Claude Monet Research Paper Outline

17. On my museum experience, I took it in like every other visit to the museum I have ever had: much like other children expressed wonder and amazement at a circus performance or sports game; I was awestruck and mesmerized by the colors, the atmosphere, and the same restrained joy that I felt evident in the eyes of all the other observers. My girlfriend and I made our way through the museum, blending in with crowds of other viewers to see Cezanne, Gauguin, Brueghel, O’Keefe and the like in the permanent collection, making time to go from one end of the spectrum to the other. But my heart has always had a soft spot for

As Pablo Picasso once said, “Painting is a blind man’s profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.” Picasso’s passion for art started at a young age, getting his passion for art from his father. Pablo Picasso is known for the innovative techniques he introduced to the art world. Each being influenced from his life around him, to modifications in the colors he utilized, or transitioning to an unorthodox style of painting, and even practicing printmaking.

The Sea at Le Havre, painted by Claude Monet in 1868, is a 23 5/8” x 24 3/8” oil on canvas landscape painting. Monet was a French artist who lived from 1840 to 1926 and was considered to be an impressionist. A unique quality of Monet was unblended “sloppy” brushstrokes combined with a use of precise choice of color, as seen clearly in The Sea at Le Havre. Because of his vigorous and richly textured painting style, Monet was able to capture the look and feel of the movement of water, which was demonstrated in The Sea at Le Havre, using an impasto style. He used erratic brushstrokes to show the ripples of forming waves and the foam of the waves crashing on the shore. His brushstrokes are also almost completely horizontal, which seemed to make the painting feel heavier. In the sky, Monet used thicker, longer, and more opaque strokes, as well as of varying hues of blue and gray, along with white, to create a look of overcast. To give the clouds fluffiness and substance, the paint that was used for the sky was inconspicuously smudged in some places, with more defined clouds layered overtop. The depth of the painting is attributed to his choices of color. Black is rarely used in the painting aside from where necessary, but rather replaced with darker shades of blue to show divots in the water, heavy clouds, and the distance of the village of houses that line the horizon. The different shades also give a more realistic form of light to his paintings, which was a focus of the impressionism era. His painting appears to be slightly gloomy, but doesn’t convey sadness. The piece is uniform in color, to emphasize the overcast, darkened day. Monet also used symmetrical spacing, with the canvas split nearly in half between the sea and the sky. The only thing that separates the sea and the sky is a piece of jutted-out land that shows he is on a gulf or an inlet. On that piece of land, that goes a little over a third of the way onto the canvas, Monet used heavy contrast, then continues the horizon with a slightly thick, darker blue-gray line to clearly separate the halves of sea and sky. There are three places where it appears that Monet used black along with darker shades of purple and blue, and each of those three places are

3. Light as a Medium - The pigments used carry the medium in the painting.

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

During his ‘Dutch’ period, Van Gogh’s subject matter was primarily focused on the lifestyle of the poor and the bible (Dubecky). In his ‘French’ period, Van Gogh had begun to shift his focus to drawing nude figures and portraits. Monet, conversely, liked to paint his subject matters in series. He would paint “the same subject at different times of the day in different lights” (Brown 1536). Some series that he painted included water lilies, bridges, and haystacks. Something that Van Gogh and Monet both really took passion in is basing their art on their life experiences. They both painted their surroundings such as landscapes, seascapes, and people around them. Van Gogh would also draw still lifes of food and would paint paintings based on his emotions during his recovered bouts of mental illness.

When entering the room, people crowded around Monet’s pieces, which felt like an honor to see the type and techniques his work has. The colors describe the feeling of an early morning. The painting has a muted palette of blues, greens, and grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from steamboats. Three boats are shapes and visible while the rest fade into the distance. This painting is an example of plein air or outdoor painting. I also notice that Monet layered the colors so that when I viewed the painting from a far distance I knew what the painting was about however when I looked at it up close I saw brush strokes and

That is part of what makes him a steamist to me. Although the main focus of this painting is the light of the sun he uses another part of stem, engineering. A reporter named Geoffrey Mohan wrote an article named “Physicist puts time on timeless Monet painting”, which focuses on a physicist named Donald Olson of Texas State University and how he kind of do all this research on Impression, Sunrise. Olson looked at photographs and maps to try to figure out what time of day it was and what season it was. He tried to find all the specifics of this painting.

I founded a liking in both Monet and Renoir artwork. Though, I can agree with some of the critic’s opinions of their artwork I still

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are

Monet lived a long life, when his art start being sold in his later life, he bought a land which had an artificial pond, hence his paintings, “Water Lilies” which is actually a series of 250 paintings. Unlike Manet, Monet hasn’t painted a landscape. Monet hasn’t used any light so no source of light can be seen. Monet hasn’t focused on one single form in his painting instead, throughout the painting, each object or form has its own detail. I think that the image looks rather unrealistic; however it seems that Monet was actually painting what he felt because when one looks at the painting, it seems like an image from a dream rather than real life. Monet has called this series, “my most beautiful work of

Monet has a skill for light and dark unlike any other, so one could adequately rate his technique at around II. People still talk about Claude Monet’s painting skill a revolutionary way when it comes to the art of the Enlightenment. The inherent meaning of the poem deserves an I, as it so boldly displays many different interpretations of his wife and son. However, Monet failed to make his work on this painting stand out against other artists of the time, so his ability to paint uniquely in this sense is about an III. He finally pulls out a strong II with fulfilled intent, because his repetition and rebellion against classical art come out clearly in this particular

Every artist has his or her own style of painting. Each painting tells some sort of story or has some type of personal meaning to the artist. One of the most important figures in modern art is Pablo Picasso. Not only was Pablo Picasso a genius in the field of abstract art, but he also experimented with sculpting and ceramics. Pablo Picasso has taken the world to many places with his unique style of work which is why I believe he is considered to be a genius of the 20th century.

Monet was the leader of the impressionist movement. He influenced art by trying to paint his personal spontaneous response to outdoor scenes or events. Earlier artists had also painted

The fact that the artist uses various shading techniques, textures and tones to make if more “lifelike” shows that the artwork is intended to recreate an accurate representation of the world. They represent a new paradigm shift of the classical era, thus serving the function of describing the world. The artwork also revolutionizes the world as Classical paintings revolutionized the techniques artists use to create paintings and how they look at paintings, therefore proving that art also transforms the world. Some of the artists who learnt about Classical techniques and tried to imitate them (at first) are Pablo Picasso and Henri Matisse. They eventually changed their to style to a more abstract one. Now, Picasso is famous for his “Cubism” painting of people, especially women. He is well-known for transforming the way the public viewed the function of art: rather than insisting on accurate representation, Picasso forced viewers to rethink assumptions about the human form. This shows that creativity and thus, transformation cannot occur without description and imitation. Another case in which art