Cixous's The Laugh of the Medusa Against Showalter's Feminist Criticism in the Wilderness

More often than not, analyses of John Rollin Ridge’s Joaquín Murieta interpret the novel as a demonstration of male bravery, and regard the female characters as counterparts that exist to remind the violent men of their humanity. However, an analysis that only considers women for their roles as sentimental beings is one that fails to detect their true significance in the work. Instead, it is essential to recognize that the female characters of the novel diverge from traditional, confining expectations of womanhood, and embody traits of masculinity as a response to their social situations.

The lines 809 – 840 of Amelia Lanyer’s poem “Salve Deus Rex Judaeorum” is an argument for why women should have an equal place in society to men’s. The poem is actually a piece of proto-feminist writing using religious examples as a way of getting across the message of equality between the sexes. Lanyer uses examples from the Bible to explain how Eve is not at fault for women having a lesser place in society and why males should have a religious motivation for women being equal with men.

The Portrayal of the Plight of Women by the Author, In Their Particular Period of Time

In Homer's composition, The Odyssey, the roles women play are very significant. The best examples of the true nature of women occur when Odysseus encounters Circe and Calypso. These two characters illustrate the thoughts and feelings of how women how a woman feels and how they think. As the quote states, Circe and Calypso illustrate how women really can be crafty, intelligent, sneaky, disloyal, and cruel. In contrast to battles with men, Cyclops, or animals, sexual battles with women are sometimes much more difficult to win.

There is significant evidence throughout both 'The Long Queen ' and The Map Women ' to indicate that suffering is a central element of female experience. Both of these poems are present in the 'Feminine Gospels ' written by Carol Ann Duffy. The collection of poetry is seen to be teachings of feminism aiming to provide the reader visions of female identity. One feature of this identity that is examined within these two poems is the theme of mental and physical suffering that women universally endure.

“Whose behavior could be odder / than that of a stubborn man / who himself breathes on the mirror, / and then laments it is not clear?” Man’s double standards and self-inflicted exacerbation of women has been a prominent issue for centuries. Consequently, women have faced marginalization and oppression throughout the ages. In moments of bravery, exemplary figures have spoken out against this injustice. Two such characters during the Enlightenment period are Sor Juana Inés de la Cruz and Mary Wollstonecraft. Specifically, Sor Juana’s poem “Philosophical Satire” and Wollstonecraft’s piece A Vindication of the Rights of Woman. Sor Juana speaks to the injustice her gender faces through sharp words which attack the double standard and

Greek society is highly stratified, one where the distinctions between Nobles, peasants, and slaves are explicit. While many people consider women oppressed in the ancient hierarchy, this notion is somewhat contradicted in the Odyssey, where many women act as powerful figures. Penelope separates herself from the suitors that plague her palace, who are relentless in their pursuit for her hand in marriage. Circe has the capability to seduce an entire unit of Odysseus’ men and turn them into pigs. Athena benevolently guides Telemachus over the many obstacles he faces on his quest to seek out his father. Helen defects from Sparta, rallying all of Troy for her cause. Clytemnestra deceitfully plans Agamemnon's death for her new love interest, Aegisthus. Women in the Odyssey show that through seduction, trickery, and wisdom, women of Ancient Greece are able to obtain significant power.

In Medea, by Euripides, conflicts play a major role in the creation of the play. Some examples of these conflicts are with Medea and Jason, Medea and herself, and Medea and Creon. Medea is shown to be a strong, independent woman who does what she wants as well as doesn’t let anything stand in her way. She shares qualities of a traditional male at the time, and the qualities of a traditional female. Euripides makes this clear in the play by creating conflicts to prove women can be a powerful character and that the play in general challenges the idea of misogyny.

Patriarchal culture has dominated society throughout history. Males have control in many aspects of life and women have continued to fight for equal rights in society. There are many ways women have contributed to the fight for equality; some more physical and other less abrasive. Education and Literature gave the voice to a few women in a male-centered world. Poet Lady Mary Wroth captures the injustices experienced by women in the feminine narrative of Sonnet 9 from her collection of sonnets, songs, and lyrics entitled 'Pamphilia to Amphilantus. In this poem, Wroth explores the thoughts of elite women in the 1700s and uses aspects of her own cultural and historic circumstance to convey the theme of a religious patriarchal society.

The play Medea by Euripides challenges the dominant views of femininity in the patriarchal society of the Greeks. While pursuing her ambition Medea disregards many of the feminine stereotypes/ characteristics of the patriarchal Greek society. She questions the inequality of women in a patriarchal society, contradicts Jason?s chauvinist beliefs, challenges the stereotype that women are weak and passive and completely disregards the feminine role of motherhood. Feminism is the belief that women and men are, and have been, treated differently by society, and that women have frequently and systematically been unable to participate fully in all social arenas and institutions. This belief is confirmed in

Presenting literature to the public that is meant to be a commentary on social or political issues, masked under the guise of entertaining and fictional, is a tool implemented by authors and activists for centuries. While not all satire is as overt as Jonathan Swift’s suggestion that we eat the babies, it does not diminish the eyebrow raising suggestions that are conveyed once the meaning has been discovered. In Aphra Behn’s The History of the Nun and Eliza Haywood’s Fantomina, the established expectations of the female role within society are brought into question then directly rejected. These expectations establish that women should be deferential to men, morally unblemished, and virtuous at all times. Men, however, are not held to these expectations in the same way. The masculine roles assumed by Isabella and Fantomina demonstrate a private rebellion against the established patriarchal society as it warns against the under-estimation of women and proves that women exist independently.

Hesiod leaves no doubt that the existence of women is on balance a terrible thing for men. Zeus ordered Hephaistos to create women as a punishment for his having been decieved.. Women were to be a poisoned gift for men, which "all shall take to their hearts with delight, an evil to love and embrace" (W&D, 57-59). In the Theogony women are called "a great plague" because they are "ill-suited to Poverty’s curse, but suited to Plenty" (592-93), among other flaws. While Hesiod offers some well-turned phrases in praise of womens’ good qualities, it is unmistakable that these positive attributes are all put there by Zeus for the sole purpose of making woman an "inescapable

Barbara J. Risman (1998:2) defines gender essentialism as “the assumption that basic differences in orientation and personality between men and women are rooted in biology and nature.” Gender essentialism is found in many different aspects of western culture or more specifically American culture. One way gender essentialism subtly sneaks its way into our culture is through music. An example of this occurrence would be the song “God Made Girls” by RaeLynn.

Euripides and Homer are said to be two of the four cornerstones of ancient literary education. The former, Euripides, known as one of the great tragedians of classical Athens produced approximately ninety-two plays, but was rejected by most of his contemporaries during his lifetime. Euripides was the first of his time to portray a woman as a sympathetic character and a victim of society. Homer is known as the greatest ancient Greek epic poet. His most famous works being the Iliad and the Odyssey. Both of these ancient authors used strong women in their works.

The opposition is apparent between the two constructs of gender, ‘man was glad a blithe’, (joyful) (155) whereas the princess ‘siked an sorewed swithe.’ (sickened and sorrowed) (156) This disparity underlines the attitudes that permeate this text, considering the atrocity that has occurred, it is sickening to comprehend. Alluringly,