Jatoria Nicholson
Dr. West
ENG 4903.01
6 December 2012
Colorism within the Harlem Renaissance Within any group of people there is always going to be some form of judgment and African American people of the early twentieth century Harlem are no different. Throughout this course students have been immersed into the culture of 1920s Harlem and through this immersion many significant issues have surfaced from the artist of the time period. A major issue that has been repetitive throughout all forms of art during this period is colorism. Colorism which can also be called color conscientiousness, intra-racism, being color-struck, or having a color complex is a long standing epidemic focusing on physical appearance with a large concentration on
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Historical archives discovered by Dorman show that colorism had tangible boundaries within the African American community during the 1920s (47). It is stated that blacks often divided themselves into four subcategories which consisted of “black”, “brown”, “light brown”, and “yellow” Negros (Dorman 47). The above ranking would be listed in a hierarchy from “black” being at the bottom of the socially accepted hierarchy to the “yellow negro” being the most revered and desired socially. As the research continues it becomes ever more important to discuss how exactly the differing pigmentation of one race of people actually occurs, because I feel that it has an effect on the way colorism is handled throughout the African American community. There are two ways in which a person of African descent can be of a lighter complexion; the first being amalgamation, which is the coming together of both the black and white races and reproducing to make a mulatto or mixed race child and the second is the use of cosmetic creams in attempt to bleach one’s skin until they too appear mulatto (Dorman 48). This is relevant because, it shows the extremes that people are willing to go to reach the highest plateau of social acceptance. Many of these creams were painful acidic chemicals slowly burning away the pigmentation as people slept, while others were considered mild abrasive materials used to “gently” scrape away dark pigments (Dorman
If a black woman had dark skin she would resemble a man, therefore making her ugly in society’s standards. This pressures black women to constantly be "compatible with the white female standard of beauty" (Ashe 580) in order to be socially accepted in society. Intuitively black women understood that in order to be considered desirable, the less black they had to look. This unfortunate perception of beauty stems from a long pattern of "sociohistorical racial injustices" (Bealer 312) towards darker skinned African Americans. Maria Racine states in her review that since slavery black people who approximated closer to whites were sexually sought after by black slave men and white plantation owners and were considered to live a somewhat "easy coexistence" because of their appearance (Racine 283). Since it’s start, colorism laid the pathway of racial prejudice towards dark skinned individuals. The result of treating dark African Americans as subhuman beings led to the altering of the black psyche by creating a "pervasive hierarchy" of beauty that black woman constantly combated or were forced to accept. (Bealer 312).
Harlem Renaissance 2015, Wikipedia, accessed 23 August 2015, . Harlem Renaissance n.d., History, accessed 23 August 2015, . Harlem Renaissance n.d., Encyclopedia Britannica, accessed 23 August 2015, . Great Migration 2015, Wikipedia, accessed 23 August 2015, . Claude McKay 2015, Wikipedia, accessed 24 August 2015, .
By the 1920’s the amount of African Americans in New York City had more than doubled. Meanwhile the roadways and subway system had just begun to reach Harlem, where some of the most influential Blacks had situated themselves. Soon after, Harlem became known as “The Black Mecca” and also as “The Capital of Black America”.
The women previously talked about on include, unfortunately, white women due to the fact that racial issues were still prominent post Civil War to the roaring 20s. Racial tension between blacks (now freed) and whites intensified as time continued after the Civil War. Yet, much like women, racial equality had its gains and its setbacks, especially in the South. Many of the gains for African Americans came in forms such as free blacks whom were equal to white men, political participation, and artistic and social expression during the Harlem Renaissance. However, the setbacks were much larger defeat, such as segregation and the overall treatment of blacks in the States.
The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,
Back in the early 1800’s, the color of one’s skin mattered amongst African Americans and Caucasian people. There was infidelity between the Caucasian slave owners and the African American slaves. Of course, the outcome of that produced a fairer toned child. In most cases the child could pass as white. The mixed toned kids got to be inside doing housework, while the dark Negroes worked in the fields, under extraneous work conditions,”their dark-toned peers toiled in the fields”(Maxwell). From the early 1800’s to modern day, there is controversy that light or bi-racial African Americans are better than dark colored African Americans. African Americans had to go through tests to see if they were able to receive priviledges
The Harlem Renaissance is a very important period in history for many reasons. The Harlem Renaissance was a cultural, social, and artistic explosion that happened in Harlem. Harlem was a cultural center during this time. It drew black artists, musicians, writers, poets, and scholars. It was also very important because it affected black culture for the rest of time. It also advanced them greatly during that time. Black lives during the Harlem Renaissance were definitely not great still. But they were improving. People were starting to respect them more and there art, writing, and music. The Harlem Renaissance created a very new type of music. A new upbeat jazz genre was created. And with this music new dances came with it. Some popular musicians include, Duke Ellington, Louis Armstrong, and Billie Holiday. It also brought in new poetry. Some famous poets include Langston Hughes, Claude Mckay, and Countee Cullen. Please consider adding the poems “I too”, “After the Winter”, and “Let America Be America Again” and a history of the Harlem Renaissance as an exhibit in your museum.
The Harlem Renaissance, which is also known as the “New Negro Movement”, was a movement that was considered to have spanned throughout history from 1918and lasted until the mid-1930s. The main reason for the migration from the north to the south resulted from the Jim Crow Laws. Most Negroes felt they would be better off in the north than in the south. However the Ku Klux Klan was renounced by the republican whites but Democratic whites maintained power in the South by denying blacks the right to exercise their civil and political rights with lynch mobs and other forms of corporal punishment.
As some may say, “If you’re light, you’re alright. If you’re brown, stick around. And if you’re Black, get to the back.” Colorism has become a popular practice in the African American culture. The praise for being fairskinned is often seen as being a lighthearted compliment that degrades the other half of the spectrum. In the article, “Black Identity” by Kathy Russell, Russell researches and proves how the negative effects of colorism is ever present in the African American culture and is ingrained into their youth. Colorism is not a new debatable topic but the effects of such continues to evolve. Colorism in the African American Community, specifically, needs to be addressed and dealt with so that they may unite as a community with the purpose of understanding how the present is in correlation with the past, decrease the popularity of colorbased selfhate within the African American community so they may eradicate the racial issues present in the judicial system, and teach African American youth to fight against colorism and its negative effects so that they can create positive, proud future for the African American community.
The Harlem Renaissance, or back then referred to as the “New Negro Movement,” was a movement that took place in Harlem, New York around the 1920s which consisted of art, music, and creative writing. The Harlem Renaissance was an important and memorable movement because it brought a voice, never before found freedom, and joy to African Americans who had been hushed and persecuted for too long. Shortly after the Civil War ended in 1865 some blacks expected that just because there was more education and jobs available for them that they would finally be treated “equal.” This was until Plessy versus Ferguson case where the Supreme Court ruled that racial segregation was okay. “Separate but equal” was the legal doctrine used
I always found the 1920’s a very interesting decade as it went from a lively moment to a depressing and struggling one within a split second. Therefore, I believe that I learned all of the concepts pretty well. For instance, I learned about the Harlem Renaissance, the cause and effect of The Dust Bowl, and the lasting political argument of the New Deal in the United States. First of all, the Harlem Renaissance was a time period where African Americans began to embrace their roots and create art/works to reflect their experience living in US society. However, during the Great Depression many Americans were left unemployed. In addition to drastic unemployment rates, the environmental disaster, also known as the Dust Bowl, contributed to many
Many are unaware of the effects that race has played in their lives over the years. Some may not understand its implications, but are very oblivious to it. Race can influence such things like attitude and behavior. Nowadays being white or black means something more than just a Crayola color. No longer are they just colors, they are races with their own rules and regulations. People of color have been inferior to the white race for centuries. In their own way Zora Neale Hurston shows this concept in her story “How it feels to be Colored Me” as does Richard Wright in his autobiographical sketch “The Ethics of Living Jim Crow”.
“The best of humanity's recorded history is a creative balance between horrors endured and victories achieved, and so it was during the Harlem Renaissance.” states Aberjhani this is a quote from the Harlem Renaissance . The Harlem Renaissance was an artistic movement that had took place in the 1920s. Art in the Harlem Renaissance lead to many social changes; some of which happened to be the reason that brought many people together. However, at the same time, it split people apart because of the many controversies it had created, and how Langston Hughes was not considered a good author until now.
Colorism is an issue amongst African Americans that is slowly disunifying the culture. The idea that is constantly reiterated in the African American community is that if you are light skinned you have a better job with more income, more successful, have more relationships, and are deemed less of a threat, essentially living the “best of both worlds”. If are darker skinned you are jobless or at a job that is not moving you into the future, less successful, passed by a potential mate, and is labeled as a common crook. The ideas about color pigmentation in the African American community all goes back to the original argument made numerous of times: “White is good, Black is bad”. Slavery is a primary reason why African Americans have this
For a long time, it didn’t really have a name; however, it found a way to divide and conquer black women with the brown paper bag test, segregated sororities, and preferential media exposure. It was a black girl problem in America, but especially a dark skinned black girl problem and the benefitting parties never spoke on it since such social caste systems elevated their privilege. In contemporary America, it has only become more apparent that it is issues such as colorism that further hinder Black America’s ability to solidify as a union. An analysis of origins and resultant issues of light skin privilege reveals one challenge facing this community: while black is beautiful, light skin is the right skin.