Colonialism And Patriarchy : Wide Sargasso Sea

In “Lieutenant Nun: Memoir of a Transvestite in the New World” by Catalina de Erauso, a female-born transvestite conquers the Spanish World on her journey to disguise herself as a man and inflicts violence both on and off the battlefield. Catalina discovers her hidden role in society as she compares herself to her brothers advantage in life, as they are granted money and freedom in living their own lives. Erauso decides to take action of this act of inequality by forming a rebellion, as she pledges to threaten the social order.The gender roles allotted to both men and women in the Spanish world represent the significance of societal expectations in order to identify the importance of gender in determining one’s position in the social order in the Spanish World.

The first assumption argues that “western” feminist discourses emphasize that all women are bound together by a shared oppression and are powerless (53-54). Mohanty systemically explores this theory through an in depth analysis of five categories in which women of the third world are traditionally presented as homogenous victims by “western” feminist. The first two categories, women as victims of male violence and women as universal dependents, arguably offer the most straightforward deconstruction of the gendered body of knowledge that is power. Women, especially women of the third world, are all seen as victims of male violence and control (54). All women are defined as powerless, and all men are defined as powerful (55). Similarly, all women are defined as powerless dependents in the second category. Mohanty argues, “this is because descriptive gender differences are transformed into the divisions between men and women” (55). This division possesses a privileged position as the explanation for the oppression of women (56). Therefore, women are seen as a powerless group no matter what the historical or cultural situation because they are deemed so prior to any analysis (56).

Initially, the titles of both novels also provide a strong grounding to understanding the status of women at the time. Rhys’ novel refers to the Sargasso Sea, located in the Atlantic Ocean. This is known for the infamous Bermuda Triangle, described as an oceanic black hole where ships disappear under mysterious circumstances. One interpretation of this title could imply that characters may be imprisoned in their personal ‘Bermuda Triangle’, where Antoinette grapples with her racial identity as a white Creole. Furthermore, the Sargassum is a weed native to the Sargasso Sea, which was symbolic of neglect, devastation, and disorder. [1] This echoes the sentiments of the protagonist of the novella, Antoinette. Antoinette embodies the inherent misogyny prevalent during the 20th Century, where women were often reduced

The novel in which Jane Eyre stars in can be seen criticizing many aspects of those times such as the role and nature of women, child negligence and social hardships for those in a lesser class. Jane Eyre’s alienation from society allows for a greater reveal of the story’s culture, values, and assumptions. It’s presented through the use of gender, class and character conflicts throughout the story. On multiple occasions, Jane is judged for the presented factors reflecting the type of society Jane lives in and what the times were like at that time.

Rigoberta starts questioning her perspective on ladinos, wondering if they are really all bad. She befriends Indians who have worked with poor ladinos who suffer from the same problems as her community does. The poor, from ladino to Indian, are exploited just the same yet they are so conditioned to dislike one another it’s hard for them to unite and really consider their circumstances the same. This troubles Rigoberta greatly for she knows that the heart of her distress aches from abuse from the rich landowners and if the poor ladinos are abused the same, they ache as well. Rigoberta dares to live in a state of confusion when wondering why there is such an enormous barrier between ladino and Indian. This confused state of mind is progressive for her time because her culture has long equated change and confusion with chaos and

A patriarchal society is a world in which men are the sole decision makers and hold positions of power. As a result, women are introduced to a world made by men, and a history refined by a man 's actions. In Jean Rhys 's Wide Sargasso Sea, conceptions of gender are purposefully problematized. Women characters such as Antoinette and Christophine are pitilessly exposed to constraints of an imperial world.Wide Sargasso Sea presents a modern form of feminism which takes into account the intricacy of male-female interactions to find that efforts to surpass gender norms are despairing.

Two vocabulary words that I will be defining from this chapter are mfecane and denatured viragos. The first vocabulary word, mfecane, means the breaking or crushing which refers to a series of wars and migrations in southern Africa. Then the second vocabulary word that I will be defining is denatured viragos which means the domineering women. “A woman should not leave her family to meddle in affairs of government.” Here was a conception of gender that defined masculinity in terms of exercising political power. Women who aspired to do so were, in words of one revolutionary orator, denatured viragos, in short, not really women at all.

In the novel Wide Sargasso Sea by Jean Rhys, Antoinette Mason’s identity is frequently discussed. Antoinette, the daughter of ex-slave owners and a woman whose life is dictated by mental illness, grows up in the Caribbean as a Creole during the nineteenth century. As a young adult, she is forced into a marriage with a white man from England, an event that ultimately leads Antoinette to her downfall. At the start of the novel, Antoinette and the characters around her are optimistic about their identity and future. As the plot progresses, Antoinette increasingly struggles to understand who she is and what her future entails. Ultimately, Antoinette loses her identity and her purpose. Throughout the text there are many reoccurring motifs. A motif

These two novels are both feminist works, although each book leads to feminist problems somewhat differently. Jane has a strong foundation in what woman deserve, as well as achieve specific goals for how she portrays her spot in society being a woman; Antoinette has no knowledge where to start to change herself. In Wide Sargasso Sea, Rhys poses the likelihood that maybe; the gap between women and men can’t be penetrated. Possibly, the unbalance is so great that Antoinette cannot have a feeling of cheerfulness and pleasure that Jane discovers near the end of the novel. Wide Sargasso Sea portrays the fluctuating position of woman in the twentieth century. Wide Sargasso Sea and Jane Eyre can single handedly be looked at as signs of feminist texts, however, Wide Sargasso Sea presents itself with more description on post-modern shape of feminism.

The theme of isolation is explored in Bronte’s novel; Jane Eyre. This theme is also developed in The Wide Sargasso Sea, by Jean Rhys. Both pieces present different types of isolation, such as isolation due to location and the isolation of a character due to their social status, such as Jane’s status as a governess. The various ways in which isolation is present in each of the texts show how inescapable and unavoidable isolation is for the characters in both Jane Eyre and The Wide Sargasso, with it being present in such a large way in their lives.

Furthermore, women are often seen as a symbol of cultural preservation and a measure of family honor. In conditions of war and colonial rule, which represents an attack on men’s honor and dignity, attention to women’s roles as prescribed by cultural tradition is often intensified. However, the unusual conditions of war and resistance to colonial rule also may provide openings for women to reconfigure their roles and rights, based on new needs of society.

“To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be that have tried it,” stated Herman Melville. As implied, without theme, no novel can be considered “mighty” or have any depth. Theme is essential in any work of art. Jane Eyre is a novel by Charlotte Brontë that takes the reader through the experiences of Jane Eyre, from childhood to adulthood. This includes her love for Mr. Rochester, who is the master of Thornfield Hall, the school in which Jane works at as an adult. Wide Sargasso Sea, a novel by Jean Rhys, includes

   Jean Rhys' complex text, Wide Sargasso Sea, came about as an attempt to re-invent an identity for Rochester's mad wife, Bertha Mason, in Jane Eyre, as Rhys felt that Bronte had totally misrepresented Creole women and the West Indies: 'why should she think Creole women are lunatics and all that? What a shame to make Rochester's wife, Bertha, the awful madwoman, and I immediately thought I'd write a story as it might really have been.' (Jean Rhys: the West Indian Novels, p144).  It is clear that Rhys wanted to reclaim a voice and a subjectivity for Bertha, the silenced Creole, and to subvert the assumptions made by the Victorian text.  She does so with startling results.

If, in the context of colonial production, the subaltern has no history and cannot speak, the subaltern as female is even more deeply in shadow (287).

this is a dangerous place for them to be in, and that, like Eden, the