Claude Monet 's Cataracts : Blurring The Lines Through Impressionism Essay

Claude Monet is one of the most familiar and best loved of all Western artists. His images of poppy fields, poplar trees, water lilies and elegant ladies in blossoming gardens are familiar to people who have never seen the original paintings and may never have visited an art gallery. Monet's works have won a place in the affection of the general public that seems almost without parallel. (Rachman, 4) In the decades since his death in 1926, Monet's work has been intensely studied by a variety of art critics. However, none of his works have been as deeply studied as those done in Giverny, in the early twentieth century. During this time Monet's paintings, which focused on specific subject matter from various viewpoints,

Claude Monet was the leader of impressionist painting movement. Manet, Cezanne, Degas, Morisot, Pissarro, Renoir, and Alfred Sisley, gave art the ability to

Visual opulence, creativity, inimitable vision, and a style that is highly influential are the many characteristics of an admired movement in art history, that being of the Post-Impressionism movement (1875-1892). This movement, which was a by-product of the Impressionism movement, is the bridging gap between the two movements known as Realism and Expressionism. Post-Impressionism takes on some of the stylistic characteristics of these movements; however, it does not contain the all too glossy visuals of Realism or the heavily fantastic visuals of Expressionism, rather it is the intermediary of these two poles. My paper will discuss why this link was absolutely essential to the history of art movements, and I will be specifically using the

French history is filled with an amazing culture that consists of beautiful architecture and delicious food. One aspect of French culture that stands out is its Art. Among the famous artists that have contributed over the years, one artists name stands out among the rest, Claude Monet. Claude Monet is known for being one of the influential artists to introduce impressionism. In a style not previously before painted, impressionism depicted a landscape or scene by creating illusion through the use of shading and coloring. Traditional painting was produced in an art studio, but impressionism was a unique. It allowed the artist to shed the use of a studio and step out into nature. Monet and other famous artists launched this new style of art that challenged traditional painting and would forever change French culture and influence art for many years to come.

Oscar Claude Monet was a French painter who created the French impressionist painting. He was one of the reliable

In 1912, he developed cataracts in his right eye. In the art world, Monet was out of step with the avant-garde.

Claude Monet was an impressionist who used and changed art conventions such as the Salon des Refusés and the world as a source of ideas to create artworks such as “Impression, Sunrise”. The impressionists of the late 1800s wanted to capture the ephemeral moment in time. The artists had a major focus with the light and colour of the moment than with the details of

Claude Monet’s work did not just become popular because

John Everett Millais was born in Southampton, England in 1829. His mother, being very interested in art and music, encouraged Millais to pursue the same interests. Millais grew to become a child prodigy and was admitted into the Royal Academy Schools at the mere age of 11, an unprecedented achievement. There, he formed the Pre-Raphaelite Brotherhood with fellow students, whose goals were to relay a message of artistic renewal and moral reform. Millais produced many controversial works during his time as part of the Brotherhood. When he married his wife, Effie Millais, and his family grew with children, he realized he had to change his style to please the public; Millais needed the money to support his large family. Thus, he began to paint with

A vast amount of his lifetime was devoted to the creation of his world renowned pieces of artwork. Ross states, “It was the beginning of a career that was to result in more than five-hundred drawings and over two-thousand canvases”. Two-thousand is an enormous number considering it was the number of canvases Monet had completed instead of drawings. That is pure evidence of not just Monet’s love for art but, specifically his passion for painting.

Claude Monet was a guy that was born on November 14, 1840. He was in a famous place that many of us know as Paris, France (Beard, 2015). Monet might have been in Paris, but he grew up in Normandy coast (Beard,2015). Claude was the oldest son of Adolphe Monet. When he was five years old his dad took over a sip-chandlering and grocery business (William,2016). Monet as a child spent a lot of time along the beach. He was able to study the movement of the sea very well and his love for nature. His first painting that he sold was when he was 15. That painting was one of the ones he sketched with pencil of sailing ships (William,2016). He was guy that was known for his paintings by age sixteen. His aunt was also amateur painter and help him with his paintings with suggestions. The paintings that he was known for was for the series of caricatures of local personalities (Beard,2015). This is what had gotten his reputation up at age sixteen which to me is any early age to be a popular painter. Then as things went on he meets a guy named Eugene Boudin who was a marine painter (Beard, 2015). This artist let Monet to be able to see what air painting was like. It let him be able to change his views on painting to get a different perspective from this guy who teaching something new to him. After Monet learned about air painting it lead him on

The Art Story Foundation (ASF) (2015) discusses Claude Monet (1840-1926) as one of the leaders of French Impressionism of the late nineteenth century. With Edouard Manet (1832-1883) as an inspiration, Monet developed his own distinctive style in the 1860s. He blurred the clarity of forms and linear perspective with bold colors emphasizing on qualities of light and atmosphere going against traditional artistic precision.

Monet was enamored by the allure of natural light, which is why he used that as one of the main factors in his paintings. Monet would go to several lengths to get the perfect light. In Susan Stamberg’s article “Monet's Canvas Cathedrals: A Life Study of Light” she says that he should go from canvas to canvas for each scene he painted just to catch the light as it shifted. He would paint at least two to four paintings of the same scene. Through his paintings he tried to help others see the spectrum of natural light in different scenarios such as in the Grainstack and Poplars paintings.

In Monet’s painting, there is an extraordinary use of colour and texture which brings out the meaning that nature is spectacular. First, the colours are green, blue, yellow, and white which are the colours mostly found in nature. The blue in the water is the same blue used in the sky. Also, further out in the painting it’s dark blue which suggest that there is a shadow from a cloud. To continue, the clouds are white, but is almost pink ;therefore, the sun seems to be rising. In addition, the flowers have hints of yellow and white which helps to make the flowers stand out. Next, the water has the reflection of the trees so there are different colours in the water ;in fact, texture helps to make the reflection, by using the ripples in the water

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are