Parody In Medusa

The Classical period of music has also been called the “Rococo” period. The Classical time period was between the 18th and 19th centuries. Spanning the years of 1750-1820. The transition from the Baroque period to the Classical took the music from polyphonic to homophonic where even though it seems like that would make the music less complex we look at a whole different type of complexity. The music typically contained two different melodies and a contrast in sections. This made the chords in the music much more defined and the tonal part of the music became more defined. The Classical period had a significant influence on several aspects of music. Chamber music had a sonata form. This means it had an exposition, a transition, and a recapitulation. Composition in the Classical time was mainly dominated by eclecticism which made the music more diverse. Concerto was driven at first by the Italians. They started the idea of the solo concerto. Orchestration was mainly developed during this musical time period. This is partly due to some of the most talented musicians that lived during this time. They did a lot of work in making the orchestra mainly string instruments. Some of these being the violin, viola, cello, and the contrabass, just to name a few. All of these things had a great influence in the way the music made the transition from the Baroque period to the Classical period.

When art was modernized, it was no longer a certain style. New artist were looking for new materials to use for paintings and sculptures. Artist were also wanting to free themselves from the depiction of external reality, and focus on art that could provide feeling or ideas. Modernists educated each other to embrace the “primitive” style of African and Pacific art. Cubism Style opened a path for artist to learn about pure abstraction or non- objective art. New wave of artistic experiment incarnation was called the avant-garde. Avant-garde were artists from the New York School who

The Classical time period, which spanned a length of seventy years, from 1750 to 1820, was very different in nature from its predecessor, the Baroque time period. The Baroque era featured works that were ornamentally elaborate, where the artists and composers centered their works on a big, bold style that was dramatic in its composition. Artists and composers transferred strong feelings of tension and emotion into their works and it was common for there to be some type of action or movement happening within the work. Those who lived in the Classical time period, valued simplicity and wanted to return to the ideals of the Greeks. Therefore, the Classical time period is characterized by clear structural clarity, simplicity, smoothness, and symmetry. However, though the works took a step back from the grand movement of the Baroque era, the composers and artists of the Classical time period did lay out a tuneful and elegant style in their music and art. Out of the Classical era came many renowned artists and composers, two of those whom are artist Sir Thomas Lawrence and composer Ludwig van Beethoven (“NYU”).

During the Post Classical Era, from 600 CE to 1450 CE, new empires rose through the combination of aspects such as social structure and religion from the classical era and globalization as well as expansion of religious and technological ideas from the modern era in order to form the Post Classical Era. Trade took on new roles through connecting areas and spreading goods, ideas, and disease. Ideas that were often spread was religion, such as Islam and Buddhism, thus leading to global awareness and conflict. Though Post Classical Mesoamerica was not included in the global trade route linking Eurasia and Africa, Mesoamerica still enjoyed its own advances during this time period. Through the Post Classical Era, Mesoamerica continued to celebrate religion because of its combination with everyday life, however they began trading because of the introduction of conquest, and developed farming techniques that played roles in trade and religion.

An avant-garde or modern movement is a movement that is experimental, artists push boundaries, are committed to change and are brave. Impressionism slots in perfectly to the definition of avant-garde. The Impressionists took the first steps into modernism as a self-critical movement (Greenberg 1992:755). To a modern understanding, the Impressionist paintings are among the most instantly enjoyable works of art (Thomas 1987:9).

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

Mathematics, philosophy, astronomy, and medicine are some of the significant contributions made by the Greeks, and they were also notorious for their cultivated architecture and sculptures. The Greek culture impacted the Roman Empire and several other civilizations; it remains to transform present-day cultures. The Han Dynasty is one of the most remarkable dynasties in Chinese history. This dynasty incorporated about four hundred years of development and strengthening; it coexisted with the duration of the Roman republic and the empire in the West. Momentous developments occurred in the Han Dynasty. Rome advanced form being one of the several city-states to being the core of the most magnificent empire in the world.

Understanding art is often thought of as being an unreachable goal, but art should not be considered arbitrary because it influences the cultures and societies around us. The purpose of this paper is to define and also establish my opinions on Pensacola Christian College’s (PCC) definition of art, the bibliosophy of art, and Dr. Francis Schaeffer’s criteria for art. These topics are useful for artists as well as anyone else critiquing art, and can also serve as guidelines and standards for an artist when they create art.

During this period, writers and poets were actively engaged in the creation of a new form of artistic expression. The objective of this type of expression was to celebrate intuition, rather than reason. It is believed that the greatest

‘The avant-garde understands itself as invading unknown territory, exposing itself to the dangers of sudden, shocking encounters, conquering an as yet unoccupied future ... The avant-garde must find a direction in a landscape into which no one seems to have yet ventured.’

The most extreme modernists were referred to as the 'avant garde'. Their intention was to shock their readers and force them to doubt accepted norms and discuss 'forbidden' topics (Abrams 119).

Beginning with the Renaissance (1400-1600) we see a change in the subject matter being portrayed by artists of the time. We can attribute this change not only to the change in patrons, from the Christian church to wealthy bankers and politicians, but also to the growing body of scientific knowledge. “The Renaissance was

The classical music period extends from 1740 to 1810, which includes the music of Haydn, Mozart, and the first period of Beethoven. The classical period of music combined harmony, melody, rhythm, and orchestration more effectively than earlier periods of music. With the natural evolution of music slowly changing with the culture, the baroque era had ended. That era had left a structure, articulation and periodic phrasing of music which would shape classical music.

The beginning of 20th century was a time of drastic change. New developments were made in the arenas of the classical sciences, social science, psychology and philosophy - each challenging traditional thought. Industrialization and the introduction of many new, challenging concepts in the fields of politics as well as the development of new technologies gave artist more freedom to innovate and break the rules of traditional art. By using new materials, techniques and the new approach artists were pushing boundaries of what has previously been accepted art practice in order to invent radically new styles.

In this chapter, I consider the formative elements of classical scholarship; in particular, how scholarship developed through this time period from something to be studied by elite amateurs to something formalised. What I examine specifically is how the themes of elitism, mysticism, projection, and language were the defining paradigms of thought for Romantics. In later chapters, these recurring themes will show themselves time and time again in scholarship, ultimately showing that Freud’s psychoanalysis was an evolution of existing ideology, not a revolutionary idea. Thus in order to understand how psychoanalysis became seen as a viable tool with which to approach mythology one must examine the roots of western classical scholarship. During the Romantic era intellectual authority lay with the poets, novelists, and playwrights. To understand how the scholarly community came to be so receptive to Freud it is key to examine how these paradigms affected the respected views of myth and history – given by amateur historians and fop poets alike - in the Romantic era.