Color Analysis in Raised the Red Lantern Essay

The color red symbolics all of the colors and how each can have numerous emotions coming

Today’s society has many different associations for the color red. Red is most often paired with intensity, anger, and aggression. Red is often times a standout color, not modest at all. Policemen are told that when radaring, they should look for red cars first because

The color red is used in literature as well as throughout The Book Thief to display war, blood, and anger (Morton). Early in the novel, Death associates red with war, “The last time I saw her was red… Then bombs” (Zusak 12), Death uses the

Edith Wharton's novel Ethan Frome the color red is associated with one of the main characters, Mattie Silver to illustrate the love between her and her cousin's husband, Ethan Frome. Wharton uses this particular color throughout the story to symbolize the forbidden passion between the two.

Colour is a symbolic material in various sections of the film, as it functions as connecting visual and thematic threads which allude to connotations of danger, love, passion shaping her as a dynamic, charismatic character. Lola's fiery red hair highlights her speed, as she nearly runs through the entire movie. There are scenes where Lola and Manni are together and are seemingly illuminating red light, which exhibits their love and passion. The colour red is symbolically used in the film to emphasize certain aspects of Lola's life that are maintained in the use of props. In the beginning, the call to Lola is answered on a red phone, which highlights the urgency of Manni’s call and sets the precedence for the symbolic use of red throughout the movie. The recurring motif of the red ambulance at the end of each run represents urgency and tension. The red accents the rushed plotline, the love between Lola and Manni, and the blood of them both.

The archetypal association of the color red typically has to do with danger and passion. The appearance of red in this book relates to either one of both of those ideas. Red is associated with passion when related to Gatsby and Daisy’s relationship before Gatsby goes off to war. During the height of their tryst, Daisy has to go volunteer at the Red Cross but tells Jordan to tell that that, “she couldn’t make it that day” (56). The passion that she felt towards Gatsby made her throw away her obligations at the Red Cross. The irony in this is that Daisy was supposed to help with bandages for the war, the war that Gatsby later has to join. Red has many different meanings in this context, the most specific being passion. The more vulgar situation

Such as prostitutes, sexually encounters, Handmaids, and rap. The color red is a motif because it reoccurs in her outfit and the “Red Center.” The color red is also a symbol because red always symbolizes

In Posadas County, New Mexico, a retired sheriff by the name of Bill Gastner gets caught in thing that he would have never thought. He knows two things about humans - most criminals aren’t as smart as they think they are and humans are highly predictable. Gastner was suppose to have lunch with George Payton but instead he found himself racing to meet up with an ambulance because his neighbor Dale Torrance lands on the wrong side of his horses hoofs. Returning from the hospital Gastner learns that Payton was found dead by his son-in-law after only taking a few bites of his lunch from Don Juan Onate restaurant.

Women did not have any power in Chinese culture. Kingston describes how a man intimidates her aunt by telling her that he will beat and kill her if she tells anyone. It shows men dominance over women because the man is making Kingston’s aunt do anything he wants. In paragraph fifteen, “women in the old China did not choose. Some man had commanded her to lie with him and be his secret evil” (623). It adds to how women in China did not have any voice and were supposed to comply with any thing men said. Women had to be protective mothers. Kingston states, “as a last act of responsibility: She would protect this child as she had protect its father… mothers who love their children take them along” (629). This quote means that women would protect their children and always look out for the best interest for them. Women had to provide food for their family and their gods. In paragraph thirteen, “she plants vegetables gardens rather than lawns; she carries the odd-shaped tomatoes home from the fields and eats food left for the gods” (622). It shows one duty of women in Chinese culture and the role they had to follow.

These colors effect a person’s body, mind, and emotions (Wright, 2016). The colors red and yellow are considered warm colors. The warm color red is very powerful but it is not the most visible color. It exhibits properties of appearing to be closer than it really is, which tends to grab people’s attention before any other color. Since red gives the impression that time is passing faster than reality, it has a physical effect on people by raising their pulse rate and blood pressure. Some of the emotions triggered by this color are strength, physical courage, caused by ‘fight or flight’ simulation, aggression, and anger (Wright, 2016). Red is a fast-paced color and in many societies, it symbolizes love and

Set in 1920 republican era China, Raise the red lantern, is a film released in 1991 and directed by Zhang Yimou. Yimou takes the audience behind the walls of a traditional Chinese estate where there is a dominant ideology of patriarchy. It tells a tragic story of how wives which are seen as “mistresses” are forced into a world of schemes for the attention of the powerful Master Chen, the landowner. Through cinematic techniques and reoccurring motifs, the director is able to manifest fatal themes due to the imposition of power. This includes cinematic techniques such as, mise-en-scene and mise-en-shots which are able to emphasise themes such as isolation, imprisonment and insanity.

Adapted from the novel Wives and Concubines by Su Tong, Zhang Yimou’s Raise the Red Lantern presents a glimpse into the oppressive life as a fourth wife. The film follows the arranged marriage of Songlian and her the film presents a criticism of traditional Chinese customs and practices is displayed. The clip to be analysed is the climactic final of the movie as Songlian follows a groups of servants dressed in black as they carry the third wife along the rooftops. Their destination is one particular room mentioned earlier in the movie as a haunted place where adulterous wives were hanged. Its place in the overall theme of the film will also be analysed with a focus on the camera work in particular.

Throughout time, women have often been referred to as the inferior gender. In China, women have had to go through dire circumstances in order to look good in the public eye. From foot binding, to enduring abusive husbands, to becoming concubines in a prison-like house, women have been through hell in order to please their men, and, most importantly, to please their society. There are a series of double standards and contradictions to how men and women are treated, and this is shown in both Lu Xun and Qiu Jun’s essays as well as in the film, Raise the Red Lantern.

Yi-Mou Zhang 's Raise the Red Lantern, is a beautiful and brilliantly made film in its own right. If, however, the team of Orson Welles and Greg Toland had produced the same film it would take on an entirely different look and feel. The film would reflect Wells love for creating physical representations of thematic metaphors and the long take and Toland 's brilliant use of deep space photography and mobile framing.

Because of the influence of Chinese history and culture, there are various of wedding dresses from ancient times. Hanfu clothes, Tang wedding clothes, and red cheongsam are the main Chinese wedding dress. However, what they all had in common of the bride’s and bridegroom’s dresses were: there must be decorative figures and patterns which representing auspicious meanings. Such as phoenix, peony, and auspicious patterns. Bridegrooms and the brides were dressed up in red finery and ancient rituals were performed during the ceremony. In china, red is the traditional color of Chinese wedding celebrations. Red is the color of good luck and is used as a wedding color, and is a theme repeated in the wedding clothing and other ritual wedding objects. Chinese traditional wedding with the bride and bridegroom in the red dress, a symbol of good luck, joy and happiness, indicates the days after marriage is booming. Besides, people tine the eggs red as gifts on a wedding day. These red things not only bring wedding pleased celebrate of atmosphere, but also bring auspicious blessings and respects to the new couple.