Essay about Cinema as Intertext in Midnight’s Children

What he describes as originality is to take somebody else’s ideas and create new perspectives and opinions based on those points of view. In other words, Porter suggests that creativity is a matter of interpretation and that anything we write is the result of what we interpret when we read. That is why taking other’s ideas to draw knew opinions should not be called plagiarism because inevitable all writing contains some sort of intertextuality. One can say that intertextuality is necessary for a writer to have a better understanding of what they read.

The concept of literary canon has undergone changes time-to-time. During the age of Enlightenment, the value of literary texts was determined on the basis of aesthetic properties the texts possess. The value-judgments that the Enlightenment era offered were considered universal, ethical, and rational. However, in the contemporary times, the category of

Intertextuality is everywhere. Many texts, whether as a book or a movie, has a “connection” with each other. During class, we discussed many times on how one book relates to another. But what does all this work done in class have to do with anything in life or one’s future? A person may not know it, but the truth is, all these efforts are extremely helpful in one’s life. If they can make compare texts and see their association with one another, then he or she can make lots more assumptions on other various writings. This can be helpful if the person wants to understand the compositions that they are reading. As I was reading, I noticed that the writings shared a lot of the same perspectives and themes. These include the topics of vampirism,

Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film

On one hand, the author meant that “there’s no such thing as a wholly original work of literature,” because he described how authors are inspired by other pieces of writing as poems or even paintings to write their literary work. They shared similar themes, characters or even they can combine many of literary features into their own that is the reason why readers have to be attentive in asking themselves: “where have they seen that before?” (pg. 29) Is it true that in chapters 4, 5 and 6 Foster describes that literature is affected by intertextuality to a certain extent, for instance, when writers lay back by prominent figures as Shakespeare or the

In chapter five, “When in Doubt, It’s from Shakespeare” talks about the reappearance of different well known figures in literature. Foster follows this by giving an idea that literature is made based on other literary stories. He states that one of the reasons why story borrowing occurs is because there is only one story and it’s the human experience. Book critics usually refer to the literary works and texts as ‘intertextually’. According to the author, intertextuality is sometimes used to challenge a reader. If the person reading the story can point out the similarities or repetitiveness in the text then the meaning will easily be revealed to them. In conclusion, being able to identify different meaning of literary text and analyze it gives

In the Heat of the Night made it’s debut appearance in 1967 and received and Oscar for Best Picture. The rustic and quiet town of Sparta, Mississippi is the setting for the movie. The story starts off with a cop making his nightly rounds when he discovers a murdered body on the ground. The deceased belonged to Philip Colbert, a well-off man from Chicago who was planning to build a factory in town. This murder causes an undesired commotion in the rural town. Police Chief Bill Gillespie finds himself burdened to catch the killer of Philip Colbert.

How has the composer of the contemporary text used the earlier text to say something new?

authors tend to make them different, but give them qualities that may be similar to another

In The Ecstasy Of Influence: A Plagerism, the author Jonathan Lethem attempts to decipher the difference between getting an idea that is influenced by another’s work, and plagiarizing somebody’s work. Not only does he discuss the multiple times in history where new ideas have been derived from other works, but he also attempts to discover where the line can be drawn between influence and plagiarism. Throughout the work, the author discussed what he thinks about adopting ideas and why some people may consider something plagiarism while others may not. He argues that while some artists may consider similar ideas to be a form of plagiarism, others like himself see the sharing of ideas & being influenced and inspired by other works is what helps

When there are two different versions of something there are many similarities, there are also many differences. This occurs a lot with the book and movie versions of To Kill A Mockingbird by Harper Lee.

History has had an inarguable and behemoth impact on the trajectory of art and literature that it surrounds. Quite often, these mediums are a mere reflection of the artist's or author’s existence, and can be viewed as heavily autobiographical, regardless if the artist acknowledges this or not. In fact, many artists and authors will deny that their work is influenced by outside events, and wish to attest that their productions are sporadically born out of the creative abyss of their minds. However, this is absolutely false, since that mind is undoubtedly affected by external stimuli. Consequently, it is an undeniable premise that history changes the course of literature.

“To conclude that differences in style or vocabulary unmistakably indicates different authors is invalid for anybody of literature. It is well known that a single author may vary his style and select vocabulary to fit the themes he is developing and the people he is addressing. It goes without saying that a young graduate student’s love letter will vary significantly in vocabulary and style from his research paper.” Style is an ultimately a subjective view, and the two creation accounts will remain no more than an opinion through the argument of a sceptic, especially when it involves a book that was written two millennia ago.

The costs, methods of distribution, and themes of Hollywood and Nollywood films reflect strongly their target audiences; how the target audience affects the production of a film and how the production of a movie is designed to capture a specific

New Historicism is a modern literary theory that focuses on how events, culture, and places within a society influence a written work. New Historicists analyze allusions to characteristics of the time period in which the work was written. By definition, new historicism seeks to discover the significance in a text by taking into account the work within the construction of the established ideas and assumptions of its historical era. Literary texts are entrenched with historical context and the author is seen as subject to the forces of the culture that he or she works within. New Historicists reject the New Critical principle that texts are autonomous and should be read without any comparison to history, and instead argue that texts are