Colen And Conrad Monologue

Diversity is what makes you unique, being composed of differing elements. I am someone who is composed of differing elements such as culture, voice, personality, etc.

       Joseph Conrad's Heart of Darkness explores the intellectual, emotional and moral growth of characters throughout the novella. This character growth has been a recurring theme in literature, with the poet William Blake, among many others, exploring theories of the movement between innocence to experience. Although Conrad does not strictly address character growth in this manner, characters that do and do not undergo psychological growth are portrayed quite differently. Those who undergo these psychological changes are portrayed favorably, that is Marlow, the frame narrator, and Kurtz. These characters throughout the novel undergo significant change, for some it is gradual

Throughout the book I felt connected to one character, that character was George. George and I share similar qualities and our lifestyles can relate. One major characteristic I found in George is his ability

    Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.

She can also stand up for herself when there is a conflict. I can relate with her because I am usually really shy in the beginning, but I can get talkative if I’m with friends. While Rosa Hubermann usually calls Liesel out using swear words, and gets mad for no reason, but in the end those were her own ways of saying that she cares. I can compare myself to her because I can get annoyed and mad easily. Meanwhile Rudy Steiner, a young boy can take care of everyone, make people feel welcome, help others when there’s a problem, and he will even do anything to keep others happy. I can compare myself with some of these traits because I like to help others with things they do, for example, I help other people with homework and other projects. Death is also a character that I can relate to because he can experience sadness, joy and even depression. He looks for hope in the gathering, reading, and telling of stories, he also finds ways to give meaning to his work. I can relate to him because he is a hard worker, and even though his job is depressing he finds ways to make it

In his narrative, Marlow declares, "You know I hate, detest, and can't bear a lie, not because I am straighter than the rest of us, but simply because it appalls me. There is a taint of death, a flavour of mortality in lies, - which is exactly what I hate and detest in the world - what I want to forget" (Longman 2210). In spite of these strong words, he lies to Kurtz's "Intended" when he visits her and tells her, "The last word he pronounced was - your name" (Longman 2246). Marlow's words, spoken in Part I to the audience, seem to contradict his words spoken in Part III to the Intended. Upon closer examination however, it is clear that it was keeping to his beliefs that caused Marlow to lie to

In the book Ordinary People by Judith Guest the person I relate with most is going to be Conrad Jarrett. Conrad is the son of Calvin and Beth. In the story Conrad was in a boating accident with his brother which caused his brother’s death and Conrad blamed himself for his death. Then Conrad a year later tried to commit suicide and it forced him to have to spend time in a hospital to get better. When Conrad gets out he still feels little purpose in life and no motivation. He starts to see Dr. Berger to help him recover from everything he has been through. My relation with his problems isn’t exactly the same but I can relate in a way. My stepdad had a car accident and the car accident caused his death. Me and my family were devastated when we found out. It can really change a lot when a family member dies.

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

"Restraint! I would have just as soon expected restraint from a hyena prowling amongst the corpses of a battle," comments Marlow as he questions why the hungry cannibals aboard his steamer hadn't gone for the white crew members (Conrad 43). "The glimpse of the steamboat . . . filled those savages with unrestrained grief," Marlow explains after recalling the cries of the natives seeing the steamer amidst a brief fog lift (Conrad 44). "Poor fool! He had no restraint, no restraint . . .a tree swayed by the wind," speaks Marlow of a slain helmsman amidst an attack by tribal savages (Conrad 52). "Mr. Kurtz lacked restraint in the gratification of his various lusts," says Marlow a few moments after he tells of his first glimpse of

Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover their own self.  Joseph Conrad’s book, The Heart of Darkness is a story about Man’s journey into his self, the discoveries to be made there and about

Chinua Achebe, a well-known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe,"(Achebe, p.251) while he also "projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization."(Achebe, p.252) By his own interpretations of the text, Achebe shows that Conrad eliminates "the African as a human factor," thereby "reducing Africa to the role of props."(Achebe, p.257)

    Within the text of Heart of Darkness, the reader is presented with many metaphors. Those that recur, and are most arresting and notable, are light and dark, nature and Kurtz and Marlow. The repeated use of light and dark imagery represents civilization and primitiveness, and of course the eternal meaning of good and evil. However, the more in depth the reader goes the more complex it becomes. Complex also are the meanings behind the metaphors of nature included within the text. It represents a challenge for the colonists, often also signifying decay and degeneration. Finally Kurtz and Marlow represent imperialism and the colonists. All these metaphors come together and contribute not only to

February 15, 1894, was the most interesting afternoon in the otherwise dreary history of Greenwich Observatory. Earlier in the day, Martial Bourdin, a skinny anarchist, traveled by train from Westminster to Greenwich, concealing a small bomb. As he ominously ambled through Greenwich Park, towards the Observatory, something happened - no one knows exactly what - and he blew most of himself to shreds. The British, who loved to quantify in the late nineteenth century, noted that the explosion spread bits of flesh over a distance of sixty yards. Martial Bourdin remained alive for another half hour, but gave no hint as to the reason for his choice of such a bizarre

Conrad’s usage of imagery in the - Heart of Darkness - Aristotle, a famous Greek philosopher, said that the aim of art is to represent not the outward appearance of things, but their inward significance. If that is the case, then Joseph Conrad is a true artist regarding the pictures he paints with his words. Conrad's most effective literary tool for plot development and expressing the theme is his use of imagery. Karl, a noted critic, explains this technique that Conrad uses. “The scenes and images (that Conrad depicts) are a variety which permits extension and almost a limitless number of references are possible”(168).

The two major themes of Heart of Darkness are the conflict between “reality” and “darkness,” and the idea of restraint and whether or not it is necessary. Conrad’s passage describing the restraint of the hungry cannibals exemplifies both themes:  It describes how reality shapes human behavior, and contrasts the characters of Kurtz and Marlow.  “Reality,” as it is used here, is defined as “that which is civilized.”