Coats And Carle: A Comparative Analysis

In life, there is nothing more important than knowing oneself. Carl Rogers, a famous psychologist in the 1900s, compiled a theory that went past the Freudian and behaviorist approaches and delved into the secrets of the individual. Relatively, Rogers explored the importance of taking a humanistic approach to understanding personality and with regard parents may seek the most proficient way to guide their children.

In the first two-thirds of the twentieth century, where by British supremacy within Australia was actively felt, Richard Broome outlines the control practiced by white people over the Aboriginal population. Basing predominantly upon the Aboriginal Protection Boards acting under special legislation and the informal ‘caste system' , Broome powerfully illustrates the treatment and discriminatory effect of these two methods of control on Aboriginal people.

Marcia Pointon argues that the material practices of making clothing are similar to the production of creating artworks. Supporting her argument, Pointon examines garments that are made by tailors, for the reason that they are made by hand and not mass produced and compares their creation to the handiwork of an artist. Pointon explains that both the tailor and the artist start with cloth and that they both work by fabricating, cutting, meshing, and layering. Describing further, the author notes that both tailors and artist piece together shapes, pay attention to horizontal and vertical lines, must fit the figure on to one rectangular surface, and use outlining to prepare for their creation. Moreover, Dolan relates that both the tailor and the artist both work in fiction.

Often times misunderstood and, at times, even complex to understand, Abstract is a category of artwork that challenges the viewer’s intellect through its array of bold color schemes, extracted ideas, and conceptual viewpoints. Expressionism is a sub-category of Abstract artwork, which encapsulates the philosophical, intellectual, and emotional stimulation it hopes to create in the observer, which frequently, is the objective of the artist who created the conceptual piece. Three artists who embody the abstract principles are Joan Mitchell, who was one of the first women expressionist painters who focused on landscape-type portraits, and a successive artist to similar abstract painters such as Mark Tobey, and also preceded by modern sculptor Lynda Benglis who literally “cements” abstract painting concepts into unique dimensional sculptures. Yet, Mitchell’s artwork is “special” to me

What is by all accounts more vital for the craftsman - representation or expression? Think about the sketches in the styles of hyperrealism and expressionism - you can simply tell if the pictures look admired or explicitly mutilated.

As Nadeau, Raines, and Taglaireni discuss different aspects of the nursing career, both have commonalities. The main commonality is that there is high need of adaptability and flexibility a person must have in this field. Other commonalities include responsibility and financial considerations. Whether a student is completing the schooling or a nurse is training, there will always be the different teaching methods that come with different instructors. A student has multiple professors for the high number of classes required to obtain a degree. A nurse’s education is never ending; they are continuously learning throughout their career. Nurses learn from their doctors, other nurses, staff, and even patients. Both, student and nurse, have to be able to understand the material being taught in any environment. According to Editor Briana

The essays by Berger and Benjamin are similar in several ways in the sense that they follow a common theme and put forward similar arguments. Mechanical reproduction changed the way we view and experience art. Their perspectives on the reproduction of art changed our thinking and feelings for what it can bring.

Eric Carle has a very unique and recognizable art technique that he uses in his books. It is called collage technique using tissue paper and hand painted cut outs. Eric Carle uses, sponges, brushes,

William Carlos Williams published a book of poems titled Pictures from Brueghel and Other Poems in 1962, which he won a Pulitzer Prize for the following year. The works of Dutch painter, Pieter Brueghel, had inspired Williams to write the collection. He selected different pieces by the artist and created verbal “pictures” of them, more commonly referred to as ekphrastic poetry. Ekphrasis is simply a verbal description of a visual work of art, or when an artist represents another’s work in a different medium. Along with being a poet and doctor, Williams was also a painter. This is very much apparent in his poems, and as Bonnie Costello puts it, “Even the most casual reader will notice the visual intensity of his work.” Williams wanted to bring the sensuous painterly qualities to poetry, using language as more than just symbols to convey meaning or emotion. I will be

The use of style is when artists were testing the boundaries of creativity. The way that this was accomplished was to have more a mystical background in the painting. This was achieved through using different colors (such as: a backdrop and bright foreground). At the same time, the body features are altered slightly to enhance the appearance of the subject. When

An artist stands in the studio before a blank canvas on an easel, with a palette of colors in hand. Not knowing which to choose from, the artist looks over the variety of shades thinking about the different possibilities, willing to create something extraordinary. With an open mind, the artist ponders the idea of creating something entirely original that goes against the artistic styles practiced before. All on his own Pablo Picasso created a different style of art, and practiced painting things his own way. He believed in redefining and reinventing past techniques in order to make them more original; no matter what the preconceived notion society had at the time of what style

This love of experimentation in art is widely seen today, not just in the art produced, but also in the extensive amounts of materials available to create art. Walking through one’s local Michael’s or Hobby Lobby displays the vast amount of options that artists have to choose from, and the internet holds a vast amount more. One amazing modern artist who embodies this love of experimentation in art is Jessica Douglas, who currently resides in Utah. Her art is largely watercolor and colored pencil, but she also uses a variety of gemstones, gold leaf, mica flakes, gold, silver, and white ink, metal slag, and even dinosaur bones. (Douglas) Artistic movements are quite fascinating, but just like other parts of history, we can clearly see their

You say to a brick: 'What do you want, brick?' and brick says to you: 'I like an arch.' I resonate with this quote by Louis Kahn, a famous architect who explored profoundly the complex and exquisite logic of brick structures. As he did, I also believe the materials in my hand have a stubborn sense of their own destiny. Sometimes, rather than actively express the certain idea by figuring out a specific form for an idea, I immerse myself deeply in the making process, until the reaction between materials, tools and my hands fishes the idea and creates a balance. I believe hands-on experimentation and research into materials’ physical and chemical make-up lead to a better understanding of the potential expression of a material and a greater design concept. So I will keep playing with these materials and ask them what do you want?

Eva Hesse is well known for having worked in notoriously archivally unstable materials. In the forty years since her untimely death, her sculptures have chemically restructured themselves. The latex has turned opaque and the fiberglass has grown brittle; more than a dozen works have been deemed “unexhibitable” by curators because her work was not about degradation. Hesse used latex in a way not intended by the manufacturer; casting it and brushing layer upon layer to

In these ready-mades there was no artistic intervention such as colour. The ready-mades just existed by themselves. These objects chosen by the artist– not made by the artist own hand – were the result of an intellectual process and thus art. A process that involved minimal amount of interaction between the artist and art and provoke the spectator to participate and