Cocp's Statement Analysis

Perhaps the very first image the general public would see in their mind’s eye, upon hearing the word “dancer”, is that of a darling little five year old girl in a pretty pink tutu and delicate ballet slippers stepping into her local dance studio for the first time. Take someone a little deeper into that thought, and they might see an overly thin, pale sixteen year old young woman, with collarbones and ribs showing working herself almost to death to earn a minor part in a dance chorus. Suggest that someone describe a dancer in the height of their career, and you might hear of a Prima Ballerina with the Moscow Ballet. Ask someone to visualize a dancer in later years, and they might picture an older woman with a greying bun atop her head, leading a class or perhaps helping younger dancer perfect a performance, who is likely ailing

This piece drew inspiration from the African American music of his youth. Years after his death, Ailey continues to be an important figure in the field of dance through the ballets he formed and the organizations he

In an interview for ‘Elle’ magazine, Misty Copeland, a principal dancer at the American Ballet Theatre expressed her struggles with body image issues as a ballerina and how she believed it was society as a whole and not just

Whether rooted deeply through generations of a family or formed through an experience, passions and fascinations are what drives us, humans, to be who we truly are. At this point in my life, I do not want to reach comfort or perfection, but rather feel composed and confident in what I chose to merge my ballet skills with. When I dance, I escape reality and feel a pure exhilaration.This sensation shapes my curiosity and interest in the human anatomy. From the elements that make it up to ways in which people individually move their bodies, the human body is absolutely fascinating. Specifically, I am passionate about teaching ballet to younger students. By introducing ballet to kids early on, they will experience the same joy almost all dancers feel for a longer period of time. When I’m dancing I’m challenging your mind, releasing endorphins, and working hard. I am also eager to own my own business linked with teaching that will provide people with affordable dance equipment, and even more crucial, advice on what suits each person's personal needs. I know as I grow old my body will not be as capable as it once was, but I’m dedicated to spreading my appreciation of ballet to others. Overall, my passion for ballet and how I can utilize it to positively impact society as an entrepreneur has developed through the inspiration of my grandparents, the creativity of my former dance teachers, and my interest in the human bodies relation to ballet.

From the article "I Don't Want to do African … What About My Technique?:" Transforming Dancing Places into Spaces in the Academy by Raquel L. Monroe, the author discussed about problems that currently occur in dance space of a higher institution. The terms ‘technique’ has become problematic when the Monroe pointed the fear of the future dancer if they took dance class that is different from ballet or modern. The article further discusses by using excerpt and interviews from teachers and students on defining what ‘technique’ is. She also touches the topic on racial injustice in dance from the stereotypes of certain movement that denoted a group of people and classification of ‘high’ or ‘low’ art. This further support her argument when she critiques

Ballet “Cry” simply showed to us real life of all African women. Every single American people know what kind of life they went through. Therefore it touched their heard. Alvin Ailey’s “Cry” presented wonderfully combined movements, technique and emotion. Ms. Donna Wood uses tragic face, a mask of sorrow. It is a face born to cry, but when she smiles it is with an innocent radiance, joyfulness that simple and lovely. She never tries consciously to please an audience. He was not only concentrating in movements and physical performance, but also using flowing white gown

At one point, Ryan asserts that thin bodies are the standard for classical ballet, therefore a ballet school choosing not accept applicants with a different body type is not discriminatory. Ryan goes on to express that she is troubled by the age at which children begin training for adult careers, another common practice in ballet. It is duplicitous of Ryan to cherry pick a certain standard of ballet in an effort bolster one part of her argument, and then critique another standard of ballet that isn’t in line with

Many choreographers shape dance into something different and defy certain styles. Alvin Ailey not only did this through dance but changed the racial norms in the dance world. The Alvin Ailey American Arts Theatre has performed for over 25 million people in 48 states, 71 counties and on 6 continents. Throughout his life he made a difference. Ailey himself “changed forever the perception of American dance.” Alvin Ailey changed the views of modern dance and racial acceptance in the arts throughout America.

Being committed to competitive dance for 15 years has immensely impacted my life, as I have not only progressed technically and performance-wise, but I have been given numerous opportunities for self growth and development. Dancing has shaped me into a well-rounded, confident individual who is able to prioritize responsibilities, cooperate and collaborate with others, and exhibit strong leadership skills. Involvement in any extra curricular can aid one in developing a true passion, and through dance, I have been fortunate to find my passion.

I am an aspiring dancer. I am also African American, thanks to IoT a black ballerina is no longer taboo, slowly sure society is becoming more aware of dancers of various races, cultures, and styles. With the world of dance evolving and technology moving even faster, I want to develop an organization that supports and exposes minorities in dance. The job of Encouraging young dancers of minority race will no longer be limited to just the student’s parent and teachers. This organization will help these dancers connect and find support in standing confidently in who they are. The dance community is already present however not connected a possible. Through social media and a website, this organization will bring together minorities in dance and highlight their accomplishments. In addition everyone can be informed of what going on in dance culture. Individuals apart of this community can get first hand advice from dancing professionals.

Jane Desmond introduces her article, “Embodying Difference: Issues in Dance and Cultural Studies,” by describing a dance that readers can picture as the dance of tango in their minds. This helps lead to her connecting dance, or body movement, with cultural studies and social identities. In her article, Desmond focuses on connecting how dance and body movement can be portrayed differently in social identities, such as race, class, gender, nationality, and sexuality.

“John Butler, Merce Cunningham, Erick Hawkins, Lucas Hoving, Pearl Lang, Murray Louis, Alwin Nikolais, Glen Tetley, Paul Taylor, and others charged boldly into dance's uncharted territory.” The color barrier was still a major issue, forcing many talented artists to travel abroad where they could freely exercise their talent. Alvin Ailey was becoming very successful and making his mark in every way possible, but it was time for a change, because people were getting tired of the same old thing. There was so much unrest in the world, and it was time for many African American choreographers to make a decision on how they wanted to respond to

“Go within everyday and find the inner strength so that the world will not blow your candle out” (A Quote by Katherine Dunham 1). Once one of the most successful dancers in both American and European theater, Katherine Dunham, a dancer, anthropologist,social activist,and educator, continues to inspire people throughout the world. Named America’s irreplaceable Dance Treasure in 2000. Dunham remains a name heard regularly in dance schools across the world (“Katherine Dunham Biography” 4). She is known for always trying to make a difference and in the process she has become of the world’s greatest humanitarians (Osumare 5). Katherine Dunham’s work in African American rights in the dance world and her creation of new styles of dance makes her an important figure in American dance History.

When thinking of a specific type of dance, the vast majorities of the time people generally relate and direct the art form to a certain type of culture or race. As times develop and cultures start to merge, people tend to try and get to understand other diversities. This happens especially when we look at various forms of dance, where the people of origin are no longer the only ones who strictly perform it. Shown in the movies “Save the Last Dance” and “Take the Lead” both show a great deal of racial status and stereotypes involving dance, where the minorities try their best to fit in. Proving themselves by showing how they can adapt to other cultures by the flow and movement of their bodies. Both show a great understanding on how people of different races can be brought together by something most people can relate to, dance. To what extent does race inform the dancing as portrayed in the films “Save the Last Dance” (2001) and “Take the Lead” (2006)? To support the following argument stated above, there are several sources that will be implemented throughout the essay found within the dance community (journals, articles and books).

Many of my fellow dancers would say negative things that no aspiring dancer wanted hear such as, "She's the worst dancer in this whole entire dance studio." Instead of letting their harsh words bring me down, I used their insults as motivation to work harder so I could one day prove them wrong. Every time I danced, I didn’t just focus on my weaknesses, I would also acknowledge my strengths to keep me motivated. Jackie Robinson restrained from losing his dignity when members of the diamond world would tear him down, likewise I learned to build a thick skin and not letting their cold remarks pave a way to my