Essay Colonising Within the Marriage in Rhys's Wide Sargasso Sea

To set the stage in “Jane Eyre” our Protagonist, Jane Eyre is deceived by Mr.Rochester, one of the antagonists in order to “protect” his love, Jane. Mr. Rochester’s deception begins

This stands in stark contrast to what Miss Elizabeth Bennett wants. Mrs Bennett wants her daughters to marry because it’s thea only way for them to solidfy that they will have food on their plates and a roof over their head. Mr. Collins is Mr. Bennetts brother and is set to inherit his estate when he dies. He comes to visit in the middle of the book and his main intentions are to ask on of the daughters to marry him and to observe what he will in time own. Mrs. Bennett says in response to all this “Oh! Single, my dear, to be sure! A single man of large fortune; four or five thousnd a year. What a fine thing for our girls!” (57, Austen) The single man she speaks of his Mr. Collins, the Bennett kids uncle. Austen describes Mr. Collins as a self retious kind of man who thinks he is above the Benntt’s just because he is set to inherrit their estate. This gives him a villeness quality. Austen is commenting on the blindness of Mrs. Bennett to the qualitys of Marraige. She only shes Mr. Collins as money but Elizabeth sees him as a bad person to spend the rest of her life with and theirfore turns down his marraige purposal. Which causes trouble between her and her mother. This is the best example of the contrast in what the two women see as the meaning of Marriage.

In Jean Rhys' novel Wide Sargasso Sea, whether Antoinette Cosway really goes mad in the end is debatable. Nevertheless, it is clear that her life is tragic. The tragedy comes from her numerous pursuits for love and a sense of belonging, and her failure at each and every one of these attempts.

A patriarchal society is a world in which men are the sole decision makers and hold positions of power. As a result, women are introduced to a world made by men, and a history refined by a man 's actions. In Jean Rhys 's Wide Sargasso Sea, conceptions of gender are purposefully problematized. Women characters such as Antoinette and Christophine are pitilessly exposed to constraints of an imperial world.Wide Sargasso Sea presents a modern form of feminism which takes into account the intricacy of male-female interactions to find that efforts to surpass gender norms are despairing.

This is shown by the way he talks to her and how he acts around her.

When Antoinette’s husband takes her to England, he locks her up in the attic and leaves her without a sense of self. Antoinette says that "There is no looking-glass here and I don’t know what I am like now…. Now they have taken everything away. What am I doing in this place and who am I?" (107). Without being able to see herself through a looking-glass, Antoinette doesn’t understand who she or what her purpose is, which is very upsetting for her. This loss of self- identity causes Antoinette to act out and worsens her mental health issues. When Antoinette sneaks out of the attic and sees herself in the looking-glass, she says she sees “the ghost, the man with the streaming hair” (???). After being locked away, she is unable to recognize her own physical appearance. Through this description, Rhys is showing that Antoinette’s identity has been completely taken away from her and recognizing the importance of knowing who we are. As, without an identity, Antoinette no longer has a purpose for

Throughout the novel of ‘Jane Eyre’ a colonialism and isolation are reflected throughout the novel, mainly through the treatment of Bertha Mason in Jane Eyre as she is cruelly locked in the attic due to her husband, Mr Rochester deeming her as insane. Bertha is described in a demon like manner whereas Jane represents a rebellious young woman who can be closely linked to a modern woman with the values and independence the contemporary readers possess. Jane does not represent any of the desired values by Victorians as Jane stands up to Rochester and acts as his equal rather than his lesser half. The presentation of Bertha being demonic was also highlighted by Solomon as she ‘represent[s] the flames of hell fire’¹ showing the devilish manner Bertha is presented in and the mistreatment of her as an individual, however, it also shows the historical views towards the mentally ill as Bertha isn’t seen to have a sickness but rather she is possessed. Fire is also associated with heat like Bertha as she is aligned with the ‘hot’ West Indies. Bertha is seen as villain as she constantly jeopardises Jane and Rochester’s future, however she can be seem to catalyse Janes personal development and self-awareness due to the positions Jane is left in due to Berthas presence.

Authors, Jean Rhys and Charlotte Bronte constructed their novels in completely different time periods and came from different influences in writing. Jean Rhys’s fiction book, Wide Sargasso Sea is an interesting relation to Jane Eyre. The female character of Jane Eyre forms into a furiously, passionate, independent young woman. The female character of Jean Rhys’s illustration is a character that Jane will know further on as Rochester’s crazy wife who is bolted in an attic. Jean Rhys further studies this character, where as Charlotte Bronte approved that it was left explained (Thorpe 175). Antoinette, considerably like Jane, evolves in a world with minimal amount of love to offer. Both these women are taken cared of as children by

Once married, Mr. Rochester also gained financial dominance over Antoinette. This creates a dependence on her husband for survival, thus even if she wants to leave, she has no means of support. As their relationship worsens, Mr. Rochester renames Antoinette as ‘Bertha’. In essence, Mr. Rochester is disassembling Antoinette’s identify, and building her into his own new colonial property. All of these levels of dependence show that Mr.

The theme of isolation is explored in Bronte’s novel; Jane Eyre. This theme is also developed in The Wide Sargasso Sea, by Jean Rhys. Both pieces present different types of isolation, such as isolation due to location and the isolation of a character due to their social status, such as Jane’s status as a governess. The various ways in which isolation is present in each of the texts show how inescapable and unavoidable isolation is for the characters in both Jane Eyre and The Wide Sargasso, with it being present in such a large way in their lives.

Despite all his faults in Jane Eyre, the one virtue he maintains in that story is sorely lacking in the Wide Sargasso Sea, his personal integrity. “Nor was I anxious to know what was happening behind the thin partition which divided us from my wife’s bedroom” (Rhys 140). “You bring that worthless girl to play with next door and you talk and laugh and love so that she hear everything. You meant her to hear.’ ‘Yes that didn’t just happen. I meant it’” (Rhys 154). A man who is capable of treating Antoinette in such a way, of purposefully “breaking her up” as Christophine would say, makes one wonder if he is even capable of redemption in Jane Eyre. His little encounter with Amélie could be ascribed to his intoxication on the voodoo love potion, though by the time he sleeps with Amélie many hours have passed including a trip to the ruined house and a nap in its eerie surroundings. Furthermore, Rochester’s actions are inherently selfish. Motivated solely by greed, he seems to be unwilling to let Antoinette have even a small portion of happiness. He had the option to leave with at least half the dowry and let her move on with her life, but chooses instead to keep both her money and mind locked away in the attic of a cold, colorless castle. Regardless of whether this depiction of our Mr. Rochester is canon or not, Jean Rhys effectively makes us despise the new Rochester all by solely changing the

Frequently not saying what he really thinks ("Wide Sargasso Sea," pp56-7), Rochester wages his personal war, not against a man, but against his wife, Antoinette.

Her inability to separate reality from dreams exhibits the lack of control she has over her own life. The above mentioned dream roughly parallels Jane Eyre's first dream of Rochester. As Humm points out in his essay, Antoinette's dream can be seen as a sort of inverse of Jane Eyre's. Jane's nightmares revolve around Rochester’s receding figure, and subsequently her inability to reach him. Antoinette's are based on a malevolent figure approaching her, thereby capturing her vulnerability as a character. Moreover this notion of control is also captured through the use of multiple narrators in the novel whereby Rochester, even though un-named, takes over the narration in part two, thereby literally silencing

In 1966, Jean Rhys published her novel ‘Wide Sargasso Sea’. The story depicts the life of Antoinette Cosway, her marriage to a mysterious Englishman, and her eventual descent into madness. The story is a prequel to ‘Jane Ayre’ by Charlotte Brontë, and gives the woman in the attic a voice. This essay looks at the use of narrative in ‘Wide Sargasso Sea’, and evaluates how this informs the interpreted meaning of the text.

With an attempt to distinguish between the old and the new, Charlotte Bronte creates the character of Bertha Mason as the exhibition of female repression and desire frequently found in the East. Bertha Rochester is the emblem of Eastern society, one which the British see as static and barbaric, and Jane Eyre is representative of the Western Civilization. In Reaches of Empire, Suvendrini Perera argues that "if the barely human prisoner caged in the Thornfield attic is the truest expression of women's anger and aspiration . . . [it is overlooked] that she is also the racial Other incarnate - a bestial, violent creature with an inordinate sexual appetite, caught in the colonized West Indies and confined 'for her own good' by a master who has appropriated both her body and her wealth" (82). If the reader only sees Bertha as the surrogate of Jane, one neglects to take note of the enriching importance of the text's suppression of Bertha. Charlotte Bronte presents Bertha as a sexually vigorous woman. This can be seen when Rochester indirectly describes