comes in part with the acceptance of achieving the imagery of an elegant woman, impressing the Prince who gains interest in her. The
When I started analyzing Cinderella I noticed some gender roles/stereotypes that are brought to light. One of them being how women are the ones who stay home and perform household chores. They are “housewives” who depend on a man. The father is briefly in the beginning and afterwards we do not hear of him, initiating that he is off working, or on a business trip while the mom and daughters are home. We also see through Cinderella (who is forced to do all the chores) how their are consequences if she (or women) don’t complete or do the chores that are expected of them (like not being able to go to a ball in Cinderella's case). Another theme that is consistent in Cinderella as it is in other princess stories is the value of being beautiful. We see this when the fairy godmother shows up and makes Cinderella beautiful. She transforms her house clothes into a gown and so forth showing us that beauty is in the way you look or your appearance. If we pursue this theme further we see that the prince falls in love with Cinderella based on how she looks (love at first
Society can learn a lot from Cinderella-like movies such as Maid in Manhattan. However, what society learns from these fairy tales is not always that Cinderella meets a prince and lives happily-ever-after. In the movie Maid in Manhattan, directed by Wayne Wang, a hotel maid meets a wealthy politician and lives a Cinderella-like tale after wearing a wealthy guest’s designer outfit. Most people focus on the obvious love story between the maid and the politician. Many overlook the psychological plight of Cinderella herself. In these tales Cinderella loses her mother and often her father too. This has a tremendous effect on the young girl’s self-worth. However, other complex relationships are also revealed, including the mother/daughter relationship. Similarly, the text “Cinderella: Not So Morally Superior,” by Elisabeth Panttaja, discusses the influences of Cinderella’s mother. These sources are worth exploring because they demonstrate how a woman’s self-worth is shaped by her relationship with her mother.
Adults realize that despite Cinderella’s charismatic traits, Cinderella’s behaviour in Perrault’s tale is not acceptable for today’s modern western woman.
Lori Baker-Sperry and Liz Grauerholz discuss the concept of female empowerment through beauty in their article “The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children’s Fairy Tale.” Baker-Sperry and Grauerholz state that, “women willingly engage in ‘beauty rituals’ and perceive being (or becoming) beautiful as empowering, not oppressive” (712). Baker-Sperry and Grauerholz argue that in children’s fairy tales, the female characters see their beauty as their most useful tool and would undergo “beauty rituals” to attain this beauty. By being beautiful, the Fairy Queen is able to win the attention and loyalty of Lanval. Not only does the Fairy Queen receive power in this bond, but also Lanval himself finds good fortune in the form of physical wealth. To further emphasize the Fairy Queen’s beauty and the power she holds over the court, France uses the series of girls prior to the Fairy Queen’s entrance. This builds a sense of suspense and the fact that the Fairy Queen easily trumps the girls in beauty further emphasizes her superiority. By emphasizing the Fairy Queen’s bodily beauty, France is able to show the power the Fairy Queen has over Lanval and the court.
Cinderella’s story is undoubtedly the most popular fairy tale all over the world. Her fairy tale is one of the best read and emotion filled story that we all enjoyed as young and adults. In Elizabeth Pantajja’s analysis, Cinderella’s story still continues to evoke emotions but not as a love story but a contradiction of what we some of us believe. Pantajja chose Cinderella’s story to enlighten the readers that being good and piety are not the reason for Cinderella’s envious fairy tale. The author’s criticism and forthright analysis through her use of pathos, ethos, and logos made the readers doubt Cinderella’s character and question the real reason behind her marrying the prince. Pantajja claims that
In the film, Cinderella lives with her step mother and two step-sisters; they appear to be middle class because they live very well. Yet, viewers can see the clear distinction between Cinderella’s and the Prince’s lifestyle. Cinderella has been turned into a servant by her evil step-mother; she appears to be poor while dressed in raggedy clothes. Above all, Cinderella manages to do her work with a smile and always singing. The only way Cinderella can escape her misfortune is to find a man to rescue her. Fortunately, in the movie, the King wants his son to find a suitable bride so they can grant him grandchildren. In order for that to happen, the King invites every “eligible maiden” to attend the ball at his kingdom. It’s every young woman’s dream to marry a Prince so they can be taken care of and depend on him. With the help of a fairy godmother, Cinderella finds her happy ending by marrying the Prince. She transformed from being a poor servant to a rich and untroubled princess. The overall message appears to be, if a rich man falls in love with a women, in the end she will find true happiness. However, the woman has to be beautiful in order for him to fall in love at first sight. This also portrays that a woman must be rescued by a man, which teaches girls to depend on other people to help them. Without the man they are not
In fairy tales, female characters are objects, and their value centers around their attractiveness to men. Since fairy tales rely on cultural values and societal norms to teach morals or lessons, it is evident that fairy tales define a woman’s value in a superficial way. Fairy tales teach that, typically, beauty equates to being valuable to men because of their fertility and purity; whereas, ugliness equates to being worthless and evil, including being ruined because of their lack of virginity. Descriptions readers see from fairy tales like “Rapunzel,” and “Little Snow-White” revolve around the women’s, or girl’s, physical appearance, and both stories play out to where the women remain in a state of objectification. In addition, they are damsels
In fairytales, royal women are typically regarded as delicate, sophisticated creatures, controlled by the kingdoms to which they belong. However, it is the strength within these women that is far more admirable than their outer appearance could ever be. This is why looking at royalty as perfection—a gift of beauty, wealth, and dignity—creates a widely known myth that hides the unattractive truth behind the royal life. Although you should always seek to look beyond the surface, “The Princess in the Suit of Leather” shows that upon deeper inspection you ultimately get hit with the harsh reality of conservative gender roles.
Remarkably throughout all of history, females have encountered the issue of oppression while any form of power is ripped away from them. The concept is plainly indicated within countless fairytales, much like Cinderella as it is narrated from the female perspective. When examining and using the feminist lens for the folk tale of Cinderella, numerous power relationships were clearly viewed. In other words, the relationships correspond with both gender, and how the individual is portrayed. At the beginning of the story’s context, the power connection between Cinderella and her step-mother is rather obvious. In addition, the constant power relationships among male and females within the general public greatly influences Cinderella. Therefore every
When someone mentions the name “Cinderella”, the first thing that usually comes to our minds is the fairytale in which the fair maiden who works so hard yet it treated so poorly gains her “fairytale ending” with a wave of a magic wand. However, the fairytale of Cinderella written by the Grimm Brothers has multiple differences in plot from the fairytale we all usually think of. The plot of the Cinderella written by the Grimm Brothers, written in 1812, is that a young female’s mother passes away early in the story, departing with the message to Cinderella to remain “pious and good”. Cinderella remained true to this message given to her by her mother, and she showed this in her work ethic. Because Cinderella had remained pious and good, her mother, in return, watched over her in the form of the birds above her grave that gave Cinderella help and material things that she needed. In the end, Cinderella has her “happily ever after”, for when the prince held a festival to find a new bride, she was chosen due to her insurmountable beauty. The feminist lens critiques how females are commonly represented in texts, and how insufficient these representations are as a categorizing device. These representations of women often include them being passive and emotional—staying back while the men do the work. Cinderella relates to the feminist lens because she fits into the typical representations of women created by men. Feminist criticism is important to recognize because women are often falsely represented as helpless, thus needing a man to come to their rescue. It is common in literature to see helpless women, crying and begging for help instead of being able to work out their own problems and hardships. Others, however, may believe that it is still important to uphold the fundamentals of the feminist lens because it keeps the man in power, which they say is important in keeping the man the head of the household. Cinderella thoroughly represents the feminist lens because it shows how women in literature uphold the representations of passive and emotional, created by the man.
Once upon a time in a land not so far away, the society of man created the idea that it was a woman’s job to conform to the ideologies generated in fairy tales. From women depending on their prince charmings all the way to romanticized sexual abuse and lack of consent, stories like Cinderella and Snow White radiate sexism within an array of scenes of the stories and films. Not only does this affect the way that men view women, but it has had a relatively negative effect on the ways that many women view themselves. Many fairy tales have made their way into mainstream culture, and today many young girls and boys grow up hearing and seeing the subliminal messages in fairy tales. As more and more fairy tales make their way onto the big screen, it can be seen that all princesses seem to share a common feature other than their crowns and lack of self worth without a man by their side; their tiny waists. In recent years during the 21st century more and more people in the media have been calling out fairy tales for their anti-feminist attitudes with sexism, body standards as well as societal comments about women being dependent on men.