Claudio and Hero's Relationship in Shakespeare's Much Ado About Nothing

All throughout the beginning of the play, both Beatrice and Benedick use sarcasm and hide their true feelings for each other, which is the first example of tricky in their relationship. Both of them have vowed never to marry anyone; Benedick stating: "Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor." (1.1.232–35), while Beatrice says, "No, uncle, I'll none. Adam's sons are my brethren, and truly I hold it a sin to match in my kindred." (2.1.59–60.) Their friends see that they are the perfect match for one another, and plan to trick them into confessing their love for each other. When Benedick is in the orchard, he overhears Don Pedro, Claudio, and Leonato talking about how Beatrice is in love with him but is afraid he will mock her if she tells him. Benedick believes them, saying, "This can be no trick." (2.3.217.) He then goes on to say, "I will be horribly in love with her." (2.3.230–31.) Later, Beatrice hears Hero and Ursula talking about how they can't tell her that Benedick loves her because she is a scornful person. After Hero and Ursula leave, Beatrice states:

Beatrice and Benedick are interesting due to Shakespeare’s use of language. Confusion is created as to whether they love or hate each other owing to their snide comments, such as Beatrice’s response “A bird of my tongue is better than a beast of yours” (1.1.104), notably continuing the reference to animals, after Benedick

In the play of Much Ado About Nothing, the characters of Benedick and Beatrice have a love-hate relationship. On the surface, it appears that their relationship is built on a war of wits and insults. However, in Benedick’s soliloquy, the reader discovers that at the core of their insults actually lie the true feelings of love. It is also apparent that Benedick even sees loving each other as a competition, in that he wants to love her to a point of outdoing her love for him. Not only is Benedick constantly warring with Beatrice, but he is also undergoing an internal struggle, which is made quite apparent in Benedick’s soliloquy in Act 2 Scene 3.

The change in Benedick's character is accompanied by the change in his relationship with Beatrice, as they move from 'merry war' and 'skirmish of wit' to become lovers, though Benedick does still protest that he 'love thee (Beatrice) against my will'.

How ironic that Claudio’s quick decision to shame Hero at the alter shows his extreme lack of honor and virtue.  Rather than stand by his fiancée’s side, he chooses to believe a rumor and instantly disowns her.

The most pivotal scene in the play (act 4 scene 1) is between the marriage of Leonato's daughter Hero to Claudio. In this scene the blush of Hero after being said to have slept with another man is set too signify “guiltiness not of modesty” to Claudio. However the Friar of the town believes that Hero's blush is that of her “innocence and virtue.”

Benedick, a melodramatic character of the play, is worthy of receiving Beatrice’s love due to his noble qualities and actions. Although Benedick is first described bitterly by Beatrice and appears to be a light-hearted bachelor, he proves to be honorable, loyal, and loving. During the garden scene

Claudio had been tricked into believing he was going to marry “Antonio’s daughter”, who is really Hero. Claudio is easily tricked, but not always for bad causes.

The humiliation caused to Hero in the event would be inconceivable to an audience at the time, being accused of adultery would no doubt ruin a woman’s reputation and therefore create difficulty for her when finding a husband; especially for a woman of high status such as Hero. Claudio is being presented as a potential threat at this part in the play, contrasting with the gallant war hero we were first introduced to. This emphasizes how bitter and sinister Claudio has turned, consequently reminding the audience by irony that is he only interested in wealth and status when marrying Hero. Claudio’s shallow fickleness plays into the villain’s hands. Shakespeare uses the threat of Claudio to generate further anxiety in the audience and concern for Hero’s welfare. This scene shows the men of the play coinciding with each other in their response to the defamation of Hero. Don Pedro personally insults Hero during the commotion of this scene, “to link my dear friend to a common stale,” he suggests here that he believes her status has been lowered by what she has supposedly done and rendered her ‘common’. This personal attack on Hero which has come from someone who shouldn’t really be involved advocates the idea that she is isolated in a patriarchal society in which men group together to defend male interests. Hero’s reputation is being publicly ruined here, and at the time this would have ruined Hero’s life and her

Although Beatrice and Benedick are not yet shown as in love, a Shakespearian audience would not have thought it usual for a woman like Beatrice to be speaking as she was about Benedick. However, today it is perfectly normal for Beatrice to be talking like she is, so at the moment, the two relationships are more satisfying to the different audiences. Beatrice and Benedick's relationship has another problem. They both like to use their wit and intelligence to try and outsmart people, and mainly themselves.

In this play Shakespeare presents love sickness literally. Both Beatrice and Benedick have either ‘toothache' or are ‘exceeding ill'. As well as the change in health Shakespeare presents a transformation in language and appearance as the side effects of love. They say that Benedick ‘rubs himself with chivet', he has shaved, washed himself and put make-up on, ‘when was he wont to paint himself'. Shakespeare shows the complete change that love brings upon Beatrice by changing her prose into alternately rhyming lines of iambic pentameter in her soliloquy. Shakespeare writes that

During the wedding where he embarrassed Hero he loses his temper and throws a tantrum. The audience visualise Hero as this gentle maiden who is very kind, since that was Claudio’s impression of her. Although the audience and Claudio don’t know Hero very well as she does not speak a lot. As we get deeper into the play Hero completely changes her attitude and has quite a lot to say. Whiles Claudio accused her of having an affair.

Like many of Shakespeare's other heroes, Benedick has a comic and serious side. I think he combines everything Shakespeare seems to like in a character; he is amusing (his witty banter with Beatrice is where most of the humour in this play revolves around) and he is also able to laugh at himself- he takes in good humour like the teasing of his friends about his cynicism about matrimony. He is loving too, (an example of this is his poem to Beatrice) and also deadly serious is his love for her- he renounces his male comradeship to "kill Claudio" as she demands- he is prepared to give up his current, enjoyable way of life for her. He is also loyal to the prince, in that he despises Don John, but he is most loyal to the one he loves, something the majority of Shakespearean heroes personify (even those who go astray eventually return to their love- Romeo never wavers from his purpose in loving Juliet). His relationship with Beatrice is another ideal held up to us by the playwright. Beatrice chooses Benedick, she pleases herself, not her family, and as a result, their relationship is much more equal and evenly balanced. It is this relationship, and not the other, quite stereotypical romance, which Shakespeare makes the main thread of this drama.

The next day at the wedding Claudio tells everyone about what Hero supposedly did and embarrasses her in front of the small town. Hero then has to fake her death because of what happened. Later on in the story Claudio finds out that what Hero did was not true and immediately meets with Leonoto, Hero’s father. Claudio also finds out that she has died so he apologizes to Leonoto and says he will do whatever is done to make make-up for his actions. “I know not how to pray your patience; Yet I must speak. Choose your revenge yourself; Impose me to what penance your invention can lay upon my sin: yet sinn'd I not but in mistaking.”- Claudio. He tells Claudio to let the whole town know the truth and to marry his niece, who is almost a copy of Hero. After he does so, Claudio goes to the wedding to marry the niece to only find out that it is Hero all along.

In Claudio and Hero, they are very romantic and way too lovey dovey because they want to have a future in life. Hero is are sweet girl and she said “Now Ursula, when Beatrice doth come . . . That only wound by hearsay” (3.1.16-24). This mean that only whisper to people and not to Benedick and Beatrice, so they can be together. It doesn’t mean that they are serious but, making them that love is real. I think that this is important because it shows that Hero and Claudio are trying to trick them into getting in love. Lastly, love is always real and they need it in