Cinematic Techniques in Strictly Ballroom Essay

She wears many pastels and more dull colours giving us the impression that she is lacking confidence and is hiding behind her appearance, being her glasses and unattractive clothing. As she progresses through the film she begins to wear clothing and colours that make a greater statement, however, in this growth of confidence she does not wear the costumes to attract attention but rather because she is comfortable with the person that she has become. At first she hides behind her glasses which stereotypically portrays her as lacking an amount of incite towards given situations. Fran also has terrible posture, this too is linked to her lack of confidence. She does not take pride in her hair which shows us how little she cares about her appearance.

The 1967 film by Mike Nicoles “The Graduate” is about Benjamin Braddock, a recent college graduate, who is at a crossroads in his life. He is caught between adolescence and adulthood searching for the meaning of his upper middle class suburban world of his parents. He then began a sexual relationship with the wife of his father’s business partner, Mrs. Robinson. Uncomfortable with his sexuality, Benjamin and Mrs. Robinson continue an affair during which she asked him to stay away from her daughter, Elaine. Things became complicated when Benjamin was pushed to go out with Elaine and he falls in love with her. Mrs. Robinson sabotaged the relationship and eventually the affair between Mrs. Robinson and

The lighting used by Hitchcock also serves to portray Madeleine as a fantasy woman, using the lighting to highlight her face. As Madeleine passes by Scottie in the restaurant she is bathed in a soft light which makes her all the more noticeable against the backdrop of a dimly-lit restaurant. Furthermore, as she passes by him, she is shown in a full body shot in the center of the frame, which Hitchcock uses to create an overwhelming sense of romance. Here, Madeleine is the desired object clearly separated from her mundane surroundings. The viewer is aggressively confronted with Madeleine’s image and this allows us to be swept up in the romantic fantasy along with Scottie. The lighting used in this scene actively draws the viewer to her features and ensures that all attention is on her. The audience are enticed and seduced by her and this stretches to Scottie as well as we can see that he is drawn to her and has to make an effort to be covert.

The concept of contrasting social class is manipulated using innovative cinematic techniques, including non-diegetic sound, mise-en-scène, bright lighting and various camera techniques and angles. The scene instigates with calm and composed music being played during the beginning of the

Camera techniques is a very general aspect of cinema that covers all movements, lens’, angles, and shot types a camera can ascribe to. For example, the camera angle can establish the mood and tone of a sequence, with the application of high camera angles depicting characters as exposed. Furthermore, camera movement comprises of zooming, panning, tilting, and tracking as a way of producing emotion and compelling viewers. Camera lens’ spans from telephoto to wide angle and gives to the tone and appearance of the movie. Finally, shot types can include long shot, extra-long shot, close up, extra close up, and point of view, and form circumstance of the characters in their settings amid that moment in the plot. In Edward Scissorhands, director Tim Burton relies upon a bevy of different camera angles to capture Edward as an assailable protagonist, alone and existing as separate from community.

Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.

‘The Castle’ directed by Rob Sitch, is a 1997 Australian comedy, starring Michael Caton and Anne Tenney. The film showcases what being a true Australian is like from the love the Kerrigan family share for their home, each other and their communications to their neighbours and family. Daryl Kerrigan, the main character within the film epitomises as a true Australian, close up shots of Daryl before he was going to court about his house. Shows the emotional and dedication he has in himself. Following this, multiple close up shots of Daryl, to show his guilt he feels towards his family and friends.

“The Dressmaker” has many similar elements and features to spaghetti westerns. How has the director used this style to engage a modern audience?

clever camera techniques which create tension and fear. The camera shots also pay close attention to detail. For example, when the man with the dog throws a stick for his dog to fetch into the sea, the camera

Within the film, Edward Scissor hands by Tim Burton, the composer uses film techniques to display distintivitvely visual. The impressive use of camera angles and camera shots both encompass the distinctively visual element. Camera angles are used to emphasise the characters view on certain scenes, for instance, when Edwards the main character is staring at Kim, a young girl who lives in the town. A eye level shot is used, to emphasise the emotions that Edward is feeling towards Kim, it also shows the deep scars that are on Edwards face, a sign of both pain and torment both from earlier on in his life but also towards Kim’s boyfriend, as deep down he knows things about her boyfriend that she doesn’t, deep down like his scars. The composer also uses camera shots to give the audience understanding of the setting. The use of long shot on the town which shows a fair amount of landscape is used to contrast between Edward’s mansion on the hill, being all dark and scary looking, but yet a town at the foot of the hill which is colourful, vibrant and peaceful looking. The composer used this shot, to show how such differences can be put aside each other, but the community

People have the longing to belong and to be accepted by a group or community. A sense of Belonging can emerge from the connections and acceptance we have with other people, communities and the larger world. These ideas of belonging are represented in texts which explore aspects of belonging and an individual’s potential to challenge or improve a community group. The film ‘Strictly Ballroom,’ directed by Baz Lurhman, the film ‘Looking for Alibrandi’ directed by Kate Woods and the exaggerated true story of an African American youth’s fight to belong in the song “dance with the devil” by immortal technique all represent ideas of belonging formed by life experiences.

In this movie, different filmic techniques are used, however, in my opinion, they are not very effective and thus it fails to improve or contribute to the success of the movie, which I believe it should. The filming techniques used in

The directors chosen camera technique, a simple two composition that progresses the scene a steady pace, forces the audience to feel a part of the awkward exchange; obviously, a quality of film that could not be as profoundly achieved through the narrative in the novel.

The Grand Budapest Hotel is the work of American director Wes Anderson. His works have a strong personal style: bright colour, the full symmetry of the composition, a straight frame, a deliberately orderly stance, unique visual style and narrative mode. In his film, a sense of humour is often through "Deadpan” expression: actors often deadpan and no body movements, but in the restraint and slight change, as well as in the pause between the odd cold humour. The hues, props and sets of his films are often colourful and whimsical. There are still plenty of these factors in The Grand Budapest Hotel, but many new elements are added.

The artistic disciplines flow together nicely in the film. The dialogue and actor performance dominate. Blanche, the pivotal character in the film, is a soft spoken flirt. The way Blanche speaks to the men she encounters in such a dreamy and charming manner stand out and reveal a big part of her personality. The same with the way she can be so high strung and anxious at times and speak so fast it is hard to understand her. She also throws herself at men and her body language makes her out to be an "easy catch." Stella on the other hand is quite average in the way she speaks, even with her accent, except when she is yelling at her husband, who by the way is always speaking in a tone as to try and dominate and intimidate the person and the conversation. The way he throws women around and disrespects them as well as degrades them proves his character to be anything but gentleman-like. Any man who throws his wife around and hits her when she is pregnant is an arrogant and unintelligent lowlife in my opinion. All of the actors do a good job of staying in character. I do think the filming contributed a lot to the artistic disciplines as well. The whole film, minus one part, always shows Blanche in a dim light with a soft young looking face. When it does show her on a bright light, she looks a lot older, which was the point of doing that. The camera also