Claude Mckay's Life During The Harlem Renaissance

Among the critical responses to Home to Harlem, W.E.B. Du Bois’s criticism of Claude McKay’s text seemingly speaks from an essentialist perspective. Du Bois simply found that McKay’s representation of black culture within his novel reproduced stereotypical and crude images which white audiences desired in the midst of the Harlem Renaissance. In response to Du Bois, McKay argued that the novel was created for a black audience, but, to delve even deeper outside of Claude McKay’s views, it could be argued that Home to Harlem does not produce a single identity at all. Rather, Home to Harlem’s perpetual mobility and movement invests in the idea of black “identity as ‘production’” rather than as the exhibition of a “collective ‘one true self’”

Claude McKay was a black man born in Jamaica, he choose literature very on in life and kept with it. He moved to the United States at age twenty three to study at Tuskegee Institute and was immediately shocked by the blatant racism prevalent in Charleston, South Carolina. He moved to New York and shortly after became co-editor of The Liberator, a famous abolitionist newspaper, he wrote some of his most revered poems while working there. He was part of the Harlem Renaissance a movement that was a reawakening of artistic and cultural talents of African American people in the United States and helped to reinvigorate their pride in being black.

Claude McKay’s poems reflect on American culture during a specific time in history, known as Harlem Renaissance. A time where racism was predominately a way of living for many, this was a beneficial time in history for African Americans. Bringing blacks together in a new movement that had not been present in America. Development in which blacks emphasized themselves by taking on their racial identity. It was a time period in which the black community helped each other to be able to express themselves as who they truly are, creating a true African American visual doing so

McKay emphasizes that his deep hatred for the “White City” is due to the oppression he receives from white-skinned people for being African American; however this hatred is hidden from the world as he is perceived as an isolated minority in this “White City”. The intensity of McKay’s hatred is displayed in the personification of the “dark Passion that fills [his] every mood”(6). The first letter in the diction “Passion” is capitalized, thus personifying it to be representation of the

The Harlem Renaissance was an intellectual and literary period of growth promoting a new African American cultural identity in the United States. The years of 1920 and 1990 and “were clear peak periods of African American cultural production.” During these years blacks were able to come together and form a united group that expressed a desire for enlightenment. “It is difficult not to recognize the signs that African Americans are in the midst of a cultural renaissance” (English 807). This renaissance allowed Blacks to have a uniform voice in a society based upon intellectual growth. The front-runners of this revival were extremely focused on cultural growth through means of intellect, literature, art and music. By using these means

The Harlem Renaissance is an important time in American literature. There were writers at this time like Wallace Thurman, Zora Neale Hurston, and Langston Hughes. Langston Hughes wrote many poems such as the “The Negro Speaks of Rivers” and “The Weary Blues.”

The Harlem Renaissance was a time of revival and awakening in which the African American community produced a new form of cultural identity. After years of oppression and slavery, African Americans struggled to discover their own distinctive culture. It was through the literature and artistry of the Harlem Renaissance that the African American community began to express the suffering and resentment they truly experienced. In addition, the movement allowed them to find a way to escape their hardships. James Baldwin’s “Sonny’s Blues” and Langston Hughes’ “The Weary Blues” address the addiction, poverty, and violence that surrounded African Americans and the triumph of life that was captured in their attempt to escape the suffering.

Literature was a big part of the in the Harlem Renaissance, African American were finally getting their ideas out about racism and started to talking about the their struggles being black or evan half black in United States. Writers at this time were very versatile from writing poems, novels, short story, and scripts. Some famous writers of the time is Zora Neale Hurston famous for writing “Their Eyes Were Watching God” and many others great novels this one mainly was about women’s rights and racism in America. Then there was Langston Hughes, he was an extremely great artist that has influenced so many people today though his writing, he was a social activist, poet, novelist, and a play writer. On of his poems that really stuck out to me was this short Poem that he wrote call “Cross” which first appeared in the crisis in 1925, it goes “My old man’s a white old man And my old mother's black. If ever I cursed my white old man I take my curses back. If ever I cursed my black old mother And wished she were in hell, I'm sorry for that evil wish And now I wish her well My old man died in a fine big house. My ma died in a shack. I wonder

The Harlem Renaissance was a time of great commotion spanning the 1920s, also known as the “New Negro Movement.” One of the more well-known movers and shakers of the Harlem Renaissance is Langston Hughes. He amongst other artist brought new forms of black cultural expressions into urban areas that had been affected by The Great Migration. Harlem was the largest area affected by said Great Migration. Though the Harlem Renaissance was centered in Harlem the power and strength contained in the words of artist such as Langston Hughes reached Paris and even the Caribbean. Langston Hughes was a key figure in the Harlem Renaissance movement. His vast amounts of work are what brought attention to the struggles and realities of the time

I will be writing about the Harlem Renaissance taking place in 1920’s New York. Specifically, I will be discussing the influence African American women have on art, music and literature during the Harlem renaissance. The argument of the paper will be identifying the importance of African American women participating in the Harlem Renaissance and how their participation has influenced modern day African American trends: showcasing media, literature and art. Another major point of my argument is how African American women developed after slavery and into the women of the Harlem Renaissance.

Poetry became a primary medium by which African-Americans could explore the "new Negro" identity that flourished during the Harlem Renaissance (Academy of American Poets). Countee Cullen, Claude McKay, Langston Hughes, Jessie Redmon Fauset, Georgia Douglas Johnson, and Gwendolyn Bennett are among the literary greats of the Harlem Renaissance. Although each poet cultivated a unique style, there

The Harlem Renaissance was a wonderful allotment of advancement for the black poets and writers of the 1920s and early ‘30s. I see the Harlem Renaissance as a time where people gather together and express their work throughout the world for everyone to see the brilliance and talent the black descendants harness.

The great philosopher Plato once orated: “Every heart sings a song, incomplete, until another heart whispers back. PBS defines the the Harlem Renaissance a “Cultural, social, and artistic explosion that took place in Harlem between the end of World War I and the middle of the 1930s. During this period Harlem was a cultural center, drawing black writers, artists, musicians, photographers, poets, and scholars.” Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet.”Authors such as Langston Hughes, Lucille Clifton, and Colleen McElroy explore their cultural heritage through hard-hitting poetry.

Claude McKay was an important figure during the 1920's in the Harlem Rennaisance. Primarily a poet, McKay used the point of view of the outsider as a prevalent theme in his works. This is best observed in such poems as "Outcast," "America," and "The White House." In these poems, McKay portrays the African-American as the outsiderof western society and its politics and laws and at times, the very land that he is native to.

The Harlem Renaissance sought to revitalize African American culture with a focus on arts and literature and creating socioeconomic opportunities (Harlem Renaissance). This temporal setting, predominantly the influence of the Harlem Renaissance, of Hughes’s life explains the purpose of Hughes’s writing: to express the oppression of African Americans and the imperfections of Hughes’s America and to heighten African American morale during his life through his writing.