Comedy and Tragedy According to Aristotle

Romantic Comedy is the movie genre of happy endings. Two people meet, fall in love unexpectedly, ran into a problem, and then everything somehow works out in the end. Romantic comedies have a light tone and incomplete without a humorous touch. It is a recipe that never gets old. Romantic comedies captures many girls and women from around the world. It gives them hope that they will soon find prince charming too. The only downfall of romantic comedies are they are not realistic. No real love life is that wonderful. One of my favorite movies that represents this genre is Sleepless in Seattle.

The reason we still have theatre today is purely because of Roman and Greek dramas. Even just the term “play” comes from Latin’s “ludus” meaning to play. Nowaday we still use this entertainment to distract our people from surrounding issues. Comedy is

In a comparison of comedy and tragedy, I will begin by looking at narrative. The narration in a comedy often involves union and togetherness as we see in the marriage scene at the end of Midsummer's Night Dream. William Hazlitt tells us that one can also expect incongruities, misunderstandings, and contradictions. I am reminded of the play The Importance of Being Ernest and the humor by way of mistaken identity. Sigmund Freud tells us to expect excess and exaggeration in comedy. Chekhov's Marriage Proposal displays this excess both in language and in movements. Charles Darwin insists that in a comedy "circumstances must not be of a momentous nature;" whereas, Northop Frye identifies

Love also became a principle element of Greek theatre during this time. Greek comedy inspired much of modern romantic, generational, and situational comedy. Satyr plays blended elements of tragedy and comedy, and featured mock drunkenness, sexual props and costumes, as well as pranks and gags. Influence of the satyr plays can be seen in genre of burlesque, which involved elaborate, risqué parodies of well-known operas, plays, and ballets. Modern comedies, which typically involve practical jokes, sexual humour, and drunkenness, are inspired by satyr plays as well.

A satire is a piece of work that is designed to ridicule or tease a group or organization, generally for the purpose of being humorous. “The Importance of Being Earnest,” a play by Oscar Wilde, is a satire, ridiculing class, gender, and marriage. This essay will describe some points from each of these sections, as well as give a brief synopsis of the play these examples come from.

Most romantic comedy movies fulfil the viewers’ expectations of the perfect love story whilst incorporating comedic elements. Typically there is always a pretty girl who falls deeply in love with a male character, often less popular and less attractive, who makes multiple comedic attempts in winning her heart until eventually they both fall madly in love and live happily ever after, in this case a genre movie is expressed as “those commercial feature films which through repetition and variation, tell familiar stories with familiar characters in

Throughout time, the tragedy has been seen as the most emotionally pleasing form of drama, because of its ability to bring the viewer into the drama and feel for the characters, especially the tragic hero. This analysis of tragedy was formed by the Greek philosopher Aristotle, and also noted in his Poetics (guidelines to drama). As a playwright, Shakespeare used Aristotle’s guidelines to tragedy when writing Othello. The play that was created revolved around the tragic hero, Othello, whose tragic flaw transformed him from a nobleman, into a destructive creature, which would inevitably bring him to his downfall. This transformation follows an organic movement of the complex plot from the beginning, middle, to the end of the drama while

‘Othello’ was written between 1601 and 1603. It was first performed in the Elizabethan courts during the Christmas season. The idea of a ‘perfect’ tragedy is the idea that the tragedy is faultless; it does what is expected; so makes the audience feel empathy and sympathy for the characters who suffer. There are two different types of tragedy: classical tragedy and Shakespearean tragedy. The tragic hero in this play is the main character, Othello. Othello's misfortune comes about because of his jealousy, trust, and his pride. This essay aims to look at, and compare, how Shakespeare wrote his tragedy, and how other tragedies are written. I will mainly compare ‘Othello’, for Shakespearean tragedy, and ‘Oedipus Rex’, by Sophocles, for

A tragedy is beginning with a problem that affects everyone, for example, the whole town or all the characters involved, the tragic hero must solve this problem and this results in his banishment or death. A comedy is defined as also beginning with a problem, but one of less significant importance. The characters try to solve the problem and the story ends with all the characters uniting in either a marriage of a party. Although these two genres are seen as being complete opposites of each other, through further analysis one can gather that though they are different certain similarities can also be seen.

In literature during the medieval and renaissance time a comedy meant that characters in a play, peom, or movie had to endure a hardship or disaster and the come to a happy ending. Comedy sometimes isn’t even a comedy, sometimes it has a deeper meaning. The significance of comedy in Dante`s Divine Comedy is that it stands up to the structural meaning of comedy. For example, it has a happing ending, which in most literature works, is the meaning of comedy.

Tragedy as a form works differently than modern drama when compared to the ancient Greeks. When it comes to modern drama, the main character is usually an ordinary person, someone who is middle class. Where as with Greek tragedy, the main character is someone important and noble, such as a king or queen. Modern drama revolves around everyday problems such as social, economical, or personal conflicts. Greek Tragedies seem to be very linear. It’s mostly about the hero making a bad decision from the beginning of the play, which leads to his or her downfall in the end. Although, they were of higher ranking, ancient Greek’s beliefs made the main character powerless to avoid their fate, which was controlled by the gods. As far as conventions go, Greek Tragedies are very unified. The tragedy of the royal protagonist will go through only one time span, a day or less, one setting, and one story. In a modern tragedy, however, the ordinary protagonist’s story goes through multiple realistic settings and a realistic time line. Also, the story would contain multiple plots, which may contain flashbacks.

Aristotle’s criteria for a tragedy involves three main subjects: values, characters, and a conclusion; William Shakespeare’s Macbeth incorporates these critical topics. The values are supernatural powers, which determine what is right and what is wrong. The character in a tragedy must be noble by birth and by action. In the conclusion, the character must understand why he or she fell, accept the punishment, and order must be restored. By including these, Macbeth fits Aristotle’s criteria for a tragedy.

Despite this there are some interesting anecdotal evidence that humor was used as a means to express wit and learning. Consider French writer Voltaire or even in relatively modem times Oscar Wilde and his extremely witty characters in The Picture of Dorian Gray. These writers used wit and humor to influence people, to stir emotions in their readers and their conversing abilities were fresh and exciting. Humor typically has an element of shock and awe and readers or listeners are shaken beyond their limits of self-control to burst into laughter. Uncontrollable laughter as related to humor was against the strict moral laws of Plato. Even Aristotle seemed to believe in some restrictions on humorous conversation. Humor was suited to a clown in restricted scenarios and serious self-respecting men and women did

The Middle Ages are rarely considered a time of blossoming comedy, but the comic mystery cycle, known as Mistero Buffo, brought a bit of frivolous light to the Dark Ages. As explained in Dario Fo’s analysis of these plays, jongleurs played a precarious position in society: improving morale of the masses by mocking the rich and ordained, yet keeping out from under the footsteps of those lampooned. This was no more popular than during the feast of fools, where the working-class gathered to enjoy the jongleurs’ performances and release frustrations about the class system, while masking it with a religious moral. Often performed at this event was the Mistero Buffo (Fo, 1-14), which similarly juxtaposed relevant satire and biblical passages through stock characters, Aristotelian values of comedy, and an underlying breakdown of degree and religion.

There are many characteristics that make up a comedy. Characteristics such as mistaken identity, battle of the sexes, and jumping to conclusions are what set the comedic story apart from the tragedy. Within a comedy, no matter how much fault, and dismay may appear within the story, there always seems to be the classic ending of “…and they all lived happily ever after…” Comedies capture the viewer with a sense of compassion and love for the characters in the story. Each character has their own essence, to which they pertain a flaw of some sorts, which the audience can relate to. With the relation to characters there is defiantly a certain interest that is grabbed by the actors, which sucks the audience into the