Clueless Analysis Essay On Emma

Adaptations of Jane Austen’s, Emma, are usually period pieces diligent in capturing and replicating the manners, dress, language and values of the original text. Clueless, written and directed by Amy Heckerling, deviates drastically from the norm, as the film is not a period piece. While Emma is set in the early nineteenth century in the country village of Highbury, sixteen miles out of London, England, Clueless is set in Bronson Alcott High School almost two hundred years later, in the late twentieth century. Despite the significantly different geographical and historical setting and the diverse social values, lifestyles, and issues than those depicted in Emma, Amy Heckerling’s high school setting retains and is

Marriage, a broad theme in this book, can be broken down throughout. Emma’s sister has gone off after getting married and left her alone. After her sister’s marriage, Emma proclaimed that she was not destined for love and made herself the town’s unofficial matchmaker. The entire novel is built around relationships and matchmaking, with Emma and Mr. Knightly, Harriet and Robert Martin/ Elton, and Jane Fairfax and Frank Churchill.

But with these compliments and cash comes a certain amount of snobbery and I believe that it is the fathers' over-indulgence in their daughters that has caused this. It is here that the real problems of both Cher's and Emma's situations come to light. Both girls have the habit of getting rather too much their own way and a disposition to think a little too highly of themselves. In both movies the girls' mothers died when they were quite young and at first viewing do not have a major part in either movie.

Jane Austen’s novel 'Emma' and Amy Heckerling’s Clueless, as significant and satirical reflections of Regency England and postmodern America respectively, indicate how the transformation process can shape and improve literacy, intertextual and logical importance. The transformation is evident in the compositions Jane Austen’s ‘Emma’ and Amy Heckerling’s ‘Clueless’ enabling us to investigate the assortment of logical subjects. Regarding ‘Emma’ the perspective throughout the Regency time frame examines the strict values of love and marriage inside the inflexible social hierarchy. Austen’s advances the significance of etiquette throughout the text. Austen reveals a neo-women’s activist perspective, shown in the female protagonist revealing the female protagonists’ scholarly capacity and social equity in an otherwise patriarchal society. However, the close resemblance of the story; ‘Clueless’, Heckerling composition conveys entirely transformed values, reflected through the actions of the current upper-working class of contemporary Los Angeles. The critical analysis of commercialism in the informal social class system of modern America reiterating social expectations of gender and social characterisation within the microcosm of the typical American educational system. The transformation in attitudes of Austen, reveals an exhaustive utilisation of setting, a close examination of dialect and various artistic procedure.

An important idea that is relevant to young people in the text is the idea of change is needed for social and personal development and progression in society. This is relevant to young people today because without change we would not be able to better ourselves and evolve. Ross uses the techniques of colour, symbolism and cinematography to assist the viewer and help us understand this important idea. The film is about two teen age siblings named David and Jennifer who are teleported into an ideal and restrictive community which is in a 50’s black and white television show called Pleasantville. Jennifer and David introduce the idea of change to the community of Pleasantville which change the community from restrictive and ideal to an open and

Cher is one of the most popular girls at her school with a father that is a litigation lawyer, a prestigious occupation in one of the most wealthiest cities in the world. Cher has everything a young lady dreamed off: money and a huge wardrobe (Clueless 1:00-1:30). However, both Emma and Cher shares the same situation where both mothers passed away. Emma and Cher's lack of maternal figure resulted from them to think highly of themselves. Emma's arrogance can be seen when she brags about being successful in matching couples. Emma believes that she has control over fate and must play matchmaker in order for couples to discover true love. Austen states that "The real evils indeed of Emma's situation were the power of having rather too much her own way, and a disposition to think a little well too of herself" (Austen 5). Emma and Cher seemed to have endless power and wealth, in which they acquire the idea that they are the perfect model for everyone in the

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Emma Woodhouse, who begins the novel "handsome, clever, and rich, with a comfortable home and a happy disposition" (Austen 1), suffers from a dangerous propensity to play matchmaker, diving into other’s lives, for what she believes is their own good. Despite this, she is a sympathetic character. Her matchmaking leads only to near-disasters and her expressions of remorse following these mistakes are sincere and resolute. Jane Austen's Emma concerns the social milieu of a sympathetic, but flawed young woman whose self-delusion regarding her flaws is gradually erased through a series of comic and ironic events.

Texts can be re-contextualised and manipulated in order to be relevant to a modern day society. However, the transformation is usually apparent and thus a link can be established between the original and the new. The transformation can give the audience a better understanding of societal values and attitudes present in the texts. Jane Austen's book Emma(1816), relevant to society in Regency England, is relived in a modern day context relevant to the 20th century American society in Amy Heckerling's “teen flick” Clueless(1995). Social status plays a crucial part in both texts.

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In another town, a girl named Jay (Maika Monroe) is swimming in a pool, and after talking to her friends, Paul (Keir Gilchrist) and Yara (Olivia Luccardi), and her sister, Kelly (Lili Sepe), she goes on a date with Hugh (Jake Weary), her boyfriend. They play a game where one person has to guess who the other wants to swap places with. When it is Hugh’s turn to guess, Hugh asks if Jay wants to be the girl in the dress in the back of the theater. However, when Jay looks back, she cannot see the girl in the dress. Hugh becomes restless and drags Jay out of the theater. Though the rest of the date continues normally, Jay talks with her sister, Kelly, about Hugh’s panic in the theater the next day. As Kelly waves at a boy named Greg (Daniel

In William Faulkner’s “A Rose for Emily” the story is revolved around the character Emily Grierson. The story is told by the townspeople where Emily lives. These people are attending her funeral and pitching in memories and tales they remember from Emily’s life. It is through the collective voices and opinions of the crowd that the reader is able to interpret Emily’s struggles. With Emily Grierson’s choices the reader can tell that she is a dependant woman, with psychotic tendencies, and does not take the thought of change and rejection lightly.

Though written over two centuries apart, the protagonists in Jane Austen’s Emma and Amy Heckerling’s Clueless, are very much alike. They are strong female characters of a certain social standing, that are expected to abide by a particular set of rules and adhere to societal norms. Unlike most young women, Austen’s Emma and Heckerling’s Cher are able to disregard social expectations¬ — like Emma’s idea of marriage, and Cher’s idea of sex — simply because they are privileged and socially stable enough to do so. In this way, both young women simultaneously embrace and reject the principles of female social expectations of their specific time periods. Both Austen and Heckerling confront the belief systems of their readers and viewers through characters that do not act “appropriately” within their respective social environments.

As anyone who is in the spotlight can tell you, being famous can be amazing. People love you, are inspired by you and the recognition can be intoxicating. However, with the good must also come the bad. It could be no different for Emma, especially since she was famous for being an anarchist. She wasn’t just getting attention from the working class and those she wanted to inspire change from, but also from those who wanted to stifle her voice and those who seen her as the enemy. Emma knew with fame came consequence and she would have to start paying those dues. In the year 1893 that time came. America was in the darkest of the depression. Unemployment was at a high and people were starving. On August 18th of that year a hunger demonstration

Emma Bovary allows herself to be destroyed by the people she encounters and her obsession with falling in love. Emma is not happy with herself and her relationship so she looks for other people to fill the void. Emma never really realizes that she is the root of all of the troubles in her life. If she were more in touch with reality, she would realize that she needs to work on herself before blaming her love interests for not being like the men that she has read about in the past. Emma has a very unrealistic perception of love. Emma is unable to fall in love with anyone because she will always be dissatisfied. She destroyed her own marriage before it even started because of her preconceived idea of love. Charles is absolutely in love with Emma and would do anything for her but she does not feel the same way about him due to her fairytale idea of love. It seems as if she is not capable of separating her real life romances from the romance novels that she read when during her time at the convent.