Color Analysis And Research Of Artwork Abroad

The resemblance in Brown's work to de Kooning and other Abstract Expressionists (such as the long strokes of Pollock) is what often creates her association with the movement. In his essay, “In Defense of Abstract Expressionism,” renowned art historian TJ Clark describes the movement as:

Jackson Pollock was not known for painting images, that's because he didn't use a brush He believed the brush would interfere with the dripping of the paint. Instead Jackson used a stick to pour paint onto the canvas. He would change the color, type of paint, and the thickness of the paint as the work progressed. Therefore, the painting would reflect the movements of his arm and body as he applied the paint. The activity of the painting would become part of the painting itself. That style of painting is called action painting. Jackson Pollock was the first "all-over" action painted just like Cernuschi stated on page 67 in his book Meaning and Significance, "He painted no image, just action." It looked like Pollock almost imitated a dance. Pollock dripped paint all over the canvas, but always had total control of where the splash of paint would be. That is how he got his nickname "Jack the

Van Gogh is probably one of the most interesting painters concerning tonality. His purposeful usage of one color in a body of work is a strong reference to emotion (particularly in his portraits). His expressive brush work swirls the blues, and slight yellow and green, around his face. Even his skin has a bluish hue. These elements describe a somber or sorrowful state of mind. Its as almost if the troubles around him are seeping into his skin (like the blue).

In my research / readings of my chosen Artist, I found a lot of information about them that I will descibe individually. Based on the biography, It has been stated that Vincent “was a most well known post-impressionism Artist, for whom color was the chief symbol of expression, he was highly emotional, lacked self-confidence and struggled with his identity and with direction.” (Templeton Reid) In the late 1800’s is when Vincent basically made the decision to become an Artist, in which he wanted to provide some type of Happiness because he was able to create beauty (Templeton Reid). As you review the art chosen above by Vincent Van Gogh, you will notice the colors used were dark i.e. Greens, Oranges, Blues, with splashes of yellow to create the sun, which led me to believe that maybe this was when he was in the dark place of his life. In the Van Gogh painting, I see big trees with the nice bright sun shining over the blue water, while looking at the trees it makes me feel safe because of the openness of the surrounding space, also the brightness of the sun and the coolness of the water makes me calm and relaxed, it’s just something about being in nature that gives me a sense of peace and direction, nothing to distract or disturb me.

With the painting not being fully finished, the bird is the first thing that pops out at you. 6.Thistle Bush With Farm This painting was also done by Leon Bonvin, a French artist. He loved capturing sceneries of plants and making it the focal point of the picture. He used space and captured movement by painting leafs as if they were blowing in the wind.

Artists create an experience not just a painting. The painting of Jenne-Marguerite Lecadre in a garden shows bold impressionistic movement. Brash brushstrokes create movement within the still landscape. Fawning trees reach to the Heavens. A woman swaddled in a drapery of soft cream and white, stands eclipsed by the tranquility of flora. Calming overtones of floral color transcend beyond the lush backdrop. The powder blue sky creates a warm and serene softness. Spherical garden beds create an enthralling depth to the picture. And the draping shadows conjure a realization that this divine image will may only last a minute second.

Artists use colour as a form of expression, this has become a common aspect of contemporary art. Colour today in art is not usually regarded as an embellishment for form but rather as the essential material from which form is created. This changing role of colour has keynoted a general revolution in human thinking, leading to greater visual perceptions. (Sloane, n.d.) Early as 1966, Gerhard Ritcher has created paintings purely based on colour charts, to some this was a complete “indifferent composition” to produce, however it was seen to perform like a “great classical masterpiece” (Lubbock, 2011)

Monet put so much of his time on this garden that he wanted to capture its beauty, I mean I would too if I spent all the time he did on his garden. He thought that the whole scene was so beautiful that he painted a series of paintings on the lilies alone. The garden was his creation so he wanted others to admirer it as

Besides being a memorable portrait painter, the artist also realized landscapes and composition pieces. With technical dexterity and a rich chromatic gamut, he is capable of achieving splendid grays

Green is a post-modern abstract painter who works primarily with acrylic paint, and as a founding member of the abstract illusionists, he has left a huge impact on the art world. Not only are his works shown in over 60 museums worldwide, he has also had 160 exhibitions in the U.S. and Europe.

Claude Monet was an artist born in the 19th century. He was well known for being one of the founders of the art movement know as impressionism. Monet created many art series in which he would paint one object multiple times, one of his most famous series being waterlilies, which was created towards the end of his life. The painting I will be talking about today is one of his many waterlily paintings, painted in 1904, ‘Waterlilies’ or ‘Nympheas’ was just one of 250 paintings in this series. The medium is oil paint on canvas and depicts a relaxing scene with waterlilies on a lake. This piece of art was part of an art period where where it defied social standards in France and was

Jacob-Abraham-Camille Pissarro created an amazing piece that was named, “Autumn Poplars” (Best Liberal Arts College). This work of art was a painting created by oil on a canvas. “Pissarro created Autumn Poplars in 1893” (Painting, Biography, and Quote). This piece is a normal art work. Pissarro didn’t branch out on this piece, this is a standard creation. Pissarro’s colors in Autumn Poplars stand out to me in a contrast, but they are blended. I think that is a very unique approach and I have not seen many pieces of art that have portrayed the same concept. Pissarro uses a variety of color that scream

Taking following extreme cases of abstraction, when speaking of Pollock’s work such as his ”Autumn Rhythm” (1950), we realize how the visual formed is fully based on science and gravity that permits the dripping and pouring of the paint on the horizontal canvas. But, by walking around/on the canvas we can argue Greenberg’s analysis and suppose that the painter possibly connects with it, he gets drowned in the act and merges inside the painting while mechanically pouring paint on the canvas. This means that even though the painter tries to focus on the flatness of the painting rather than the content and is physically detached from the canvas, this focus cannot erase an emotional

White Light has numerous colors and one can estimate that there are seven colors seen with the naked eye red, yellow, blue, green, grey, white, and black, although tint and shade vary, some of the colors are darker or lighter in value due to the fact that they have been blended into one another. Determining the colors requires a person to look not only on the surface but analyze each layer to arrive at a conclusion of color usage. Pollock dripped paint onto the canvas straight from the tubes which the originated from. Those tubes were also used to create soft peaks and layers to make the artists’ work texturally as intriguing as the color choices. He also used a stick instead of a paintbrush to cast the mediums onto the canvas. Another interesting fact is that Pollock painted with his canvas on the floor to feel a direct connection with his art.

What remains the significance of color in art? Could it be the disposition and feelings it provokes to the viewer, the distinguishing factor in the meaning of a piece? Maybe color is used in the association of simply shadow work, used only in technical terms to create value and the curvature of a three dimensional illusion? Or maybe the use of color in artwork appears as simple as how one learned the use in childhood, gender identification: blue means male and pink means female. True, artists select colors to produce a certain mood or atmosphere; to create space, light, and shadow, however, in regards to the artist Cindy Sherman, color is used profoundly in gender roles and symbolism. Representation and hidden meanings found within artwork is not a new concept by far, artist have been using such method for centuries. Nonetheless, the unique and slightly nightmarish way the contemporary artist Cindy Sherman uses color in representational ways brings about a new light to a familiar technique. Cindy Sherman, an American artist born in 1954, is extensively acknowledged as one of the most prominent artist in contemporary art. During her career, Sherman has extensively used the infinite surplus of images from movies and television, the internet, magazines, as well as art history, to create a massive collection of confrontational artwork. In many of her pieces she has discovered the manufacture of contemporary identity as well as the significance of representation, especially in