Comedy In The Play A Midsummer Night's Dream

Not only this but the humorous, light-hearted tone of the workers as they prepare for their play serves as a refreshing contrast to the more dramatic― yet still comic― circumstances between Hermia, Lysander, Demetrius and Helena, as well as the other plot involving Titania, Oberon and the other fairies. Everything about the workmen is rather humorous, from their superficial traits to their deeper, less apparent traits, including their habits of mispronouncing words in a way that makes their entire sentence comically misconstrued, such as when Nick Bottom, at the time playing Pyramus says “Think what thou wilt, I am thy lover’s grace. / And like Limander [actually Leander] am I trusty still.”(Shakespeare 5.1.189-190)”. Not only does this provide the audience with some form of comical relief but these characters raise questions about the topics and themes most present in A Midsummer Night’s Dream, an observation confirmed with every new piece of information that the reader discovers about the tradesmen. For example, Nick Bottom, like his

Shakespeare uses verbal irony a lot in the play A Midsummer Night’s Dream. One example of verbal irony in the play is when Helena says that she is Demetrius's dog (Shakespeare 2.1.26-34). This is an example of verbal irony because she is not anywhere close to being Demetrius’s dog. Another example of verbal irony is when Helens says that she is Demetrius’s magnet (Shakespeare 2.1.41-47). This is also verbal irony because Helena is Demetrius’s magnet he does not like her at all at this point in the play so she is the total opposite of his magnet. These are some ways that Shakespeare uses verbal irony in his play A Midsummer Night’s Dream.

In the comedy A Midsummer Night’s Dream, the plethora of comedic styles used by Shakespeare illustrate his intention to poke fun at love throughout the play. The play is notorious for its intricate and irrational plotline, mainly due to the constantly shifting love triangles. Once the powerful fairies become involved with the fate of the naive lovers – Demetrius, Helena, Lysander and Hermia – matters are further complicated. The complication inflicted by the fairies is credited to the powerful love potion that Oberon, King of the Fairies, hands over to Puck, a mischievous fairy, to use on his wife Titania, with intentions to embarrass and distract her. This spiteful attitude is due to Oberon and Titania’s argument over the custody of an

What is a comedy? According to a famous filmmaker, Woody Allen, thinks “Comedy is rather like a dessert, a bit like meringue.” A Midsummer Night’s Dream - a play written by William Shakespeare, is a comedy which talks about a love story between four lovers that live in Athens. Demetrius, Lysander, Hermia and Helena are all fighting for each other. The play “A Midsummer Night’s Dream” written by Shakespeare, consisted of a lot of humorous situations, for example: When Titania fell in love with Bottom who had an ass; when Lysander suddenly fell in love with Helena, when Demetrius suddenly fell in love with Hermia. This essay is considered as a comedy, as it consists of exaggeration, irony, funny characters,

Susan Snyder once said that comedy is “the ground from which, or against which, tragedy develops… comedy and tragedy function as polar opposites, or as two sides of the same coin.” (Snyder. Print). The prototypical comic clash between blocking father and youthful beaus, which underlies the activities of numerous Shakespearean comedies, illuminates one strand of the activity of Hamlet: the relationship between Polonius, Ophelia and the Prince. Also unmistakable in different tragedies, such as Romeo and Juliet and

Shakespeare uses irony to great effect in his many plays, specifically dramatic irony, and some cosmic irony, in the tragedy of Romeo and Juliet. But why does he use it? What is he trying to achieve or portray? It varies throughout the play, but there are general trends as the story develops. In the beginning we see that it is almost comical uses. The irony then develops into more interesting and intriguing uses meant to keep the audience, especially the groundlings, interested and wanting more. And then finally, he uses dramatic irony to point out some of the reasons why this is a tragedy during and before the climax.

Hermia’s speech in Act 2, Scene 2, of Shakespeare 's A Midsummer Night’s Dream, contains an abundance of dream imagery. She has awoken from a terrible dream after falling asleep in the forest with Lysander. They were lost and tired so they decided to rest. Lysander wanted to sleep beside her but, she refused since they are not yet married and while they slept Puck applied a love potion on Lysander’s eyes thinking he was Demetrius. Lysander wakes and is repulsed by the sight of Hermia and never wants to see her again because he is now in love with Helena. Hermia awakes from her terrible dream and retells it thinking that Lysander is nearby listening. Then she realizes that he is not there and she does not see him anywhere. Hermia expresses the sentiment that she will find Lysander or she will surely die. She stated,

-Shakespeare employs dramatic irony in many of his tragedies, so that the audience is engaged, and so they are able to witness characters errors in their action, predict the fate of the characters, and experience feelings of tragedy and grief.

So, basically, Helena is encouraged by Demetrius’s insults and threats. This example proves how her thoughts and actions are irrational in every way, but can be quite humorous to Shakespeare’s audience.

In his comedic play, A Midsummers Night Dream (1595), William Shakespeare utilizes the enchanting adventures of young Athenian lovers and a group of low-class rudimentary actors and their shared experiences with supernatural creatures to portray the opportunity of being in command of their destiny. By presenting conflicts to these three diverse realms, Shakespeare allows these characters to connect despite their hierarchical distinctions to reveal their determination to conquer their adversity. He uses dramatic irony, metaphor, and symbolism to heighten the audience's awareness of their self-determination and their firm control on their future. Shakespeare inspires the public by instilling in them that despite their challenging circumstances, they can still be masters of their own fate, bestowing a feeling of newfound hope and freewill.

Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.

Shakespeare’s A Midsummer Night’s Dream is a play that utilises comedy to convey complex ideas that are seen throughout the play, concepts like the jealousy Helena has towards Hermia, Egeus’s strong hostility towards Hermia and Lysander’s relationship and unrequited love. He uses comical tools like unconscious irony and hyperbole to turn rather difficult topics into humorous representations of them. Events like how Puck thinks Titania had fallen in love with him, not knowing he was bearing the head of an ass, are portrayed in a humorous way so the viewer understands the meaning, but sees it as a light- hearted narrative. Shakespeare carefully uses comedy that does not overpower the meaning of the play, but puts a completely different perspective on some of the themes.

The rise of tension between characters is another characteristic of comedic plays. After Oberon sees the way that Helena has been treated by Demetrius, he orders Puck to apply the juice to the eyes of Demetrius. Puck accidentally applies the juice to Lysander’s eye, which causes him to fall in love with Helena. After the mistake had been caught, Oberon sends Puck to watch Helena and Oberon applies the juice to Demetrius’ eyes. This causes both men to fall for Helena and now the battle is for Helena and not Hermia. Helena is convinced that this is a joke or prank because neither of the two men loved her before. Now because of Puck’s mistakes the four decide to find a

Both William Shakespeare and Anton Chekhov use comedic relief in their plays, “A Midsummer Night’s Dream” and “The Bear, A Joke” respectively. Chekhov’s ‘The Bear, A Joke” strategicly uses comedy in the timing of the play. Shakespeare’s “A Midsummer Night’s Dream” uses comedy to display irony in the play.

The supernatural world is rather distinct to that of the human world entrenched in societal standards and boundaries. Shakespeare’s play, ‘A Midsummer Night’s Dream’, explores this concept, particularly through the use of Puck. In agreement to Harold Bloom’s statement, the following essay will analyse how Puck is significant because, by being so disparate, he is able to show the limitations of the human. This will be done through, first, exploring a definition of the human in relation to the supernatural. Subsequently, the essay will use a Freudian lense to analyse the morality of Puck and, lastly, the essay will focus on Puck’s physical characteristics as well as his ability to span across boundaries in the play and the metatheatrical realm.