Colour In Moving Image: Color Grading And Moving Image

The efficacious nature of films owes its prominent properties to the array of editing techniques. In the aforementioned films , editing techniques stabilizes the movie and

The Cutting Edge: The Magic of Movie Editing is a documentary about the art of film editing and the immensity of the job an editor is given. The reasoning of the film is to show the impact editing truly has on movies and our emotional attachment towards them. This documentary shows clips from different films to prove to it’s viewers the substantial effect editing has. Directors and editors speak out about the significance of editing, something not many viewers know nor think about.

Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.

In the time period, the use of backdrops, editing, and the approach in cinema all became apparent. Due to editing, movies became more refined and told a story. During editing, directors were able to make their material by changing angles of a scene, or just by taking the shot of the scene over.

Hundreds of movies are released every year. Filmmakers try to create the next jaw-dropping movie that audiences will stand in line for hours and pay top dollar to see. The key to success is finding ideas that appeal to a mass audience. Viewers are the lifeline of any production company so making something for everyone is a savvy business move for the film industry. To cover all bases, there are over fourteen different genres of movies. Film making is not a solo effort. It is a collaboration between the actors, directors, producers and other key contributors. This combined effort or mise-en-scene includes all the elements of the film to include actors, backdrops, costumes, props and lighting used to meet the director’s vision

There are various elements that contribute to the significance of a film. Cinematography, is one important element in which the camera is used to capture visual images through a number of other controllable elements such as; camera lens, framing, scale, movement etc. Editing is another fundamental component of film studies in which different shots are put together in a coherent sequence in order to make meaning of a film.

Color is an aspect of life that is all around us. It is in everything we encounter in our lives from the chipping paint of our favorite mug to the bright sparkle in a loved one’s eye. When it comes to color in a specific and moderated setting, the question seems to be lingering on the tips of tongues: What is the importance of color in the world of film? To fully respond to that question, one might find it useful to ask how important is color in our every day lives? On the surface, it may appear to a person that color is just one of those inconsequential aspects of life, something to be brushed aside with only a passing thought. However, if one truly considers the concept of color, there is so much more to be offered than what is on the surface. How many

Editing is all about bringing a creative force into a film. The process could mean fixing a number of things like moving things around, meaning to arrange, select, and assemble - this goes for every component in the film. What you visualize, hear, with the use of special effects all are components that are edited and added to the film in a unique way to create a good story. The movie to be analysis is the film Forrest Gump with editor, Arthur Schmidt, he won an Oscar at the 67th academy awards for best film editing. Arthur Schmidt had three responsibilities as an editor in the film, which are spatial relationship, temporal relationship, and rhythm.

Previously, editing used to be a challenge for most filmmakers. Often, they relied on manual methods when filming to add effects to the films. Incorporating visual effects to the film was a demanding task that

Color in films has been around since the early 1900s, though we did not see films being mass produced in color until much later. In 1915 “Technicolor was formed as a corporation”, but it wasn’t until around the 1940s that we started to see “greater use” of color in films (Vacche, 13-17). During this rise of color films, you tended to only see certain genres of films were done in color. Period pieces and musicals were the two genres that were most known for their use of color during this time. Then in the 1950’s the development of “Eastmancolor, a one strip color negative process,” we saw more and more films being done in color (Bitoun). Before the development of Eastmancolor, the process that had to be done to make a film in color was too costly. In the 1930s “color added about 30% to the average production cost of a film” (Bitoun), causing studios to have to pick and choose what movies were going to be made in color. Eastmancolor helped lower those cost, making it much more affordable for filmmakers to make films in color. This lead to filmmakers being able to make more films in color and began to start using color to their advantage.

The need to join new patterns and innovations in the task can make pictures all the more engaging and regular. Outsourcing firms over the world offer Image Stitching administrations at moderate costs. The vast majority of the photograph editors use Photoshop to do the greater part of the altering and the sewing work. Photoshop gives devices that can offer editors some assistance with manipulating with hues, splendor, and different regions of the pictures that need

In all forms of art there is a natural inclination to explore and experiment within the medium. The resulting methods and formats can be seen as alternatives and additions to existing ones. I do not believe that, in terms of technical decisions, there is a superior style of film making that the industry progresses to on a set path. I agree with Arnheim’s statement that “there is no objection to the complete film as an alternative to the stage” if it exists with the other types of films (Arhheim, 186). In some cases advances in method and technique are used to fix the problems of technological limitations. In other cases these advances provide alternatives. The introduction of color is described by the latter. Color was introduced as an alternative to black and white movies but never completely replaced them and didn’t stop the use of black and white as an effective technique in modern cinema.

The introduction of motion picture drastically changed the world as we know it along with introducing new and advanced ways of making and presenting media to the masses. Before the introduction of motion picture the only way people were able to hear about the news or new products was either by newspaper or word of mouth. Before we had T5i’s or any other new and elaborate camera we had to film with black and white picture with no sound, like the old classic super eight film cameras. The process of editing has changed over the decades from where film was just cut and scenes would be placed right after the other with hard cuts with the raw material, literally they cut the film, to now where most editors use non-linear editing with a computer to add transitions, text, and other video effects to produce the most visually appealing and most understandable when producing a video production. The way the video productions are shown to the public have also adapted throughout its brief existence. When commercials and films first made their appearances in the early twentieth century Directors and Producers had no idea how to use color to catch the audience’s attention by using their sub conscious, they didn’t realize that the length of the production would play a role in rather a person will watch it or not. Nowadays there are entire books on how to grab the audience’s attention.

The cinematographic camera industry emerged in fact more than 100 years ago, it was only until recently that significant digital changes took place, apart from minimal technological improvements. Before the invention of digital cameras the main medium for shooting a movie was on celluloid film in which the quality of the image was very high from the beginning. However these cameras had some inconveniences. The cinematographer would have to set the lighting and frame to the directors vision and make sure that it was right. He could not see immediately if the scene was shot as desired and this caused the workflow to be very complex and time consuming which most producers would see limited. The developing, processing, transferring, editing and conforming the film normally took a day and the director along with the cinematographer would sit

All post production, regardless of the type of project, shares a common set of processes. Our department’s method of edit-color-mix-delivery is geared toward finishing short pieces with chaotic schedules. Typical broadcast finishing tilts toward longer schedules with more regimented turnovers and asset control. After meeting with the client’s head of post production to discuss their needs, my estimation of unscripted broadcast finishing was that it lived in between. Encouraged I had found a parallel to build upon, I spent a day quizzing my counterparts in the Broadcast Services group about the correspondence in finishing techniques between our groups and started sketching out a workflow.