Monet And Seurat Color Theory

Born in 1840, Claude Monet began to show promise in the arts as a young boy. Although discouraged by his father, Monet made enough money to support himself through art school by selling caricatures. At the age of 15, Monet’s name, amongst the people, became well known for his talent. Although he never finished school, he established himself and initially chose to concentrate his paintings on still life. His first large work, “Dejeuner sur l’herbe”, however, would not depict the scenes for which he would later be known; for example, his landscapes and sights from his garden at Givenchy. He started painting scenery as a result of the influence of a co-worker named Boudin. While at Givenchy, Monet is captivated by his garden. He spends the remainder of his life there and paints his Japanese footbridge a great many number of times.

Looking at his work Madame Matisse, it feels as though he is painting her face with different colors for a reason. Even both sides of the background were different colors. It’s almost as if he split the painting in half to represent different sides of Madame Matisse. In Notes of a Painter, published in 1908 he described colors and shapes as the equivalents of feelings rather than the counterparts

Van Gogh based his paintings on the observable world around him, but he wanted to paint beyond the superficial reality of nature and express its mystery and power through an impulsive and spontaneous approach to painting. Self Portrait (dedicated to Gauguin) exhibits this desire. Although based on an observed scene, van Gogh uses non-naturalistic colors for expressive purposes. For example, van Gogh’s choice to paint a self-portrait on a baby-blue/light turquoise background was a radical step away from a naturalistically-colored background that would be seen in a Realist self-portrait (i.e.

As we all know, color is the voice for the artist 's sentiment. It makes up the appearance of a picture. Color is the decisive factor in depths of the two-dimensional plane of the artwork, making the viewer feel physically and mentally attracted, or the context of things - the phenomenon the author wants to present. Colors have been around for a long time, but there is not a common definition for colors. And perhaps humans are one of the luckiest creatures that can identify colors. Often, the recipient 's eye knows a myriad of colors and colors that always change based on the relationship between light and perspective. In art, color creates a sense of

Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.

Jean-Francois Millet’s Potato Planters is a portrayal of two farmers; more likely husband and wife, planting seeding to grow potatoes during the day on their farm. This art has a lot of emphasis, movement, color, line, light, and depth.

“The process starts out in an incredibly open way with endless possibilities; the addition of each plane of colour, however, progressively limits the work’s evolution and, ultimately, when a painting ‘works’, it coalesces into a composition that is intuitive and carefully controlled.” GS

This painting is so amazing due to how Van Gogh blended the colors together. The red and yellow used in the painting look like he was trying to tell a deep story. Theres a composition of fiery colors that draw viewers in almost immediately. When looking at this picture I notice the horizon in the back, higher than the rest of the painting. Next I notice the painters, making my glance start from the top to bottom. Van Gogh did a wonderful job placing the people at a natural point of interest. What I mean by this is that he paints them right in the center where it seems like its most important. This painting is divided when it comes to the colors Van Gogh uses. In the top right there is yellow with a little bit of blue in the top left. In the

The use of colors and its monochromatic scheme is prominent in the painting. The painting is mostly different shades and tints of blue, used for every

One of the most important observations anyone could make while viewing a painting is the artist’s delicate choice and use of colors. In paintings, colors serve two different but equally important purposes. One purpose is to draw attention to the painting, while the other purpose is to display emotions. An artist that understood the importance of color in paintings extremely well was the late talented Vincent Van Gogh. In his painting Café Terrace at Night, Van Gogh incorporates a vast array of colors to arouse emotions from within the audience. In order to assess which colors aroused which emotions two important questions must be answered. What emotions do the specific colors used within the painting give off to the audience? How have the emotions behind the colors been learned through normal human experience over time?

By the end of his career throughout his series work, Monet pursued even more effects by unifying his multi-canvas works creating exhibitions, which was most important to him in his late water lily pictures. In the final decades of his life, Monet’s esteemed grounds, and water gardens at his home in Giverny became his obsession to paint in a series. The National Gallery of Art attests, “…Painting it (his lily pad pond) 250 times between 1900 and his death. Eventually, it was his only subject.” [12] After his death in 1926 the technique of painting in a series lived on and found its way into the works of artist’s like Robert Delaunay, Andy Warhol, and Bernard and Hilla Becher, just to name a few. All of these artists used Monet’s practice of

Colors are around us and can describe different meanings. When colors are part of an image, painting or sculpture, however, why do certain colors use and others are not. Monet chose certain colors to portray different feelings, mood and makes one think. In Patricia Stokes’s article “Variability, Constraints, and Creativity” explained during her investigation, she decides to investigate Monet’s creativity and separate them into three phases. In phase one, it involved value and wrote: “The wheel, which broke up the light into the four primary hues and their intermediaries, prompted Monet’s initial and initially ill-defined goal constraint.” In his earlier painting called Mouth of the Seine at Honfleur (1865), he used earth colors, raw umber, burnt sienna, and blacks. After he stopped using browns and earth color and later black as well. For Sunrise (1873), he used the colors yellow, orange, blue, green and brown. What I found interesting is that he muted the colors so the painting looks dull. Even so orange pops with the muted blue because they are complementary colors that perceive soothing or balance in the painting.

Claude Monet’s piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in March or April of 1873. The piece’s present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in morning light. Claude Monet was part of the impressionist movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished painting, however other artist saw it as an honor and eventually called themselves “impressionist”. The painting brings out a beautiful image due to the colors, texture, and technique that plays an important role in society and culture.

Van Gogh’s passion and contemplation of life, nature, and art is well represented in The Rocks. His delicate post—Impressionism innovation led him to the radical use of unnatural

Impressionism as an historical art period is best described as a shift in thinking and focus. This paradigm shift, away from realism and toward individualism, began a centuries long transformation of self-expression in art as a whole. Impressionism is generally considered a French movement and is typically defined as spanning from approximately 1867 to 1886. Impressionism is best embodied by and was perhaps initiated by Claud Monet in such world-renowned works as Impressions: soleil levant which lent its name to the style and subsequently the art period as a whole.