Cineplex Cinema Research Paper

As we are in the hospitality and leisure industry guest/customer satisfaction is key. We have set organisational targets where our aim to achieve 100%.

A second way for a company to create a competitive advantage in the movie exhibition business is to offer an outstanding customer experience. Customer experience is something that is intangible and cannot be easily duplicated by competitors. Let’s examine the current experience for a customer in a movie theater. The ticket price is high, the concession offerings are few and over-priced, the seats are uncomfortable, the advertisements before a movie can sometimes last 15 or 20 minutes, the other patrons as well as the staff are often rude, the glow of cell phones is almost impossible to ignore, and most movies are all special effects with nearly no substance. Why on earth would anyone pay to go to the movies? I have not paid to go to the movie theater in several years. Not because I can’t afford to go, but because of the terrible experience I have while I’m there. For me, spending

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

The story of the drive-in movie theater begins with one man. That man was Richard Milton Hollingshead, Jr., born on February 25, 1900, the "father" of the drive-in.

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

As a teenager mom had an experience with intuition that she just could not explain. At the age of sixteen she was looking forward to attending a movie with some friends. They would all pill into one car with their goodies such as candies and sodas. Any kind of snack would do as long as there was enough for sharing. What they did not bring they could purchase at the concession stand. Concession stand is where you can buy your popcorn, soda, hot dogs etc… Summer night movies were enjoyed by many at the drive in theater. For those of you who do not know what this is, it is just like it sounds. Giant movie screens outside, you pull into a spot and hook a speaker to your car window. From couples, families with kids to car loads of teens piled

In this book, King examines the Hollywood “Renaissance” from the late 1960s to the late 1970s as well as some of the industrial factors that shape the current dominance of the corporate blockbuster. King begins by stating that there are two distinct periods when addressing “New Hollywood” including the Hollywood Renaissance and the New Hollywood. Geoff King analyses new Hollywood dynamically and accessibly in his text and discusses diverse films, film makers and film companies apart from concentrating on the interactions between the film texts, social contexts, and their producers by using examples across Hollywood and its genres. He further discusses how positions of studios within media conglomerate, and the relationship between production for big and small screens as well as the influence of television, advertising and franchising on the New Hollywood have been transformed the form of the films (King 137-140).

The service that we are going to be bringing to the Regal Entertainment Group family is a brand new movie viewing experience. It will consist of a series of luxury theaters within the location and will give the consumer the option of having something more for their viewing pleasure. The first part of the new concept would include the theater having a restaurant and bar that would be attached to the premises and accessible prior to and after ones movie. A variety of food and beverages will be available to cater to many different palates and tastes. Being able to consume alcoholic beverages is something Regal Theaters have never had and would range from tap, bottled beers, wine, and cocktails. This added dimension will also flow into the movie viewing experience by having waiters that will serve to costumers while in their seats. A button can be pressed for service while in the theater and once the movie starts the service will no longer be available so not to disrupt the movie.

Hollywood has become synonymous to great cinema, be it American or an international equivalent, it always comes back to a Hollywood comparison. Classical Hollywood style exhibits clarity, unity, goal-orientated characters, and closure, while most other elements are set aside to further progress the cumulative buildup of narrative. Often referred to as the “invisible style,” because it relies on this “unobtrusive craftsmanship,” classic Hollywood practices ensure viewers will be completely immersed in a film without focusing on the literal separation between the screen and the audience. However, with as much importance creativity is placed upon the film industry, profit is also a huge factor in the filmmaking practice. There are certain genres

The article "Reinvent the Movie Theatre" written by Hunter Walk proposes to fans of movies being traditionally watched that the limited movements spectators can act out inside a movie theatre is the reason the capacity of audiences who come to watch the films have not increased. Walk investigates deep into a spectator's mindset in regards to how they may want to behave in a movie theatre if that particular individual is similar to him who wants their "media experience plugged in" (Walk) during this kind of entertainment. He also creates a discussion around the visual appeal of putting more lighting and electricity outlet inside the movie theatre, as well as mentioning about certain behaviours discouraged in such a public area that should instead be acceptable. Overall, Walk's desire to reformat the traditional expectations when watching a movie by involving the use of electronic devices, redecorating the place of theatre itself and allowing behaviours contradictory to people's beliefs during an airing movie will ultimately improve the system of theatre to gain more attendees for the shows.

Buster Keaton wrote, directed, and acted in the film The General (1926). The silent film is a chase comedy enriched by realism. Siegfried Kracauer states that film represents reality as it evolves in time with the aid of cinematic techniques and devices. Film literally photographs reality to record and reveal physical reality. Physical reality being called material reality, physical existence, actuality, and simply nature. The movement in the film The General emphasizes the motion of the chase. There is a continuity of suspenseful physical action during many of the scenes where Buster Keaton’s character Johnny Gray is chasing his stolen engine then he himself is being chased once he gets his engine back. This is continuous throughout the film with non-stop motion. In a realistic tendency, film gives image movement. It recreates stage reality through both actions and characters and even the surrounding world.

In the article “Reinvent the Movie Theater: Wifi, Outlets, Lowlights, Second Screen Experience” by Hunter Walk, the author reveals the cinema's inability to adapt to a modern concept. By integrating advanced technology into theater experiences, Hunter Walk believes it would further elevate the ambiance; consequently, attracting a broader audience. This belief is built upon the fundamental principle of wants and needs. Walk conveys the idea of segregating similarly minded viewers into “environments which meet our needs” ultimately, optimizing pleasure. Walk communicates throughout his article, that creating a multifunctional space permitting the use of all technology will increase productivity. If the cinema introduced “wifi, outlets, lowlights”

To provide an analysis and make recommendations to increase revenue in the movie exhibition industry.

Blow-Up, his second colored film, investigates how man deals with the flux even though he is separated from it. The viewer is first introduced to downtown London. A grayish-black jeep, teeming with shouting young adults, crawls over a cobble stone hill into a gray blue sky and turns the corner. The jeep reappears in a wide street, young adults, painted as mimes, pour from the vehicle and flood the road. A small group passes by the protagonist Thomas, who hands one begging girl a crumpled bill from the back seat of his car. The camera attaches to Thomas, and the viewer stares down at him as he drives through a tunnel.

Have you ever thought of watching movies outdoors during the summer? If you do not have a drive-in around your area, then the next best thing is watching movies in your backyard. There are many things you need to do to set up a backyard movie night.