Claude Manet – Impressionism – 19Th . Oscar-Claude Monet

By the time he was seventeen, Monet was already making money from his work and had won a local reputation as a caricaturist. Skillful and amusing, his caricatures were displayed in the window of a local frame maker, Monsieur Gravier, where they drew crowds of appreciative viewers. Gravier also displayed paintings by the landscape painter Eugene Boudin, who was an old friend of his. Monet's development of friendship and informal tutelage of Boudin proved to be formative for Monet's future direction as a landscape painter. (Gordon, 38)

Monet's painting Sunrise displays vivid color, which is commonly used among impressionists. The painting is of the sun rising over the lake, over looking the bay and the boats within. "Sunrise is a patently a seascape; but the painting says more about how one sees than about what one sees. It transcribes the fleeting effects of light and the changing atmosphere of water and air into a tissue of small dots and streaks of color-the elements of pure perception" (Fiero 114). This painting is typical of its style because it captures light at that moment. The sun is rising and its color is projected to everything in its path. Monet seems to capture this

Claude Monet's Grainstack (Sunset) is the painting I chose from the Boston Museum of Fine Arts. Monet was an impressionist painter in France, and did most of his work at his home at Giverny. Impressionism got its name from a painting that Monet painted, Impression Sunrise. Impressionist paintings are put into a category based on characteristics such as light that draws attention to objects, rough textures, and visual pleasure that the viewer receives upon looking at the paintings. Impressionist paintings are art for arts sake and focus on leisure and nature. These paintings are generally the most well known and popular paintings because of their attractive appearance.

b. this meant that the lightest colors would be the first ones put onto the canvas and the darker colors would be worked towards. 2. The most famous examples monet has of using this technique include water or lillies; two of his subjects that were painted often. a. Impression: Sunrise(4) b. Water Lily Pond(4) c. Water Lilies (4) B. Brush strokes that were used in variation and depth also created a unique form to Monet’s paintings.

In the year of 1840 little did France, let alone the world, know that it was a year to be put in the history books. On this beautiful year a man of great recognition in the art world was born. The founding father of Impressionism, Claude Monet. He had been a painter of a new style. One of his paintings titled “Across the Meadow” was simply one of the art pieces among a multitude of other phenomenal impressionist works he had completed.

The Art Story Foundation (ASF) (2015) discusses Claude Monet (1840-1926) as one of the leaders of French Impressionism of the late nineteenth century. With Edouard Manet (1832-1883) as an inspiration, Monet developed his own distinctive style in the 1860s. He blurred the clarity of forms and linear perspective with bold colors emphasizing on qualities of light and atmosphere going against traditional artistic precision.

Of the impressionist movement, some would say that Oscar-Claude Monet, better known as just Claud Monet, as one of the most distinguished artist of the 19th century. He transformed French painting forever. Many painters during this time usually included landscape scenes and nature in their artwork, but none could grasp the vivid imagination Monet had, which added passion to his wonderful masterpieces. He was literally painting the way into the twentieth century with his unique style of painting, and becoming a role model for many artists to follow, showing how art can be re-imagined into something more beautiful than this world can possess.

Monet was enamored by the allure of natural light, which is why he used that as one of the main factors in his paintings. Monet would go to several lengths to get the perfect light. In Susan Stamberg’s article “Monet's Canvas Cathedrals: A Life Study of Light” she says that he should go from canvas to canvas for each scene he painted just to catch the light as it shifted. He would paint at least two to four paintings of the same scene. Through his paintings he tried to help others see the spectrum of natural light in different scenarios such as in the Grainstack and Poplars paintings.

Claude Monet was an artist born in the 19th century. He was well known for being one of the founders of the art movement know as impressionism. Monet created many art series in which he would paint one object multiple times, one of his most famous series being waterlilies, which was created towards the end of his life. The painting I will be talking about today is one of his many waterlily paintings, painted in 1904, ‘Waterlilies’ or ‘Nympheas’ was just one of 250 paintings in this series. The medium is oil paint on canvas and depicts a relaxing scene with waterlilies on a lake. This piece of art was part of an art period where where it defied social standards in France and was

Despite his decent academic progress, he felt confined and restricted from doing the things he desired that he even compared school to a prison. Claude started spending most of his time outside and developed a love of drawing at a very young age. With a passion for art in his mind, Monet made the decision to leave school and pursue his dream. When seventeen, he started to make money from some of his pieces. The public began to notice Monet’s talent, specifically Eugene Boudin. Eugene Boudin was one of the first French landscape artists to paint outdoors who planned to befriend Monet. Boudin would take Monet on sketching trips and teach him open air painting. Through Boudin’s work, Claude started to explore the natural world and began to express an interest in painting landscapes. Monet’s new friend not only taught him great artistic skills, but also persuaded him to expand his love of bright hues and play of light when

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are

Claude Monet can be classified as a forerunner of Impressionists, Neo-Impressionists, Fauvists, Cubists, Abstract painters, and the Non-Figurists. He is often called “The Father of Impressionism” (Taillander 6). Although Monet had some works accepted into the Salon, he was one of the first to paint in the Impressionist style, and persisted even after his works were rejected and shunned. Renoir said “Without Monet, we would all have given up” (qtd. in Taillander 8). Monet was seen as an extremist because he “captured the fleeting moment, creating a degree of wooliness in his canvasses which have not been interpreted with any certainty”(Taillander 8). In Monet’s paintings, his interest “lies not in details, but in capturing the effect of the whole scene as it would be perceived in a fleeting glance” (Welton 14). The term Impressionist was first given by a critic when reviewing Monet’s painting,

Throughout his work, Monet maintained an imaginative grasp of the essential structure and pattern of the subject he was painting.  Other artists such as Boudin, Jongkind, and Courbet had a strong influence on this ability of Monet’s, which can be recognized in his landscape paintings made during the fifteen-year span of 1865-1880.[7] He was capable of extracting meaningful design from apparently casual scenes, thereby emphasizing the true nature of a place.  This manner of illustration can be seen in Impression, Sunrise—he places an accent on the fogginess of the harbor that is created by the smoke from the steamboats, which relates to its chief status as a major trading port.

During the Modern Era of the late 19th century and the early 20th century, many artists were turning away from the idea of painting realistic images. Photography, having just been developed for public use a few decades earlier, made artists of the day focus less on painting as an precise copy of what is seen, as had been done for centuries. Since the Middle Ages, most artists painted exact representations of life. Starting in the late 1800s, though, many artists were starting to embrace the theory of art as an impression of what is seen. Impressionism, the art movement that began in the 1870s in France, was the first real development of this new concept of painting. Impressionists, such as Claude Monet, sought to put on canvas how they

Impressionism as an historical art period is best described as a shift in thinking and focus. This paradigm shift, away from realism and toward individualism, began a centuries long transformation of self-expression in art as a whole. Impressionism is generally considered a French movement and is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied by and was perhaps initiated by Claud Monet in such world-renowned works as Impressions: soleil levant which lent its name to the style and subsequently the art period as a whole.