Color Theory In Photography Essay

Boynton, R.M. 1987. Color. In McGraw-Hill Encyclopedia of Science & Technology (Vol. 4, 165-166) McGraw-Hill, Inc.

Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.

For part one of this experiment, I only experienced separation of colors with the green and brown M&M’s, along with the yellow food coloring. The green M&M separated into yellow and blue, with blue travelling farther up the paper. It is not surprising that green separated into blue and yellow because those are the primary colors that make up green. The brown M&M separated into red and orange, with the orange travelling farther up the paper. Finally, the yellow food coloring separated into yellow and red, with yellow travelling farther up the paper. This could be because it was such a concentrated, small amount of food coloring. The colors that didn’t travel very far up the paper, such as orange and brown, are probably less soluble than the others, like blue and green.

| (TCO 2) In the RGB system, the intensity of colors is assigned a number from ____ to 255.

Why I choose this image to work up and do analysis of. Well as a photographer it touches on a theme that I and other photographers must deal with. The idea that someone can get something for free. Just because we are photographers or even a regular artist that we are all just dying for more exposure and are willing to do whatever you want for some “good exposure”. I don’t think that most folks are all the self-severing, they are just unaware how much time and money goes into producing a good image. And suffer from this misbelief that this is just someone’s hobby and not their lively hood. Form the text of “trust me I am a professional Photographer I don’t work for free” and with the camera, lens, and SD cards in the middle. It

According to Oregon State University, there are three types of classes that plant pigments can fall under. They are, chlorophylls, carotenoids, and anthocyanins (Carol Savonen 2003). Often the pigments that fall under the category of chlorophyll look green to the eye. This is because they are absorbing all colors of the spectrum except for green. Next, the pigments that are known as carotenoids are going to look yellow or orange, due to the same reasoning. They are absorbing all colors but yellow and orange. Lastly, the anthocyanins will absorb blue and green, reflecting either purple or red (Volner Silva 2016). As the chromatography takes place and the solution is separated into its component substances, they will display the colors of the specific pigments present in them. For example, if Chlorophyll A is present in a leaf, the chromatography will show a blue-green color, while if xanthophylls, another type of plant pigment, are present, the chromatography will exhibit a yellow color. On the other hand, if the anthocyanin pigments are present in the leaf, the chromatography experiment should have resulted in red, blue, purple, or magenta colors (Joy Alkema and Spencer L. Seagerl 1982). Specific to this experiment, the green leaves should display more pigments under the chlorophyll category, while on the other hand, the darker leaves should display more pigments that fall

color print and transparency material. At the start of his career he took pictures when he was

Pigments-pigments change the colour from the natural colour to make it more pigmented which is making the colour stronger and

Through a combination of these fundamental pigments, one can produce any of the secondary or tertiary hues. In essence, these three colors are the building blocks of all tints. In context to the film, the term “primary colors” refers to the presence of red, white, and blue on the American flag. In the words of Bill Moyers “Ideas are great arrows, but there has to be a bow. And politics is the bow of idealism.” Thus, the color white represents the innocent political idealism present in governance. The red symbolizes valour and resilience, necessary to achieve success of any kind. Lastly, the color blue conveys the justice seeking society of America. A combination of idealism, justice, and resilience constitute all political elections, and thus, this satirical film is named “Primary Colors” because it includes red, white, and blue to symbolize the elements present in general American

The stability of Felidae Puma Concolor can only be ensured with the enforcement of legislation targeted to transform highways and human residences; the fractioning of puma territory in California is detrimental to the species. The Felidae Puma Concolor is known by many names cougar, puma, mountain lion, the cat is often mistaken for a bobcat.

B )The way I will gauge the amount of each hued compound was in the blend is by utilizing paper chromatography, the most remote the shading goes on the paper is the littlest and the closest is the higher sum.

Humans have three cone cells that are extremely sensitive to Red, (620-700nm), Green (490-570nm) and Blue (450-495nm) wavelengths of light. Although these three cones are most sensitive to these wavelengths, they are still sensitive to the remaining wavelengths of visible light between 400-700nm. When a light with a wavelength of 600nm is transmitted through the retina, the Red and Green cones capture, sense and signal the brain that orange light is observed. In this case the Red and Green cones absorb light but the Green cones are less sensitive. Also, the Blue cones don’t absorb much light and are not sensitive

Secondary hues are orange, green, and violet and they are mixed from primary hues. Intermediate colours are mixed from a primary hue and a secondary hue that are next to it on the colour wheel.

Table 4.20 and Table 4.21 shows the readings for the test conducted at pH11 for cationic and anionic dye solutions. From the readings it was seen that least color removal of 81.49% for cationic dye and 70.21% for anionic dye was obtained at WTR dose of 120mg/L at pH11 for both the set of dyes. From the Figure 4.17 and Figure 4.18 also it can be seen that minimum color removals were obtained at WTR dose of 20mg/L. Therefore it can be said that the best color removal was obtained at pH3 and as the pH increases color removal. However from pH 7 to pH9 there was marginal increase in color

Lastly, a huge component to a photograph that aids in arousing emotion is color, bringing out different emotions whether color is present or not.