Civil And Divine Law In Antigone By Sophocles

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

In Antigone, Sophocles introduces the struggle between loyalty to civil law versus familial loyalty and divine law, which is a central conflict in the play. Antigone has a firm belief in upholding family values and honoring the gods and deceased by burying her brother. In contrast, Creon wants to do what is best for the city which is, in his opinion, forbidding the burial of Polynices. Both Antigone and Creon believe that their point of view is more important, and neither is willing to change perspective, causing the chain of destructive events in the plot. Loyalty causes the deadly dispute between Antigone and Creon because of their conflicting perspectives about precedence.

The major moral conflict in Antigone by Sophocles is the conflict over which value is most fundamental. The play presents the moral conflict over whether the god's law or the city's law is more powerful. This seems to be the most prominent theme. The conflict arises mainly between the tragic heroes Antigone and her uncle-in-law Creon, King of Thebes. The city of Thebes had been through a war in which Antigone and her sister Ismene have lost both of their brothers to it, Eteocles and Polyneices. Eteocles's fighting for Thebes was buried and honored as a hero. (lines 24-26) Polyneices was left unburied and dishonored because he is considered an enemy of the city. (lines 27-32) Creon edicts that whoever broke the law by burying

In the play Antigone, Creon, king of Thebes faces a harsh conflict with himself, involving the values of family and religion verse the civic responsibility he must maintain for the city of Thebes that comes with being the new king. In theory no decision Creon makes is going to be the rite one. Although both Antigone and Creon have justified reasons for believing in there own laws only one can be upheld by the play and how Sophocles interoperates the play himself. Creon must decide whether to punish Antigone, a princess, daughter of king Oedipus, or fail at enforcing his own law and look weak in front of the citizens of Thebes as their new leader. The law stated that anybody who touched the corpse of Polyneices, a prince, and son of Oedipus

Humanity is often faced with ambivalence towards law; at once, we find it a necessity in attempting to deal with a world which is constantly in some type of chaotic turmoil, and also as a glaring flaw in our society, which can at times result in more chaos than was originally had. This conflict is no more obvious than in Sophocles’ Antigone. Antigone, the character, represents half of the struggle between what the law says is just and what we inherently deem to be morally upstanding – Creon represents the opposing side which views law and power as the ultimate dictator of life’s unraveling. Though Antigone is ultimately thwarted, she is on the side of justice rather than blindly following the law. Antigone’s empathy while breaking the law

One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

Law, principles, and regulations are established in a community in order to create peace and order for the people. But is every law placed- morally correct? Is there anytime when breaking an unjust law is acceptable? Through Sophocles novel, Antigone, he illustrates to his audience regarding to breaking an unjust law and that no matter how high a ruler might see himself as, the Gods will always be stronger and higher than the mortals. He designs one of the first examples of a conscientious objector, Antigone, one who breaks a law that is, to her, unjust. Defying Creon’s law with her beliefs that god's law overrules man's law, she goes against him by burying the body of her deceased brother, Polynices. In spite of the fact that Antigone knew the consequences that had the power to threaten her life, she still decided to honor her brother’s memory and satisfy the gods. When being captured by the guards she had not deny the fact that she was indeed burying Polynices, in fact she stated that she did and took the consequence, even though her life was at risk. To her burying her brothers body meant more than her own life, restoring moral balance and satisfying the gods led her to disregard a law created by man. Many should consider that breaking an unjust law is not wrong, a law that is morally unjust. The law was created to protect the people and their beliefs, yet as we see through the three Theban plays we learn that one's beliefs and morals go against the law, but it's not the

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

Sophocles symbolizes family over authority by using Antigone and Creon to conflict each other's core beliefs, showing that Antigone is willing to die to honor the love for her family, while Creon is willing to kill to honor and enforce his own authority at any cost. As we see in the story, when Antigone's brothers die, she chooses to bury Polyneices even though she knows this will cost her her life. In the play when Antigone tells her sister what she’s going to do, ismene says, ”But think of the danger! Think what Creon will do! ANTIGONE: Creon is not enough to stand in my way” This shows Antigone represents family for the great lengths she will go to to honor her brother. By contrast, Sophocles paints Creon to symbolize authority through murder of his own bloodline. In the play he plans to kill Antigone for choosing her love for her brother over his rule, and so he plans out her execution although she is family to Creon. The Choragos asks Creon “Do you really intend to steal this girl from your son?,” which then he responds by saying “No; Death will do that for me.” Which shows the reader that Creon is unsympathetic to who Antigone is in relation to him. He disregards the importance of family to uphold his authoritative values. By the end of the play the author has shown us Creon has come to realize his ways have cost him his family, and he regrets his decisions.

This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

However, the central conflict is between the protagonist, Creon, and the antagonist, Antigone. This conflict can be classified as Man vs. Man. Creon and Antigone compete with one another on the basis of which law is superior, man’s law or god’s law. Creon believing that man-made laws should not be defied, is forced to, due to his beliefs, sentence Antigone to death upon defying the law. This leads to the internal conflict present within Creon. Should he kill Antigone for defying man-made law or acquit her because her intent to follow god’s law? Due to his relentless and uncompromising beliefs of man-made law being superior to all other laws, he is forced to sentence Antigone to death, though many disagree. It seems as the moral thing to do, however, in the end, it turns out to be more than he could bargain for.

Family is very important and is shown through many ways in society. That family will often be more important than the authority or law. Within the play Antigone, Sophocles shows many situations where the characters are forced to choose between law or family. Throughout Antigone, Sophocles proves his strong devotion to family, even more. Sophocles shows this through the actions of Antigone, Creon and Haimon and the choices that they make throughout the play.

The dramatic play Antigone that Sophocles had formulated, carries out a complex and increasingly suspenseful plot. Creon, the king of Thebes, establishes a law that deprives Polynices, one of the two brothers that had died fighting for his rightful seat on the throne, a proper burial due to the attack of his own city. In response, Polynices’ sister Antigone defies this law behind Creon’s back and is as a consequence, sentenced to death. Yet, Creon’s judgements ultimately lead to his downfall as he loses all things significant to him in life. Thus, the characters of Antigone and Creon within Sophocles’ play find themselves in a conflict between their own conceivement of the law, which mirror the conflict between the divine and state. What Sophocles’ intends to convey within the tragic conclusion of both characters is the individuality of law and the correlating misconception that a wrong or right can be established within its definition.