Class Distinctions and Internal Struggle in the Works of James Joyce

In "Two Gallants," the sixth short story in the Dubliners collection, James Joyce is especially careful and crafty in his opening paragraph. Even the most cursory of readings exposes repetition, alliteration, and a clear structure within just these nine lines. The question remains, though, as to what the beginning of "Two Gallants" contributes to the meaning and impact of Joyce's work, both for the isolated story itself and for Dubliners as a whole. The construction, style, and word choice of this opening, in the context of the story and the collection, all point to one of Joyce's most prevalent implicit judgments: that the people of Ireland refuse to make any effort toward positive change for themselves.

All of these literary elements are portrayed in Joyce’s “The Dead”. His story depicts aspects of everyday life in the Irish capital of Dublin. Joyce portrays the parochialism and piety as well as the repressive conventions of everyday life. Joyce’s characters dream of a better life against a dismal and impoverishing background where the cumulative effects of life are full of despair and hopelessness. Through Joyce’s modernist approach to narrating he uses a structure of symbolic meanings and revelatory moments called “epiphanies”. Joyce viewed Dublin as the “Centre of Paralysis” in Ireland (Puchner, Martin 177). Joyce viewed Dublin as a city of blunted hopes and dreams that were lost in the sea of misery. A city Joyce viewed that was filled with poor who were desperate to move out of the slums that they spent their entire lives living in. Dublin’s population was constantly growing and not enough jobs

What can be said of the menacing literary masterpiece that is A Portrait of the Artist as a Young Man is that the gender issues Joyce so surreptitiously weaves into Stephan Dedalus’s character create sizable obstacles for the reader to overcome. Joyce expertly composes a feminine backdrop in which he can mold Stephan to inexplicably become innately homosexual. As Laurie Teal points out “… Joyce plays with gender inversion as a uniquely powerful tool of characterization.”(63) Stephan’s constant conflict with himself and what he wants generate a need for validation that he tries to simulate through day dreams and fantasies but is ultimately unable to resolve. Through exploring the tones of characterization and the character development of

In this deeper analysis of Irish population arriving during the Famine, it is apparent that protestant and Catholic both suffered from poverty after coming to Toronto. Certainly, a majority of immigrants were of Catholic descent, but there were certainly Protestant Irish being forced off their land in Ireland during the Famine. These are important details that define why Toronto was not nearly as hostile as Belfast, since the similar aspects of poverty, Irish nationalism, and Irish culture were shared values in the overall disposition of Irish immigrants

Joyce 's novel demonstrates a city and a society full of contradictions, parochial ideas, and paralysis. The Dublin inhabitants are divided by the river Liffey, into 'North and South ', 'rich and poor classes

Joyce's modernistic view of Dublin society permeates all of his writings. The Irish experiences account for a large portion of Joyce's writings. Stephen Dedalus is sometimes Joyce's pseudonym and represents Joyce and his life in Joyce's works. Joyce plays a crucial role in the modernist movement in literature. Some of the well known innovative techniques used by Joyce are symbolism, realism and stream-of consciousness. James Joyce's writings contain autobiographical matter and display his view of life in Dublin, Ireland with the use of symbolism, realism, and stream-of consciousness.

James Joyce’s Dubliners is a compilation of many short stories put together to convey the problems in Ireland during that time. Many of his characters are searching for some kind of escape from Dublin, and this is a reoccurring theme throughout the stories. In the story “Little Cloud,” the main character, Little Chandler, feels the need for both an escape from Dublin and also from his normal everyday life. Gabriel, the main character in Joyce’s final story of the book, “The Dead,” desires a different form of escape than Little Chandler. He desires to escape his aunts’ party, and also at times, Dublin society. Although the stories

The state of Ireland is well described by Swift in this piece. He speaks of woman who “instead of being able to work for their honest livelihood, are forced to employ all their time in strolling to beg for substance for their helpless infants,”(2633). This is just one of his many observations to point out the extreme poverty Ireland was facing at the time. People were hardly

Religion in James Joyce's Dubliners Religion was an integral part of Ireland during the modernist period, tightly woven into the social fabric of its citizens. The Catholic Church was a longstanding tradition of Ireland. In the modernist spirit of breaking away from forces that inhibited growth, the church stood as one of the principal barriers. This is because the Catholic faith acted as the governing force of its people, as portrayed in

by those nets” (Joyce 238). The characters of Dubliners face similar nets that prevent them from

INTRODUCTION The history of Ireland "that most distressful nation" is full of drama and tragedy, but one of the most interesting stories is about what happened to the Irish during the mid-nineteenth century and how millions of Irish came to live in America (Purcell 31). Although the high point of the story was the years of the devastating potato famine from 1845 to 1848, historians have pointed out that immigrating from Ireland was becoming more popular before the famine and continued until the turn of the twentieth century. In the one hundred years between the first recording of immigrants in

    The characters whom inhabit Joyce's world in "Dubliners," often have, as Harvard Literature Professor Fischer stated in lecture, a "limited way" of thinking about and understanding themselves and the world around them. Such "determinism," however, operates not on a broad cultural scale, but works in smaller, more local, more interior and more idiosyncratic ways. That is, the forces which govern Joyce's characters are not necessarily cultural or socioeconomic in nature, but rather, as Prof. Fischer stated, are "tiny," and work on a more intimate level. In any case, as a result of such "forces", these stories often tend to be about something, as Prof. Fischer said, that doesn't

Irish novelist and poet James Joyce is one of the most influential and important writers of the twentieth century. Although he is most notably known by his work Ulysses, his collection of short stories Dubliners, published in 1914, has also been successful in the literary world. Joyce’s homeland of Ireland, specifically her tumultuous period in the early twentieth century, is imbued heavily in Dubliners. The political atmosphere was uncertain but hopeful before this time, the turning point being the death of Charles Stewart Parnell, a popular Irish nationalist and political figure. Following his death, Ireland and her people underwent a dramatic revival in culture, language, and identity; and it was during this time that Joyce’s works were written and published. Dubliners is one such work that clearly illustrates what it meant to be Irish in the early twentieth century. Joyce details the lives of ordinary people living their mundane and unremarkable lives, rather than presenting intricate plots with complex maneuverings. In his compilation are two stories “The Dead” and “Eveline” that follow different storylines. The first work follows a man, Gabriel Conroy, and his interactions with his wife, family, and acquaintances throughout and after a dinner party. Joyce’s other short story, “Eveline”, follows a young woman debating whether she should run away with her lover, Frank, a sailor. These subtle ordeals with nondescript

James Joyce's Ulysses was written throughout a total duration of seven years, and was published by episodes in The Little Review, an American journal. The eighteen episodes were eventually put together in the form of a novel and published in 1922, in Paris, by Sylvia Beach.

From the very beginning of the novel, “A Portrait of the Artist as a young man” by James Joyce we meet Stephen Dedalus. From there, we perceive the world exactly as Stephen perceives it. Through sounds, smells, and sensations we learn everything that Stephen is learning and many times in incredibly specific detail. Stephen's overly sensitive reactions and consistent use of imagery is proof to us that Stephen is "different" and views the world from an artist’s perspective. This uses of imagery and motifs by James Joyce is used to describe how Stephen is able to interpret the world around him. Furthermore, Joyce reveals this through the name of the main character.