Claude Monet : The Father Of French Impressionist Painting

During his ‘Dutch’ period, Van Gogh’s subject matter was primarily focused on the lifestyle of the poor and the bible (Dubecky). In his ‘French’ period, Van Gogh had begun to shift his focus to drawing nude figures and portraits. Monet, conversely, liked to paint his subject matters in series. He would paint “the same subject at different times of the day in different lights” (Brown 1536). Some series that he painted included water lilies, bridges, and haystacks. Something that Van Gogh and Monet both really took passion in is basing their art on their life experiences. They both painted their surroundings such as landscapes, seascapes, and people around them. Van Gogh would also draw still lifes of food and would paint paintings based on his emotions during his recovered bouts of mental illness.

By the time he was seventeen, Monet was already making money from his work and had won a local reputation as a caricaturist. Skillful and amusing, his caricatures were displayed in the window of a local frame maker, Monsieur Gravier, where they drew crowds of appreciative viewers. Gravier also displayed paintings by the landscape painter Eugene Boudin, who was an old friend of his. Monet's development of friendship and informal tutelage of Boudin proved to be formative for Monet's future direction as a landscape painter. (Gordon, 38)

Claude Monet was the leader of impressionist painting movement. Manet, Cezanne, Degas, Morisot, Pissarro, Renoir, and Alfred Sisley, gave art the ability to

Monet was born on November 14, 1840 and died on December 5, 1929. Monet was born in Paris France and Monet died in France and has two sons. Their names are Jean Monet and Michel Monet. He did attend school he went to Academie Swisse and he died of lung cancer. When he was a child he grew up in Le Havre Normandy. Monet also served in the French Army in Algeria. It was only for two short years that he served in the French army. He is mostly known for his painting that he created during his time on the

Claude was born in Paris, France in the year 1840. Despite the fact that Paris was his birthplace, Claude only spent 5 years of his childhood there as he and his family moved to Le Havre, a port town in Normandy. Claude developed a love for art in his early childhood and was well known in his town for drawing caricatures of his community members. His mother was highly encouraged his talent whereas Claude’s father wanted his son to become a businessman. Living in Le Havre, Claude had many opportunities to strengthen his talent such as meeting Eugene Boudin who was a local landscape artist and introduced Claude to landscape painting outdoors and set him on the track to his future success. In 1859 Claude moved back to Paris to pursue his career in art. During his time in Paris he was enrolled in the Academie Suisse and was influenced by the paintings of Barbizon School. Other great influences on his art were his friends Charles Gleyre, Auguste Renoir, Alfred Sisley and Frederic Bazille as well as Johann Barthold Jongkind who was a well-known landscape painter of the

A vast amount of his lifetime was devoted to the creation of his world renowned pieces of artwork. Ross states, “It was the beginning of a career that was to result in more than five-hundred drawings and over two-thousand canvases”. Two-thousand is an enormous number considering it was the number of canvases Monet had completed instead of drawings. That is pure evidence of not just Monet’s love for art but, specifically his passion for painting.

Claude Monet was a guy that was born on November 14, 1840. He was in a famous place that many of us know as Paris, France (Beard, 2015). Monet might have been in Paris, but he grew up in Normandy coast (Beard,2015). Claude was the oldest son of Adolphe Monet. When he was five years old his dad took over a sip-chandlering and grocery business (William,2016). Monet as a child spent a lot of time along the beach. He was able to study the movement of the sea very well and his love for nature. His first painting that he sold was when he was 15. That painting was one of the ones he sketched with pencil of sailing ships (William,2016). He was guy that was known for his paintings by age sixteen. His aunt was also amateur painter and help him with his paintings with suggestions. The paintings that he was known for was for the series of caricatures of local personalities (Beard,2015). This is what had gotten his reputation up at age sixteen which to me is any early age to be a popular painter. Then as things went on he meets a guy named Eugene Boudin who was a marine painter (Beard, 2015). This artist let Monet to be able to see what air painting was like. It let him be able to change his views on painting to get a different perspective from this guy who teaching something new to him. After Monet learned about air painting it lead him on

The Impressionist paintings usually had as its subject the outdoors, with figures enjoying their leisure time. Although one might argue that this subject had been common in French painting since Medieval Times, The Impressionists shifted the subjects matter from the Ancient Regime’s scenes depicting the high classes, to “scenes of bourgeois domesticity and of more risqué forms of urban entertainment”. The Haussmannization of Paris, the egalitarian mindset born from the revolutions, and the facilitation of transportation made the bourgeoisie able to engage in outdoor activities like “boating, strolling”, and luncheons, which before were exclusive to the elites. Because of this, The Impressionists, lead my Monet who picked up from the Realist and Naturalist Schools, began depicting trivial activities of leisure, popular destinations surrounding

Claude Monet was the chief pioneer of the Impressionism period. Monet was born in Paris (1840-1926) and moved near Le Havre at a young age. At only the age of 15, Monet created his first successful drawings of caricatures. Monet continued to study drawing until he met Eugene Boudin, who is responsible for intruding Monet to a new style of painting; stepping outside the studio and painting in the open air. This style would give way to more than 60 years of art that used "effective methods to

On November 14th, Claude Monet was born in Paris, France. His parents took him back to their home in Le Havre, a commercial-maritime city widely known for many cliffs, open seas, and wonderful sunsets that made an everlasting impression on Monet that would forever show up in his work. His father’s

That is part of what makes him a steamist to me. Although the main focus of this painting is the light of the sun he uses another part of stem, engineering. A reporter named Geoffrey Mohan wrote an article named “Physicist puts time on timeless Monet painting”, which focuses on a physicist named Donald Olson of Texas State University and how he kind of do all this research on Impression, Sunrise. Olson looked at photographs and maps to try to figure out what time of day it was and what season it was. He tried to find all the specifics of this painting.

In the 1920”s surrealism began but it wasn’t until the 1980’s that surrealism took an increasingly influential change in the art society. With surrealism Changing styles in unpredictable ways, many artist interpreted and understood the change. Renne Magritte was very successful with this style of painting as he became well known for this distinct artworks. Rene Magritte was born in 1898 and passed away in 1912. During this period Magritte created an influence and impact on the art world.

Born in Paris in 1840, Claude Monet would later become a leading artist in the Impressionist era. At a young age, Monet had a passion for nature and art and in 1859, Monet began to study art in Paris. Here he met many artists such as Bazille, Sisley, and Renoir. Monet practiced painting en plein air or moving from inside the studios to painting outside in the open. Embodying the Impressionist era in 1873, Monet painted "Impression, Sunrise”, showing many characteristics that define Impressionism and Monet 's painting style (Figure 1). The painting shows lax, bold, and precise brush strokes moving away from the previously blended and even style of earlier eras. Monet uses; cool purples, blues, bright oranges, and yellows show the effect of the natural light and capture the moment and the feeling of the sunrise. In later years, Monet focused mostly on landscapes which, today are notably Monet 's most famous works.

(1) Impressionist chooses themes from everyday life and painting outdoors. The goal was to get a representation of a spontaneous and direct world, and for that they focused on the effects of natural light on objects. They mainly focus on light, moment and the space. The abstract- impressionist used reason and intellect, divided into figurative and non-figurative, the non-figurative had no known forms they are pure images coming from the author 's mind. It is mechanical and can be cold. Figurative abstraction uses real forms but distorted and simplified even to lose its basic characteristics -it is free- might please the eye, because the author seeks to convey our emotions without seeking cosmetic beauty - are simplified geometrics forms , without any apparent order nor purpose. This being said one can conclude that Claude Monet 's (an impressionist) painting “Coquelicots” has been called landscaping painting because it reflects a scene from nature. His painting doesn’t show great detail on people’s faces nor does shows details on “things”, rather his painting focuses on the moment that the artist tries to express in his work. Through Claude Monet’s painting one can easily guess the time in history where the painting took place.

His work is still astounding millions around the world daily, and though he sold only one painting during his lifetime, his effect on the outcome of art has been amazing and overwhelming– influencing generations of artists to come.. His canvases emphasize his personal expression brought to life in paint, reaching new records when sold for hundreds of millions of dollars. Each providing a direct sense of how the artist viewed each scene, interpreted through his eyes, mind, and