Claire De Lune: A Beautiful Piece Of Art

In the full moon phase the side of the moon that can be observed from earth becomes illuminated by the sun n its entirety. Lastly, the aforementioned illuminated portion begins to shrink or wane and thus the moon is considered to be in the waning gibbous phase, meaning that the illuminated portion is constricts in size or diameter every day.

between light and shadow) from the north pole to the south pole of the moon. This is how the moon would be seen if it were on the observer’s meridian. We can use the drawing above to determine the amount of illumination and whether it is on the left or right hand side of the moon. Use the drawing above to draw the appearance of the moon in the box below.

Lunar phase (or Moon phase) refers to the appearance of the illuminated portion of the Moon as seen by an observer, usually on Earth. The lunar phases vary cyclically as the Moon orbits the Earth, according to the changing relative positions of the Earth, Moon, and Sun. One half of the lunar

The admiration of courtly love is no more prevalent theme in Marie's lais than on “Yonec” and “Lanval”. These two lais are showing very aristocratic views on socially states; love of nobility. A love that cannot be explained by a commoner or peasant that cannot show status has nothing to offer, for courtly love because a peasant has no chivalry. This courtly love is often secret in that a knight and a lady are not married to one another but to a different partner making the story adulterous. That secret at the end makes the story ecstatic and tragic; the adhesive of the story is the passion of love that is displayed making the store ecstatic and the secret is the tragedy that love cannot be acknowledged. The principal argument of this essay is to understand courtly love in Marie de France’s lais.

Joan of Arc was a powerful military leader and a skilled warrior. Now St Joan of Arc is considered a saint and a martyr. The influence left by Joan’s life was an inspiration to all. France was forever changed by the empowering presence of Joan.

De France, Marie. The Lais of Marie De France. Trans. Glyn S. Burgess and Keith

They produced the perfect glair, from the lighting above. My favorite art work was, Moth by Sea”, by Jeni Stallings, an oil canvas. In the art work the woman is a moth who is standing on the moon. Her dress is brown and black with the shapes of triangles, and diamonds. Quite like the pattern of the moth’s body. Her antennas are feathers that stick out of the top of her head, her wings are bright, they glow from the reflection of the moon. There is a horizontal line, that separates the night from the light, but this woman is in the middle of both, as she’s standing on night. The gallery I visited represents artists of contemporary

At home Mauricio had the TV going though he was staring intently outside the window. He studied every crevice and crater of the round and shining moon this evening. Regardless how many imperfections he could count with his naked eye, the moon was beautiful to him and none of its imperfections mattered. He held the phone ready to answer in his hand. He remained wide-eyed keeping

According to American mythologist, Joseph Campbell, “The greatest love was during the Medieval Ages, when noble hearts produced a romantic love that transcended lust” (Joseph Campbell and the Power of Myth with Bill Moyers [2001]). The Lais of Marie de France are primarily concerned with this idea of love--specifically, courtly love--between a man and a woman. Courtly love, a union modeled after the feudal relationship between a knight and his liege lord, became a popular convention in the 12th century (“Backgrounds to Romance: ‘Courtly Love’”). Instead of proving loyalty to a lord, the man would have to prove his love to a woman. Marie de France, however, focuses not just on the idea of love, but also on the differing kinds of love that existed in medieval society. She recognizes love as a force that cannot be avoided and that can be executed correctly or incorrectly; not all love is equal. Marie begins her collection of lais with the stor y of Guigemar, a noble knight who is cursed with the task of finding true love to heal a physical injury.

If great writers are able to escape the influences of their era and write in a timeless fashion, then Jeanne Marie LePrince de Beaumont is certainly not a great writer. Beaumont wrote Beauty and the Beast in eighteenth-century France during the reign of Louis XV. It was a time when the enormous bourgeoisie population was slowly growing in independent wealth, yet remained grossly overtaxed and starved. These peasants were systematically excluded from the aristocracy and the workings of government. France was a stronghold of the dying feudal-influenced monarchy system, in which the king declared himself an absolute monarch with the divine right to rule as

Joan of Arc is credited with leading the French army to victory over England during the 100 years war, which actually lasted around 116 years. She believed she was a messenger of god and was born to bring an end to the war. With permission from the king, Joan of Arc, lacking military and tactical training, led the french army against the English in the city of Orléans. Joan met a tragic end when she was captured by the Anglo-Burgundian and tried as a witch. She was called guilty as a witch and a heretic which led to her untimely demise being burned at the stake at age 19.

Marie de France relies heavily on the literary element of symbolism in the story of Laustic to create an audience that is sympatric and concerned towards the characters. The nightingale is a fundamental symbol for the story because it ties all of Marie’s elements together. When the wife introduces the nightingale as her reason for going to the window at night, the female character has made the bird the symbol for the love shared between the wife and the neighbor (1). Furthermore, the nightingale has direct relations to the symbols of the blood stain, the actual death of the bird, and the shrine for the bird. After the husband kills the bird he throws it at the wife leaving a blood stain on her dress, which is “meant to symbolize her wounded

This Tipi Moon teaching was organized by Professor Blu Waters, took place in the Tipi in Newnham Campus, and was in the evening of June 15. About fifteen students attended this teaching event. We, including Professor Blu Water, were sitting on Mother the Earth, where all lives from, in a circle in the tipi, with the bonfire in the center.

I) According to my previous observation with the full moon, this observation was less lit up than before. There was a small sliver of darkness that appeared now on the right side of the moon from where I was standing.

Claude Debussy was born in France on August 22, 1862 during a decade in which Roger Nichols’s claims was one of “the low points of French musical life” (4). Debussy clashed with the musical norms of his time due to his fascination with writing music for how it sounds and feels. Lesure writes, “Ever since his years at the Conservatoire, Debussy had felt that he had more to learn from artists than from career-obsessed musicians” (5). Debussy composed from the ideas around him and this is heard in his composition of “Clair de lune”. Claude Debussy’s “Claire de lune” is one of his most beloved and known piano works. “Clair de lune” is the third movement of Debussy’s piano concerto, Suite Bergamasque, published in 1905 and offers a view into the complexity and originality of Claude Debussy. “Clair de lune” beautifully displays Debussy’s fascination with nature and symbolist poetry. Debussy uses form and atmospheric phrasing to depict the melancholic and subdued beauty of nature.