Citizen Kane Film Analysis

An example of deep focus appears in this sequence. A young Mr. Kane is visible in the background by the window in the middle ground while Mrs. Kane signs over custody of him to Mr. Thatcher in the foreground of the shot. There is a great significance to Kane appearing at the background of the frame. The narrative perspective captures Kane being present, but almost pushed to the literal and symbolic background as decisions are made to determine his future in the foreground. The use of deep focus turns what would’ve been a flat cinema screen into a three-dimensional world with a strong sense of realism. Although our attention is not immediately forced to any specific aspect of the mise-en-scene, a certain important moment is noted just as Mrs. Kane signs the paperwork. Young Kane while playing a childish game of “civil war” screams “Union forever;”

For citizen Kane, the most important assets of his life are not the political ambitions, successful newspaper business, nor his relationships with the significant others. Judging by his last word, “Rosebud,” the most important piece of his life is memory from his childhood. Although his life is changed for what appears to be better, from a materialistic viewpoint, it actually leaves him vulnerable and alone. Kane’s life is ultimately destructed by his lust to fulfill the American dream of fame, power and wealth. The inevitable struggle of Kane is reflective of the struggle of many must confront in this materialistic world, as one on his or her quest to find the true meaning of

Citizen Kane by Orson Welles is a story that was made for excellence. However, since it was about William Randolph Hearst, it did not do too well. Many movies didn't want to play the film because they were scared of Hearst and his power. Although, many could not see the movie it still became one of the greatest films ever made through its uncommon angles, montages, and lighting.

The structure in the film Citizen Kane is non-linear in that it does not follow any planned order. The story is well formulated and presented using flashbacks that pertain different times in the life of Kane (Welles). These flashbacks are unplanned search that they offer the viewer an incomplete glimpse of Kane’s life and essentially adding more suspense. It takes the form of the memory when a person tries to remember an event that took place a long time ago. The use of the non-linear structure helps to portray how complicated the life of Kane was. It is vital to note the film uses several narrators. The mystery of Kane’s life is also being put together like a puzzle (Welles). The audience is with the journalist in the quench to find what the mystery word meant to Kane. The layout of the story is also planned with

I believe that the author portrays Charles Kane as sort of an evil man through the things he does, but shows that Kane doesn’t realize how he is behaving is wrong. One example of this would be how he ran his newspaper company the New York Inquirer (Citizen Kane). He presented the news in the best way possible to get as many people as he could to read it. Even if he had to lie a little bit in the title or in the actual stories, all he cared about was being everyone’s main source of news. This however was the opposite of what he originally wanted to do which was to present only honest and true news. One time he lied about the news was in relation to his second wife Susan Alexander. She was not a very skilled opera singer as told by the

Camera angles and shots are essential technique for the director to draw meaning to the character’s stories. A key camera angle is a high angle. In classic westerns the antagonists are presented in high

Citizen Kane is filled with symbolic imagery. In most of the movie you can pick out scenery, character actions, lighting, camera movement, and the composition within the frame of key shots that help tell the story without the character orally telling the full story. However, because of its new and experimental use of mise-en-scene, the movie did not do well in the box office. In time Orson Welles movie would become one of the best movies of all time and would even come to change filmmaking in

What finally breaks down Charles Foster Kane is having Susan leave him. His need for control, and the inability for Susan or others to continue to comply with that need, send him into a frenzy in which he destroys the room Susan was staying in during their huge vacation in the Florida Everglades. From the room he takes a snow globe, and he is heard saying the words “rose bud” the first time by someone else. He walks into a hallway that has many mirrors, and this symbolizes Citizen Kane as a whole. This scene reflects the fragmented nature of the film. The life of Charles Foster Kane is told through the perspectives of several other people, and, due to this, as no person can be entirely unbiased, truthful, or even knowledgeable of the facts when recalling interactions with another person, we never get a complete picture of who Kane really is. Dozens of figures of Kane can be seen through the mirror, and this relates to how there are many images of Kane that can be derived from listening to the recollections of those who were close to him.

A latter high angle shot involves the elementary school teacher. Mr. Bigey (Georges Flamant), the teacher, is first demonstrated in this film by using a high angle close-up. This angle presents the teacher as a figure of authority and rule. Furthermore it establishes a feeling control. Humans are most likely to look up to, figuratively speaking, figures of authority and control. As to follow with the storyline, the teacher is almighty and can direct the children in any sort of fashion he pleases. He has the control. This particular angle is appropriate for this scene because it establishes, right away, that Mr. Bigey is a force to be reckoned with. For example, when someone is knocked out in a fistfight and the first view they see upon awakening is the opponent towering over them, they are more apt to recognize the authority and control considering the view. That is why this angle works. Speaking of view, the next shot that will be discussed gives an entirely different feel, partly because of the view, but it does remain within the definition of a high angle shot.

Orson Welles’s Citizen Kane is a revolutionary film. Although it might not look like much to the modern viewer, many aspects of the film were the first of their kind to appear and are still used today.

     Citizen Kane is set at a time in American History where the world is changing and money is at the center of that world. For example, during this period of time wealth has become more important in America has more new money arrives. Kane is a part of this new money sweep across America and like everyone else is stretching his power and wealth. He stretches it so much that he loses sight of his objection, which is replaced by his obsession to be in control and make all the decisions, a power which he finds through wealth. But it is because of this obsession that his idealistic world is corrupted. Furthermore, the film revolves most around a newspaper. A newspaper reaches everyone and during this time one of the only few mass media. It is through the newspaper that Kane stretches his wealth and influence. He is corrupted by the power that the newspaper gives him. In addition, Kane is constantly surrounded by beautiful things and people, until the end of the movie when

The scene we’re analyzing starts off with a shot of the New York Daily Inquirer. It’s a close shot, taking up the entire screen. I feel this close up is to show the viewer that the newspaper company is going to be the primary focal point for Kane, and his two partners at this point in the film. After the close up, the camera pans down to show Kane and Leland sitting in a car looking up at the building. Kane says “Take a good look at it Jedidiah, it’s going to look a lot different one of these days.” Despite the look on Kane’s face being one of optimism and promise, this statement gives leeway to all of the bad things to follow. Kane specifically says, “look a lot different” as opposed to anything else (i.e.

When discussing the greatest films of all time, Citizen Kane, directed by Orson Welles, usually comes up. It’s influence in American cinema can still be felt today, but at the time the film was not released without controversy. The main character in the movie, Charles Foster Kane, is undeniably based of the real life figure of William Randolph Hearst, a famous American newspaper publisher. Hearst was very aware of this fact and tried to hinder the success of Welles’ picture by denying it any sort of press in his newspapers. Despite the smear campaign Kane’s influence lives on through Welles’ revolutionary filmic techniques and its presence in pop culture.

The absolutely stunning film, Citizen Kane (1941), is one of the world’s most famous and highly renowned films. The film contains many remarkable scenes and cinematic techniques as well as innovations. Within this well-known film, Orson Welles (director) portrays many stylistic features and fundamentals of cinematography. The scene of Charles Foster Kane and his wife, Susan, at Xanadu shows the dominance that Kane bears over people in general as well as Susan specifically. Throughout the film, Orson Welles continues to convey the message of Susan’s inferiority to Mr. Kane. Also, Welles furthers the image of how demanding Kane is of Susan and many others. Mr. Welles conveys the message that Kane has suffered a hard life, and will

In Citizen Kane, Welles is attempting to expose the great influential political and social power that someone has as the head of many newspaper chains. This narrative drama explains the life of Kane and how different people viewed it. From the way the way the characters were telling the story to the way shadows, lighting and the laco of color was used, this film fits into the drama genre. Being the “greatest film of all time”, Citizen Kane brings the the world of newspaper tycoons to