Cinema Paradiso Essay

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

Francis Ford Coppola directed the gangster crime drama film, The Godfather (1972), inspired by the novel of the same name, written by Author Mario Puzo. The film plays out in the beginning how Don Corleone declined to join the narcotics business with notorious drug lord Sollozzo. With this in mind, one of the greatest gangster films created by a man who decided to lead, and not follows. Moreover, explaining the formalist approach for this film which covers an array of elements that include plot structure, camera techniques, editing, mise en scene, and sound. The following film critique will analyze “The Godfather,” beginning by utilizing the formalist approach theory, camera technique and sound gradually introducing additional theories

Surrealism is a movement that built off of the burgeoning look into art, psychology, and the workings of the mind. Popularly associated with the works of Salvador Dali, Surrealist art takes imagery and ideology and creates correlation where there is none, creating new forms of art. In this essay I will look to explore the inception of the surrealist movement, including the Surrealist Manifesto, to stress the importance of these artists and their work in the 20th century and beyond. I also will look to films from our European Cinema course to express how films incorporate the influence of surrealism both intentionally and unintentionally.

The film Pleasantville directed by Gary Ross is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville, a 1950s black and white sitcom. The two are trapped as Bud and Mary Sue in a radically different dimension and make some huge changes to the bland lives of the citizens of Pleasantville, with the use of the director’s cinematic techniques. Ross cleverly uses cinematic techniques such as colour, mise-en-scene, camera shots, costumes, music and dialogue to effectively tell the story.

1. Why do you think so many people are diagnosed with mental illness in the criminal justice system? Why do you think so many offenders in the criminal justice system suffer from mental illness?

In the film, Maquilapolis: City of Factories, different Mexican women talk about their experiences with maquiladoras. Carmen Duran and Lourdes Lujan film video diaries that show how their communities are affected by maquiladoras and the experiences they have had working in maquiladoras. Mexico was first introduced to maquiladoras in the 1960s through foreign companies who arrived in order to get tax breaks and low-cost labor. In the 1990s, maquiladoras become prevalent and there were nearly 4,000 just near the border. A variety of things are assembled at different maquiladoras, as the film shows workers stating what they build at their perspective workplace. Workers assemble batteries, oxygen masks, filters, toys, and even urinary bags. The

The movie I chose to do my movie analysis on was Sin Nombre. I chose this movie because it stood out to me the most, mainly because of the title in Spanish. I used four concepts while analyzing this epic movie. First I applied the power elite theory to see who had the power in this power city and how they used their power. Then I used the social conflict theory to see what caused the people to get into the gangs and how the gangs acted to the people. The socialization theory is shown in the sense that the gang makes people believe that they are a part of a family when they join. The last concept I used was deviance because of all the violence that happened in the movie.

Martin Charles Scorsese was born November 17, 1942. Suffering from asthma, he spent most of his time watching movies and by the time he was eight, he was already drawing his own storyboards that were directed/produced by himself. Although he considered going into priesthood, making movies was Scorsese’s true calling and he went on to make some of Hollywood’s most memorable films. Incorporating themes from his Italian American roots into his visceral, cinematic storytelling that has influenced generations of filmmakers. He is an American director, producer, screenwriter, actor, and film historian, whose career spans more than 53 years. Scorsese 's body of work addresses such themes as Sicilian-American identity, Roman Catholic concepts of guilt and redemption, machismo, modern crime, and gang conflict. Many of his films are also notable for their depiction of violence and liberal use of profanity. Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinema history. For three decades Scorsese has been at the forefront of American cinema. Its most avid champion and often its most electrifying practioner. The most cinematic of directors, he has also been among the most formally restless and exploratory, evolving an obsessive-compulsive mise-en-scene based on dynamic, agile camerawork and radical editing rhythms.

How does it feel starting over in a completely new place? In the movie “The Karate Kid”, Daniel, the main character, and his mom moved to the California from New Jersey because of his mom’s new job offer. Daniel started going to school in California and met a girl named Ali, whom he started to like. He started going out with her. Daniel was getting beat up by some bullies; one of them was Ali’s ex-boyfriend. They knew karate very well, but Daniel did not. So Daniel decided to learn karate. Daniel and his mom were living in an apartment and one day he discovers that the handyman at his apartment, Mr.Miyagi, knows karate very well. He asked Mr.Miyagi to teach him karate, and Mr.Miyagi became his karate teacher.

The movie I chose to watch is Courageous. The precipitating event in this movie is the car accident that takes the life of Emily Mitchell. Her father, Adam Mitchell, and the rest of her family are traumatized by the sudden death of their 9 year old daughter/sister. In thinking about information that would be gained in the first contact with Adam Mitchell, one thing that stands out about his previous state of mind/functioning is that he was somewhat uninvolved with his children, taking them for granted. This fact can also be a trigger for how he processes this event, causing a crisis for him as he realized his

Cinema Paradiso was made in 1988, and was written and directed by Giuseppe Tornatore. It won the Oscar for Best Foreign Language Film in 1989. Cinema Paradiso follows the life of Salvatore Di Vita from the time he was a boy to his successful career as a film director. Love truly is what the movie is about. Whether it is to have a love of film, love of someone else, or having a love for what you do, it is the driving force in this movie that causes everything to happen. The music and sound effects in Cinema Paradiso enhance the emotions and plot of the movie.

In this essay I will look at the emergence of Italian neo-realist cinema and how Italian Neo-realism has been defined and classified in the film industry as well as how its distinct cinematic characteristics could only have been conceived in Italy and how these characteristics set the neo-realist style apart from other realist movements and from Hollywood.

“If we cannot now end our differences, at least we can help make the world safe for diversity” - John F. Kennedy. All the events I went to pertain to the idea of diversifying the world and Babson campus. At first I was really surprised to see that Babson supports these kind of events because I thought they were just strictly all about business. I found it pretty amazing that Babson students participate in the arts and that Babson hosts so many culturally diverse and open minded events and plays. In September, I went to see the screening of “I am not your Negro”.In October, I went to go watch the play “Clybourne Park”. In November, I went to watch the Aman show; these events took place in the Sorenson Theater. I went to see “I am not your Negro” alone because I came late to Babson and didn't really know a lot of people at the time but I was really interested in watching the documentary. Before the screening,I went to The Global lounge to get some food from Panera bread.“The story of the Negro in America is the story of America, and it is not a pretty story”-James Baldwin. Walking into the theater to see this show, I could already feel the tension and suspense coming from the audience. I was a bit surprised at first because I thought a majority of the audience would be African-American,but the theater was filled diversely with people from all over . I took the furthest seat from the stage/screen not only because I didn’t know anyone who was going but also because I needed

Italian neorealism sought to portray the subject matter at hand truthfully and without adding any sort of artistic touch. A cinematic movement dedicated to portraying a post war Italy that was slumped into an economic and moral depression. This portrayal is meant to highlight the general Italian psyche at the time. And films of this movement typically reflect everyday life of the Italians including poverty, oppression, injustice and desperation. What we perceive as stories as an audience are everyday realities of the “actors”.