Clueless And Emma Analysis

Texts and their appropriations presents the ways of thinking and the values existent within their societies. When comparing Jane Austen’s Regency novel Emma and Amy Heckerling’s adaptive feature Clueless, it is evident they offer diverse perspectives significant to understanding the composer’s contexts. In differentiation, Emma highlights the significance of matrimony, whereas this value is cast aside in Clueless. Clueless also

Amy Heckerling’s appropriation of Jane Austen’s, Emma into Clueless; as reflective and satirical parallels of Regency England and contemporary America, substantiate the enhancement of textual, intertextual and contextual meaning; as both become aesthetic replays of each other. By adapting the 19th century, genteel society of Highbury to the 20th century, contemporary microcosm of Beverly Hills, Heckerling gives insight into the realignment of social values and attitudes towards marriage, class and gender roles- an insight provoked by the textual counterparts; Austen’s Emma and Heckerling’s Cher. Ultimately, it is through the mediums of film and literature, and the intertextuality of these two texts that one gets to realise, that despite the

Jane Austen's novel "Emma" published in 1815 and the film adaptation "Clueless" written and directed by Amy Heckerling in 1995 both share a similar interest in maintaining a high social status. Emma Woodhouse of the novel "Emma" and Cher Horowitz from the film "Clueless" are both spoiled young lady living in a high-class society. Emma Woodhouse is part of the rich, upscale society in a large and populous village in the nineteenth century England, while Cher Horowitz lives in a rich, upscale Beverly Hills, California USA. Both of the main characters, Emma and Cher shows arrogance and lack of acceptance to other social class due to their use of power and wealth, which they are unaware of it themselves. Emma and Cher's immaturity has resulted

Cher Horowitz: The Unconventional Final Girl of "Clueless" "Clueless," the iconic 1995 teen comedy film directed by Amy Heckerling, is celebrated for its sharp wit, fashion-forward style, and memorable characters. Among these characters is Cher Horowitz, a wealthy and popular high school student whose journey of self-discovery and personal growth unfolds against the backdrop of Beverly Hills. While "Clueless" may not fit the traditional horror genre, Cher Horowitz embodies the characteristics of Carol J. Clover's definition of the Final Girl, exhibiting resilience, resourcefulness, and moral integrity in navigating the social complexities of Beverly Hills high school life, thus establishing herself as an unconventional yet compelling Final Girl within the context of the film. Carol J.

Throughout history, notions of beauty have been integral to social life and culture, and are often reflected in period texts. An example of this is Jane Austen’s Regency era novel Emma (1815), and its 1995 film appropriation Clueless, written and directed by Amy Heckerling. These texts use the beauty ideals of their respective periods to showcase the negative effects of superficiality and the importance of ‘inner’ beauty. This becomes evident through exploration of the beauty ideals of both eras and how representations of these ideals have been appropriated from Emma to Clueless through characterisation.

The plot for Clueless was about a student name Cher who is a smart and rich girl who is trying to survive her high school days and the daily drama of girls.The plot for Emma is about a twenty year old who believes she will never marry anyone and believes she is a perfect matchmaker.A major

Appropriations provide audiences with a relevant contemporary sense of culture, while simultaneously providing insight into consistent behaviours over time, from the era of the original text to the era of the appropriation. This paradigm is reflected in a comparison study involving Jane Austen’s novel Emma (1818) and Amy Heckerling’s Clueless (1995). In her novel Emma, Austen reflects on the rigid social structure that formed the basis of Regency Society. Similarly, Heckerling’s Clueless emphasises how physical image determines status. Likewise, Austen’s emphasis on arranged marriages and love marriages, is contrasted by how Clueless highlights the open love, lust and sex prevalent within modern relationships. By considering the context of

Of course it does. Propriety is valued in the Regency period, where it is gained through tension between others, allowing one to self actualize. We are able to see Emma’s lack of propriety, as well as maturity through her dialogue to Miss Bates, “”…but there may be a difficulty…you will be limited as to number – only three at once””. She is unable to sympathize with Miss Bates, reinforcing on her immaturity and lack of character. Due to the tension between Mr Knightley, Emma reflects through the third-person omniscient narrator of “How she have been so brutal, so cruel to Miss Bates!”. Now she understands that she should respect and be more mature to others. On the other hand, appearance and popularity are much more valued in the consumer-driven society in Clueless. In the numerous dolly shots we see Cher and Dionne wear expensive clothes strutting down the footpath in the school, centre screen and thus, the centre of attention. Irony is created with the voice-over of “but seriously I have a way normal life for a teenage girl”, which contradicts the panning shot of Cher picking her clothes from a computer. Hence, highlighting the significance of appearance and thus suggest how our society is

to. So it defines one's rank to be at one of these social functions as

A Comparison of Emma by Jane Austen and Movie Clueless The film Clueless, written and directed by Amy Heckerling, is an adaptation of Jane Austen's novel Emma and closely parallels the story in terms of character development and action. Although Emma was written in 1816 and developed ideas and issues of that period in time, 180 years on we can still recognize and identify with the exact same issues. This just proves that despite all the radical social changes that have taken place since Jane Austen's time, people and life haven't really changed all that much. The general life issues of money, love, friendship, class and finding ones place in the world are raised in both texts.

Though written over two centuries apart, the protagonists in Jane Austen’s Emma and Amy Heckerling’s Clueless, are very much alike. They are strong female characters of a certain social standing, that are expected to abide by a particular set of rules and adhere to societal norms. Unlike most young women, Austen’s Emma and Heckerling’s Cher are able to disregard social expectations¬ — like Emma’s idea of marriage, and Cher’s idea of sex — simply because they are privileged and socially stable enough to do so. In this way, both young women simultaneously embrace and reject the principles of female social expectations of their specific time periods. Both Austen and Heckerling confront the belief systems of their readers and viewers through characters that do not act “appropriately” within their respective social environments.

Emma, a novel by Jane Austen, is the story of a young woman, Emma, who is rich, stubborn, conniving, and occupies her time meddling into others' business. There are several recurring themes throughout the novel; the ideas of marriage, social class, women's confinement, and the power of imagination to blind the one from the truth, which all become delineated and reach a climax during the trip to Box Hill. The scene at Box Hill exposes many underlying emotions that have been built up throughout the novel, and sets the stage for the events that conclude it.

Adaptations of Jane Austen’s, Emma, are usually period pieces diligent in capturing and replicating the manners, dress, language and values of the original text. Clueless, written and directed by Amy Heckerling, deviates drastically from the norm, as the film is not a period piece. While Emma is set in the early nineteenth century in the country village of Highbury, sixteen miles out of London, England, Clueless is set in Bronson Alcott High School almost two hundred years later, in the late twentieth century. Despite the significantly different geographical and historical setting and the diverse social values, lifestyles, and issues than those depicted in Emma, Amy Heckerling’s high school setting retains and is

GUIDING QUESTION: To what extent do the actions in this section cause Emma’s character to change in her emotions and physical aspects?

Jane Austen (16 December 1775 – 18 July 1817) is a world famous English novelist, primarily known for her six major novels which interpret, critique and comment upon the British landed gentry at the end of the 18th century. Austen 's plots often explore the dependence of women on marriage in the pursuit of favourable social standing and economic security. In particular, Austen’s novel Emma, published in 1815, displays these aspects of of traditional English life in that period, however the classic piece is still enjoyed by many all over the world today. Emma has seen many on screen adaptations, some which do the novel justice and follow the plot to the tee, whilst others loosely base the plot along the lines of the novel. Aisha is a 2010 Indian comedy-drama film starring Abhay Deol and Sonam Kapoor in the lead roles. It is set in the upper class society of Delhi, India and is an adaptation of Jane Austen 's 1815 novel Emma with the same tone as the 1995 cult Hollywood film Clueless which is also an adaptation of Austen 's novel. The film released on 6 August 2010, received an average to a moderate critical response eventually becoming an "average" grosser at the box office. Jane Austen’s 1815 novel Emma, and Aisha, the 2010 Bollywood adaption directed by Rajshree Ojha are almost completely different in terms of a materialistic view due to the time period, location and culture, however the relationships between the characters and the values they hold are essentially the