Anyone can be a hero, regardless of the colour of their skin, who they love, or what religion they affiliate with. Superheroes are no different, although comics and their adaptations have a history of contradicting this reality. Comic books and their related renditions have often overlooked minority characters, like influential media has a tendency to, without regard to their audience (Aucoin, 2014). Superheroes have become an integral part of popular (pop) culture: the cultural preference of the mainstream populace, which holds considerable command on cultural and moral values of a society (Crossman, 2014). Because superheroes have such a powerful social presence in pop culture, it is important for them to be as diverse as their audience.
Comic books have long withstanding been an integral part of pop culture, beginning in the early 20th century and continuing to influence entertainment outlets even in modern times. Comic books gained notoriety through their utilization of larger than life superheroes: beings of noble cause and great power who use their skills for good. Comic books became the medium of modern mythology, their heroes rising up to challenge the afflictions of history (Romaniello, n.d.). Heroes emerged in response to national crises. From Superman and the Great Depression, to Captain America and World War II, and the X-Men as an allusion for homosexuality, superheroes became beacons of hope and morale, to help people better understand and relate to civil
Superheroes can be defined in many ways by many experts. Clare Pitkethly’s academic background consists of comparative literature, culture and communication as she also speaks and writes comic books and superhero, defines a superhero to be different. In Pitkethly’s article “Straddling a Boundary: The Superhero and the Incorporation of Difference,” talks about
The concept of a hero has been around for many generations, and the meaning of a hero is defined in ways people grasp its idea. A hero can be a person who has a superpower and is willing to make a personal sacrifice for the benefit of others or can be an ordinary everyday person who just wants to help people out of his or her own heart. Linda Seger’s article, “Creating the Myth,” tackles the idea of a “Hero 's Myth,” and shows the ten steps of how heroes are transformed from an ordinary person to the Savior. On the other hand, Robert B. Ray piece titled, “The Thematic Paradigm,” emphasizes that in modern films, it is either having an “Outlaw Hero or an Official Hero,” which he uses three stages to demonstrates how they are different each other in the way they perform in the society. Further, the article, “Out of Character: Wonder Woman’s Strength Is Her Compassion - What Happened?” by Stevie St. John, explains how Wonder Woman was viewed as a compassionate woman in the 1940s and 1950s, and in the 2000s she changes into a more violent person. In this essay, I argue that a hero is subjective, and is defined by the villain or event that they had to adapt to suddenly.
Gary Engle describes Superman as the ultimate American, “Superman is the greatest American hero” (Engle, 677). After reading three comic books I notice an occurring theme of wanting to protect what is good, even though the comic books chosen span over eleven years. Several distinct things to Superman’s personality are his cape, the respect he has for others, the respect others have for him, his intelligence, his protection of all life and what is right, his origin, and the sacrifices he makes. Superman is considered to be the greatest American hero of all time.
I believe we as a society are intrigued with shows like Dexter because they allow us a temporary escape from reality. A reality in which we witness injustices occur in our court systems such as a legal loop hole allowing a guilty person to essentially walk free and justice not being served for the victim. I will attempt to explain why these characters are thriving as pop culture icons.
The representation of diverse people and experiences in comics is important to expand the thoughts and minds of readers. Yang and Wilson, the minds behind American Born Chinese and Ms. Marvel, use the medium of comic books and graphic novels to help bring a new sense of belonging and acceptance to marginalized people. They do this by applying a “millennial mindset” to their respective stories. What this means is that the characters they have created, whether they are based off real people or are fiction, address the problems of race, religion, or sexuality that we are facing today. These characters also act to threaten the current atmosphere of the comic book industry. Typical comic book characters and superheroes, before now, were mostly white and from a typical American background. Heroes that were women were generally over-sexualized and unrealistic. These two authors hope to challenge the current status quo of the comic book industry by creating characters whose background is much different than previous superheroes.
The portrayal of superheroes in films has changed in terms of their character, appearance, style and strength. Superheroes has been a popular theme in hollywood films since its inception. They are what peoples imagination can only think of. A perfect human being who saves the world .The first time superhero appeared on T.V was “The Adventures of Captain Marvel” in 1941. Superheroes was on the rise within popular comic books in 1930′s to the 1940’s as well in which they were considered the ‘Golden Age of Comic Books’ . Comic books became widespread and popular which translated into making films about them.
Superhero movies have been on the rise lately. These movies are often looked at as entertainment for people who play Dungeons and Dragons and are simply mindless pleasure; however, this is not the case. The reason behind the popularity of superhero movies is more than just the want of the common comic book reader. The superhero movie industry has made a sharp incline in popularity; in fact there are more superhero movies now than ever before. A website called Fights, Tights and Movie Nights listed all of the superhero movies made since the 1980’s by year and these were their findings. In the 1980’s an average of three to four super movies came out a year. In the 1990’s these movies were made on average five to six times per year. In the 2000’s the movies doubled to 12-13 produced on average each year. Today, 2010’s, the average number of superhero movies has again doubled in size with it now resting at twenty-two to twenty-three superhero movies made on average each year. The drastic increase of the number of superhero movies leaves the average movie attendee wondering why they are seeing this spike of superhero movies. The increase of superhero movies can be contributed to a few key factors: the advances of technology in the movie industry, the movie genre’s adaption to be socially relevant, and the characters now possessing more humanistic qualities (Fights…).
This source discusses the most popular superheroes and how they relate in their own given time period. It makes connections with the major time periods in and the location of the publications. For my essay I intend to use the time period and publication locations to show relation in the societies culture through their superheroes. This source is also very credible being that the author Joseph Darowski has not only a BA and MA, but a PHD as well. He’s written 15 other books that been published.
It seems that children seek to have an ideal of a perfect hero to whom they can admire. Superhero comics deserve their own part in the history of comics, since most comics are only about superheroes, and Captain America, is in fact a superhero. What are the roles of a hero in defining the values of a culture? A man on the street might tell you, a superhero is someone with extraordinary abilities and powers who saves the day. Superheroes could be characterized as having super strength, the ability to fly, or magical capabilities that utilizes the elements. Most would probably say superheroes are usually attractive white men, who have a super strength,
For centuries, man has struggled with the concepts of good and evil and have produced astounding works as a reflection of it. This is ideally the foundation of early fables and folklore dating back to ancient civilizations. Stories about famed heroes and the battle of good and evil woven into extravagant tales of danger, destiny, and triumph. These stories were often assimilated into individual societies, told from generation to generation until eventually finding themselves becoming an integral part of the culture. In 1938, a new era began to emerge known as the “golden age” of superheroes. Superman made his first appearance in action comics, forging a unique identity as the first comic book superhero in American culture and quickly
Heroes are prevalent in everyone’s life. Whether someone’s hero is a living person or a fabled character from a movie, everybody has come into contact with some sort of hero. In fact, the concept of heroes has existed for hundreds of years, dating all the way back to Ancient Greece. Over time, heroes have drastically changed. As society has evolved, our heroes have evolved with it. Their goals and motivations have changed to coincide with the views of modern society. Modern day heroes have less selfish motives, better qualities, and are portrayed differently than ancient heroes.
Through my analyzation of these values, I have assessed the relevance of superheroes in cinema through the impact of American popular culture, the contrast of gender roles, and their impact on children. As a result, society should be gracious toward the immense popularity of superhero films, as they bolster American popular culture and positively impact children from a young age. Although the gender roles might be a bit skewed, many film companies are taking steps to include women in more empowering roles such as Wonder Woman in the DC cinematic universe. Therefore, superheroes in cinema tend to only create and preserve positive characteristics within society, which is glorious in the future of mankind. In closing, I end with the question, “Which superhero best depicts
Back towards the beginning of American history we see superheroes arising for the first time in our culture. They were not necessarily able to fly or see through walls. However, they were still extraordinary people. Their stories were passed from father to son and the story grew with every telling. People like Paul Bunyan and Pecos Bill were just two of the many tales of the time which spoke of men doing extraordinary things. These tales wouldn’t excite forever, though. As years go by our country and its people become less and less naïve and craved more. A giant man with a blue ox and an axe just could not suffice. People become more and more numb to pain and murder, and needed more than these tall tales.
We create superheroes not for just the sake of it but to make the point that we are the real superheroes as we have the capability of creating them. They are those who provide us with great example of virtues over vices and goodness over evil. An ideology of a superhero is worldwide known, it is known by people so much that the definition of an Anti Hero is swept under a carpet. If we talk about general people then they refer any character who is having a supernatural or superhuman ability and who stands for the good cause is a superhero. Today the ideology of an anti hero is created on such a way that it has become difficult to distinguish between the superheroes and the anti heroes.
A superhero’s main characteristic is to be able to a unique individual which will separate them from being categorized with the typical other “heroes”. Coogan states that a “superhero” is an individual that exemplifies the three main characteristics mission, power and identity. A unique superhero must have a mission that involves the main motive to save civilians without there being any personal gain from this experience. Coogan states that without this personal mission that this “superhero” would just be a ordinary person that would be an extremely helpful in the event of a dilemma. A unique superhero must posses these extraordinary but mystical powers that reflect their human identity or personality. These powers have been greatly exaggerated