Clothing In The 1500s Research Paper

Submissiveness was perhaps the most feminine virtue expected of a woman. While a man could be religious or pure, a man could not be submissive. The Bible even states, “Wives submit yourselves unto your husbands as unto the lord (Eph 2: 22-33), (Welter, Cult, 159). Adding to her submissive state was her clothing; tight corset lacings closing off her lungs and pinching her inner organs together. Large numbers of under garments and the weight of over dresses limited her physical mobility (Green, 130). In quite common cases the use of a corset would cause a prolapsed, or sagging, of the uterus. Physicians alleged that it was possible for the uterus to invert and protrude from the vagina. One of the most famous “remedies” of the time was to insert a pessaries, or mechanical supports, into the vaginal cavity to help support the uterus (Green, 122). Her clothing could be seen as a way to weaken her already delicate ways. “True feminine genius is ever timid, doubtful, and clingingly dependent; a perpetual childhood,” (Lavender, 3). George Burnap describes a woman’s weakness in his novel, The Sphere and Duties of Woman:

Clothing was also an important part in men's lives. The Sumptuary laws implied to not only the women, but to the men too. Men also wore many layers, some similar to the women. According to Linda Alchin, "The fashions were designed to give the impression of a small waist-especially desired by the women but also emulated by men" (Elizabethan Upper Class Fashion). They wore most of the following under layers: a shirt, stockings, a codpiece, and a corset. Then, most of the following over layers: a doublet, separate sleeves, breeches, a belt, a ruff, a cloak, and boots or flat shoes. Men's clothing fashions were related to those of women's due to the similar, and many layers.

During Colonial America (1600-1650), there were obvious European influences since all the settlers had just sailed to America from Europe and brought their clothing with them. This fashion of this period is characterized by the disappearance of the ruffles around the neckline and hose on men. The settlers’ clothing was very simple with basic patterns, cuts, and colors while they always covered the entire body. The silhouette, which was essentially close to the body with tight sleeves and a low, pointed waist, was popular to around 1615, and gradually softened and broadened. Sleeves became very full, and in the 1620s and 1630s were often paned or slashed to show the voluminous sleeves of the shirt or chemise beneath.

In the latter part of the Victorian era there were significant developments signaling the decline of the corset. The way garments were produced is perhaps the key factor in the move away from the corset. In 1839, a Frenchman by the name of Jean Werly patented a loom for the production of women 's corsets. This type of corset was popular until 1890, when machine-made corsets gained popularity. The development of the sewing machine in the early 1850’s gradually led to mass production, manufacturers could produce corsets in far greater numbers and increase the variety of designs available to women of all classes. These advances finally led the way to new designs in underwear in keeping with the changes to the fashions and silhouettes of the early Twentieth Century.

Looking back on history men’s and women’s roles haven’t always been divided; both genders were needed to work and provide and until the fourteen hundreds, they wore the same clothing. Men’s fashion developed to show the reality of their bodies with apparel such as tights, while women’s bodies were accentuated in tight bodices. Bordo shows us that as men’s clothing became more comfortable and utilitarian their role in society followed suit. Men today are supposed to be active; they are workers, the penetrators, the ones in control. Advertisements in the essay show us men continually portrayed as “rocks,” aggressively facing the camera or actively working. When women appear, they are simply to be gazed at and admired for their beauty. The images of men acting coincide with society’s standard of men being the

Throughout history, women have been victims of oppression no matter what religion or background they come from. They have learned from a young age, that their appearance is important to fundamentally be happy in their life. The topic of oppression in woman leads to controversial discussion not only to scholars but women of all parts of the world. How a woman presents herself through appearance and clothing targets her in a society obsessed with each other’s business. In today’s society, whether we can help it or not, men are treated differently than women. There seems to be different “rules” associated with the acceptable ways they should dress as opposed to the strict rules that apply to women. Women who are westernized

Fashion is a big part of many people's lives, but it is constantly changing and growing. In the Elizabethan time fashion was very different than it is today. For example trends and materials used have changed. The colors people wore told a lot about who they were, unlike today. Some parts of fashion have stayed pretty constant throughout the years. For example today and then there are known designers around the world. Also fashion still impacts lives greatly. So when looking at fashion throughout the years it is evident that materials, trends, color usage, designers, and the impact on society has greatly changed and is still changing.

Imagine a woman rising from bed wearing heavy bedclothes of wool or cotton. Underneath she would be wearing a corset for sleep, made of cotton, wool or a mix of heavy linen. After brushing out long hair, which was rarely washed, she would be wrapped in a light cotton garb that would protect her skin from actually touching her formal corset. Often corsets would stretch from the mid-hip region to the breasts. Corsets were constructed of whalebone and metal stays, which shaped the ribs and stomach to form a fashionable waist of approximately eighteen inches. After the corset was tightly laced (which required assistance of at least one other person), then heavy wool or cotton stocking would be pulled on. Stockings were held up ties, girdle-like bloomers or special buttons in the petticoats. At this time, a woman would put on six to eight petticoats . She would put on a special top to keep the corset from touching her dress. At this point, a woman may have worn a large hoop skirt. The large metal device would allow the woman to keep proper social distance from her guests and potential suitors. Often the woman would have to be lowered into the hoop skirt. If the hoop was too heavy, a woman would be placed in the parlor room and she would remain there until after a dinner party or until such a time she could remove the hoop because it could render her immobile. In some rare cases, small rolling wheels were attached at the bottom of hoop skirts to aid women in moving

Although there are many differences in fashion from era to era the similarities are outstanding. Some of the most repetitive pieces from era to era include corsets, robes, and codpieces. Codpieces were a very fashionable cover for the zipper of men’s pants that the weather men wore to make themselves more presentable. Codpieces are still very popular

One important date in the history of the corset was the year 1840. This was the year in which the system called ‘lazy lacing’ was invented, in which a set of elastic laces allowed women to easily put on, and remove their corsets. Women had now predominantly taken over from the specialized work of crafting corsets, and were made ahead of time, creating the beginning of ‘ready to wear’ During this era, corsets became more specialized, corsets ranged from ‘nuptial corsets, corsets made of white satin for the ball, lightly boned morning corsets, stayless corsets for night wear, nursing corsets with drawbridge gussets, travelling corsets with tabs that could be let out at night for sleeping, riding corsets with elastic at the hips; corsets for singing, for dancing, for bathing at the seaside’ and the list of possible variations went on. As

The Victorian Era depicted a traditional woman. Women were expected to be beautiful but conservative. A notable fashion piece to mention is the notorious corset. Krystal D’Souza states that corsets were meant to, “… accentuate a woman's breasts and hips, while cinching the body at the waist, and dramatically curving the back” (D'Souza). The corset was created to slim the waist and make the hips and bottom larger. This was meant to create the ideal, “Hour glass shape,” women were expected to have. In the Victorian Era, dresses were worn all the time and the skirt length had to be passed the ankles. Pagoda sleeves were essential to dresses to cover shoulders and high necklines were made to cover the women’s neck and décolletage. If the skirts were not touching the floor, skirts were closely worn over the hip and flared out just above the knee. (Joshi). The Victorian Age signifies a time period where women had to follow stringent dress codes. The thought of showing any feminine flesh was un-lady like and unrespectable. (Alchin “Women

As time went on changes in society came with more fitted clothing. People began to customize their own clothing. The only problem is people had to be sewn into their clothes because their were no zippers, it was still a little difficult to get dressed. The article justifies, “By the 17th century, crafting and tailoring of Western clothing required more and more skill as designs became more complex.” (5)Scenes that included animals and flowers were embroidered by hand.

Since zippers were not invented in the 14th century, men and women would use buttons and lace to secure their clothing. Some documents even state that women would be sewn into their clothes because the fashion was to wear tight fitted clothes.

The medieval art of the western world covers a vast scope of time and place over 1000 of years of Europe and at times the Middle East and North Africa. It includes major art movements and periods national and regional art genres, revivals, the artists craft and the artists themselves. FASHION Clothing and fashion in the medieval times was dictated by the Pyramid of Power the Feudal system. Clothing provided information about the source of the person wearing them.

Polhemus’s statement about male dress as the one that is more oppressive than female dress could be valid to the great extent as the renunciation to the body amongst men were spread all over the world through colonialism and subjugation of countries during the early of nineteenth century. He mentioned that other than to oppose one of the purposes of elaborate clothes, which is to emphasize social status and wealth, the Great Masculine Renunciation was only concentrated upon the upper and middle classes of Northern Europe. Through colonialism and subjugations, the great power base of western countries might have influenced other non-western man in other countries to the Great Masculine Renunciation. Man in non-western countries who were formerly uses decorations and many kind of ornamentations as to symbolise many aspects of their culture had to unwillingly substitute their physical appearance into something that is more pleasant and more suitable for the taste of western man. Even though the substitution of appearance does involving women as well as men, however, women still have more freedom in expressing themselves and their culture through their body rather than men. Instead of a shirt and trousers, there are many male traditional clothes from various culture around the world that are more elaborate and decorative but only being worn occasionally nowadays. For example, Sarong, which is a large tube or length of fabric that is often wrapped around the waist, is one of the