Citizen Kane Mise En Scene Analysis

An example of deep focus appears in this sequence. A young Mr. Kane is visible in the background by the window in the middle ground while Mrs. Kane signs over custody of him to Mr. Thatcher in the foreground of the shot. There is a great significance to Kane appearing at the background of the frame. The narrative perspective captures Kane being present, but almost pushed to the literal and symbolic background as decisions are made to determine his future in the foreground. The use of deep focus turns what would’ve been a flat cinema screen into a three-dimensional world with a strong sense of realism. Although our attention is not immediately forced to any specific aspect of the mise-en-scene, a certain important moment is noted just as Mrs. Kane signs the paperwork. Young Kane while playing a childish game of “civil war” screams “Union forever;”

Alfred Hitchcock (1899 – 1980), the “Master of Suspense”, was a English film director, who was well known for his use of suspense and psychological elements to shock and surprise his audience. Hitchcock was known for his use of recurring themes, motifs and plot devices, such as the use of birds, hand motifs, the audience as a voyeur, mothers, blonde women, and sexuality. He was also very technical in his editing, using filming techniques such as deep focus, point of view, close up and wide, tracking shots. Montage was also a technique he used frequently in his films. He believed that by using visuals, he could convey thoughts and emotions just as well as dialogue could.

Citizen Kane is filled with symbolic imagery. In most of the movie you can pick out scenery, character actions, lighting, camera movement, and the composition within the frame of key shots that help tell the story without the character orally telling the full story. However, because of its new and experimental use of mise-en-scene, the movie did not do well in the box office. In time Orson Welles movie would become one of the best movies of all time and would even come to change filmmaking in

The film was made in 1941 and won best screenplay at the Oscars and was also nominated for best picture, best director, best actor and best cinematography. It was directed by Orsen Welles and its main actors were Joseph Cotten , Dorothy Comingore and Agnes Moorehead. The film has aged incredibly in the last 75 years from its release and has defined film in how good it really was. Citizen Kane changed the way movies are made because it became the starting point for many filmmakers first learning about how films are made and how a director can give a film a particular style. The editing (by Robert Wise) was as innovative as the cinematography by Gregg Toland - add these two talents to the talent of director Orson Welles not knowing how to direct properly and you have stylistic flourishes and a film that still impresses today. It didn't immediately change how movies were made citizen Kane was actually a somewhat forgotten film for several years until it was rediscovered in the late 50s - but it was definitely ground-breaking and many of the techniques used were copied and used by later directors.

Despite the fantastic collaboration of Welles and his cinematographer Russell Metty, an expert on light and shadow, low angles, and skillfully

Orson Welles’s Citizen Kane is a revolutionary film. Although it might not look like much to the modern viewer, many aspects of the film were the first of their kind to appear and are still used today.

Alfred Hitchcock also used cinematography in a uniquely stylizing way. Hitchcock not only uses the camera to create dramatic irony, but he also uses the camera to lie to the audience and create anxious suspense. For example, in his film Psycho, when Marion is in the shower Hitchcock frames the scenes very tightly. Marion is in a confined and very personal space. This makes her incredibly vulnerable. Then Hitchcock heightens the suspense by creating dramatic irony with the reveal of a shadowy figure closing in on Marion, unbeknownst to her. This creates a lot of anxiety for the audience, knowing the protagonist is vulnerable and in danger with no way of altering the inevitable. Hitchcock then manipulates the audience by “revealing” a brief silhouette of an old lady as our shower killer. Hitchcock uses this “reveal” to lie to the audience, he makes the audience think they have more inside knowledge confirming their already growing suspicions, when in reality the audience is misled entirely and the murderer was Norman all along. The way Hitchcock uses the camera to reveal both inside information and misleading information truly keeps the viewer engaged and not knowing what to believe until the truth is finally revealed. By using this unique technique of controlling the audience by only showing what he wants you to see, Hitchcock masterfully defies expectations and creates suspense.

Why was Citizen Kane so different from the traditional Hollywood Films? Citizen Kane defies the traditional narrative and classic elements of Hollywood cinema by uniquely setting up the story in a different fashion from what the typical storyline would usually follow. It took on an approach of arranging the events of the story as it unfolds in a nonlinear pattern, while using multiple narrators while leaving the suspense of what did the meaning of a dying man’s last word open to the audiences’ interpretation.

The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike, and this is because both of these pieces are timeless pictures that have managed to captivate audiences well after their era. On a broad spectrum analysis this is an apples and oranges debate as the two films both have great cinematographic value but for different reasons. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane is the greatest film ever made.

Orson Welles’ 1941 classic film Citizen Kane tells the story of Charles Forster Kane. The turning point of the film is when Jim Gettys attempts to blackmail Kane. The scene demonstrates Kane’s fall from grace through pride. His reactions to the other characters in this scene (Mrs. Kane, Susan Alexander, and Mr. Gettys), the angles that are shown in his perspective, and the lighting of the scene helps to demonstrate this point. It is after the blackmail scene that, in desperation, Kane tries to regain his credibly with the public and

The aspect of the Citizen Kane’s mise-en-scene that stood out to me the most were the sets. The first scene showing the once amazing and repugnant Xanadu now in disrepair helps to portray the psychological disrepair Kane experiences over the film. The giant oversized office of Mr. Thatcher portrays the cold decrepit old men who are in it. The huge interiors of Xanadu show the isolationism of his relationship towards Susan and his own loneliness in the world. Each of the sets in the film help to show the progression of the character. The sets along with the other aspects of mise-en-scene create the effect of reality by its change. The mise-en-scene of the film is a reflection of the character progression throughout the movie. The scene where

Lighting Techniques: The Black and White World of Citizen Kane Orson Welles’ Citizen Kane is revered for its inventive and sophisticated use of lighting schemes to bring a certain tone to the film that sound or mise-en-scene could not achieve. However, the frequent low-key lighting goes further than merely creating a mysterious, film noir-esque mood. Intense shadows coupled with bold highlights shape Welles’ black and white film into a black and white world, which in turn emphasizes Kane’s descent into a moral grey area by the end of his life. While the world around Kane remains clear-cut between “good” and “bad,” our perception of him lies in ambiguity, caught between our sympathy for his difficult childhood and our aversion to his older character.

It is evident that Welles draws much of his inspiration from German Expressionist films of the time, however, he manages to marry Expressionist style with a modern approach. Expressionism sought to transform reality through photography, lighting, artificial and stylized sets, and mise-en-scene. Additionally, the film also embraces the spirit of film noir, framing the film's central narrative as an investigation into the meaning of Charles Foster Kane's last words. Although a series of investigators undertake the task of finding out who or what Rosebud was and what it meant to Kane, the characters in the film find that

Citizen Kane brought the aspects of a newspaper tycoon in the 1940’s to life in a form of a dramatic narrative. This film is based on a true story of a newspaper magnate, William Randolph Hearst and based off of some aspects of Orson Welles(Writer and Director). This filmed has been named, “The best American film of all time” due to the fact that, during the time of its making, it was the first film to take on many new techniques of cinematography. Citizen Kane is a revolutionary film not only in the drama genre, but in filmmaking of all forms.

Citizen Kane takes place in many different settings so this affects the unity of place. There are scenes