Clash Between The Gods In The Iliad

The Iliad begins with the clash between Achilles and Agamemnon. Agamemnon has little, if any, respect for the gods. This is displayed by his irreverent

In The Iliad, Homer plays with the ideas that Zeus, the god and leader of all, ultimately may not be in charge. Countless times during the text, Zeus bends to the wills of prophecies, mortals, and even other gods. As the story develops, Zeus becomes less in charge and more of a puppet for mortals and gods who have contrivances for and against him. Through prophecy, Achilles, and Hera, this essay will glimpse at the idea of Zeus simply being a puppet on strings in the hands of war.

The stories told in the Iliad and Odyssey are based on stories handed down over several generations, for they preserve (as we have seen) memories of an already quiet far distant past. The two pomes show clear connection in their language and style, in the manner in which their incidents presented, and in the combination of agreement with level, which distinguish their creation.

The Greek gods are highly partisan beings in the Iliad. The Greek gods side with different armies there is no side that is more 'moral' or favored by the gods than the other. The Trojan War itself was largely begun because of a rivalry between Athena, Aphrodite, and Hera. The gods also favor certain mortals Athena prefers Odysseus, for example, while Aphrodite adores Paris. This favoring is not based upon the moral behavior of these particular humans but is instead based in the gods' own prejudices. The gods do not act as moral guides in a Judeo-Christian sense. They are anthropomorphically rendered, jealous, unpredictable, and at times vengeful. They have more power than humans and demand humans' respect, but that respect is commanded by their greater power, not their greater morality. The gods also deliberately insert themselves into human affairs, egging on the Trojan War when it seems to be flagging, or favoring one side over another. "Make all haste, and invent/Some mean by which the men of Troy, against the truce agreed, /May stir the glorious Greeks to arms, with some inglorious deed" (59). However, even the gods have limits Achilles mother Thetis, although a goddess, cannot prevent her son's death, which she knows is inevitable. Q2.In Book 1, with whom is Achilles angry? Why? What does Achilles vow to do in response?

Godly colossal Greek epic, “The Iliad” constituted by the poet named, Homer, articulate the chronicle of the Brobdingnagian Trojan War. It is swarming with the interventions of the gods enchanting their coveted mortals (humans) and altering the heterogeneous scenes of the Trojan War. In this poem, gods have an assortment of relationships with humans which include love, fornication, and mother or father relationships. Gods interact with mortals in human shapes and stimulate them. Also, gods cognize that every human is eventually destined to die and they anticipate humans to pray to them for every obstacle humans encounter. However, for humans gods are omnipotent, authoritative, dominant, and immortals, who they supplicate to if they have

The Iliad opens in the predicament of the Greeks who have somehow incurred the wrath of the gods. It is here that Agamemnon, supreme commander of the Grecian army, demand that Achilles give up his “prize” (Briseis) to replace his own “prize” (Chrysies) which he has to give up to appease the gods. Agamemnon has to

Here is one of the greatest if not the greatest of the gods, Zeus, complying with Thetis' plea to help the Trojans, and his biggest concern is upsetting his wife. This scene contrasts how the humans lives are in the hands of feeble gods who are sometimes unable to make uninfluenced decisions without the influence of others or worrying about what another will think or say to them simply because she will be ‘scolding all day long'. Another favor which helped turn the tide of war in favor of the Achaeans again involves Achilles and Thetis, however this time she seeks the aid of Hephaestus. Thetis goes to Hephaestus because Achilles armor is in the hands of Hector who killed Achilles dear friend Patroclus.

The Iliad: Book I, is about the conflict between Achilles and Agamemnon in the beginning of the Trojan War. It shows how vigorous Achilles’ rage was and that he is no one to mess with. The book states “Peleus’ son Achilles, murderous, doomed”. This shows his fury in just a few words. Achilles was a Greek hero who was the son of a Goddess named Thetis. He was an incredible solder; brave, violent and godlike. However, Agamemnon was the commander of the Achaean Army. He was greedy, aggressive and selfish. He was described as “the most grasping man alive”. He absolutely hated Achilles. I feel that he was jealous of how respected Achilles was among the ranks in the army because of his superior skills in the field of battle. Agamemnon claimed Chryseis as his prize, after sacking a Trojan town. Chryseis was a daughter of a Priest of Apollo, Chryses. He offered an enormous ransom to get his daughter back. At first Agamemnon didn’t want it but the people round him persuaded him that it would be best to let her go so they could be released from the plague that Apollo put on them. Agamemnon then poised to Achilles that he is going to steal Achilles prize, Briseis. This is when Achilles’ rage shows at its best. He nearly draws his sword to kill Agamemnon but he is stopped by the goddess, Athena.

In The Iliad, the first of many quarrels between Agamemnon and Achilles is ignited by Briseis and Chryseis. Because Agamemnon is forced to relinquish his prize,

First, the gods influence on his fate becomes evident when Athena persuades Achilles to keep Agamemnon alive and spare Agamemnon from his rage. Due to Achilles holding onto this rage towards Agamemnon, a series of events transpire that push him closer and closer to making rash decisions that eventuate into his fate at the end of The Iliad. Right as Achilles closes in to kill Agamemnon, Athena appears to Achilles and says, “ you shall have a

Agamemnon’s rage, cowardliness and bad leadership also plays some parts of his refusal. Just like Helen, Bresies also had an effect on Achilles to judgement to refusing Agamemnon’s ransom. He was in love with her and Agamemnon dishonors him and takes her away and that makes Achilles angry. In the Iliad, beautiful women are the main reason to war and rage. Achilles has nothing to lose because “son of Atreus” (9.369) already took his honor, reputation and his Bresies. Even if Achilles “let[s] [his] heart-devouring anger go!” (9.316) for his companions that would never restore what he already lost. “Obviously, all religions fall far short of their own ideals.” (Ernest Becker, The Denial of

It is not only the mortals who pose anger in the Iliad, but the gods too are not inseparable from it. Once Achilles petitioned Zeus for revenge, Zeus started his involvement in the war, which in turn angered Hera against Zeus, as well as the anger of various other gods, each with his/her own agenda. This way the anger of human beings involved the anger of gods and the situation turned out to be fearful and irreversible. Gods like Athena, Hera, and Aphrodite directly or indirectly took part in the war. Ares and Aphrodite were even wounded in the course of the war. However, the passion of gods was stimulated by human beings that intensified the course of the war. Many mortals were killed in the course of war, and no mortal could survive the attack of gods.

If there’s one thing one can count on when it comes to Greek gods, it’s that they’re critically flawed. Anyone reading Homer’s The Iliad can see the Greek gods act just like humans, constantly bickering, deceiving and throwing fits. The only people who can’t see through this facade of glorious immortality are the Greeks themselves. Throughout Homer’s entire epic, the gods continuously help the mortals based upon their own motives, and yet, the humans still worship them, ask them for help and forgiveness and blessings. Any reader would throw up their hands, disgusted that the humans glorify these beings that possess all the character flaws that mortals do. Homer is very successful in portraying humanity throughout his text, both through the perspective of the gods, and the perspective of the humans. While readers are allowed insight to both worlds, the characters themselves only see one dimension, resulting in the unequal nature of the humans constantly working to please the gods, sometimes to no avail. The Iliad exposes the fatal character flaws of the gods to readers, while also maintaining the mortal Greek perspective that gods are perfect beings, looking out for the greater good of mankind.

It is not uncommon for the gods to make appearances in the Iliad, and Achilles is no exception. He receives help from the supernatural on multiple occasions, much like an epic hero would. The most significant divine intervention Achilles received was by Athena, the goddess of wisdom. “Now let’s get tough and fight and not spare Any spears. Either Achilles kills us both…Or he goes down with your spear in his guts,” Athena said to Hector, pretending to be Deiphobus which deceives Hector into fighting Achilles (Puchner Book XXII, 270-272). There is no arguing whether or not Achilles received help from the gods, as he did on multiple occasions. Athena even helps him again in his battle versus Hector by returning his spear after a missed throw. It is the actions like these that craft Achilles into an epic hero, he isn’t asking for the help, but he receives it anyways because it is his destiny to become the epic hero. At points such as these, it seems as if mortal men don’t have much control over their destiny and that the gods are manipulating the outcomes. This can also be seen when Athena prevents Achilles from attack Agamemnon.

The gods were more involved in the Iliad than in the movie Troy. In the Iliad they manipulated people’s emotions, the weather, the outcomes of battle; they would disguise themselves to trick the characters into the move they wanted them to make, physically trip them up to give the opponent a better standing. In the movie the gods had no visible role they were more of a believe system and a thought process. The characters believed that there were signs from the gods letting them know how to proceed. An example of this is when determining wither to go into battles after a farmer saw a sparrow with a snake