Elements In Slaughterhouse-Five

In order to illustrate the devastating affects of war, Kurt Vonnegut afflicted Billy Pilgrim with Post Traumatic Stress Disorder (PTSD), which caused him to become “unstuck in time” in the novel. Billy Pilgrim illustrates many symptoms of PTSD throughout the story. Vonnegut uses these Slaughterhouse Five negative examples to illustrate the horrible and devastating examples of war. The examples from the book are parallel to real life experiences of war veterans, including Vonnegut’s, and culminate in a very effective anti-war novel.

War is the third topic that is heavily satirized in Slaughterhouse Five. First, Billy almost gets killed because he is time-traveling. Second of all, Vonnegut always says “so it goes” (12) whenever someone dies, so it sort of mocks death. Also, he is given a woman’s jacket when he becomes a POW and it mocks his position in the war also. On the nights of February 13-14 in 1944 the city of Dresden, Germany was subjected to one of the worst air attacks in the history of man. By the end of the bombing 135,000 to 250,000 people had been killed by the combined forces of the United States and the United Kingdom. Dresden was different then Berlin or many of the other military targets which were attacked during World War II because it was never fortified or used for strategic purposes and, therefore, was not considered a military target. At one point, Billy watches a war movie about WWII. He watches it regularly, showing how reality is.

Many writers in history have written science fiction novels and had great success with them, but only a few have been as enduring over time as Kurt Vonnegut's Slaughterhouse-Five. Slaughterhouse-Five is a personal novel which draws upon Vonnegut's experience's as a scout in World War Two, his capture and becoming a prisoner of war, and his witnessing of the fire bombing of Dresden in February of 1945 (the greatest man-caused massacre in history). The novel is about the life and times of a World War Two veteran named Billy Pilgrim. In Slaughterhouse-Five, Kurt Vonnegut uses structure and point of view to portray the theme that time is relative.

The design of this novel was structured from Kurt Vonnegut’s own World War II experiences. The one experience that seemed to stand out the most in the novel was the Dresden air raids. Vonnegut saw the air raids as senseless, so every time Vonnegut is describing the raids in the novel we see a distinct pattern, Vonnegut uses his novel to depict to the reader a feel of senselessness every time the bombing is mentioned. As a witness to the destruction, Billy confronts fundamental questions about the meanings of life and death. Traumatized by the events in Dresden, Billy is still left lost with no answers. Although his life as a working family man is considerably satisfying, he is unable to find peace of mind because of the trauma he suffered in Dresden. (Vonnegut,

Vonnegut calls upon his personal experiences to create his breakthrough work, Slaughterhouse Five. Vonnegut expresses his own feeling on war, family, and free will through the non-linear narrative of the protagonist, Billy Pilgrim. His experience as a soldier and death within his family are mirrored into Pilgrim’s character.

Many people returned from World War II with disturbing images forever stuck in their heads. Others returned and went crazy due to the many hardships and terrors faced. The protagonist in Slaughter-House Five, Billy Pilgrim, has to deal with some of these things along with many other complications in his life. Slaughter House Five (1968), by Kurt Vonnegut, Jr., is an anti-war novel about a man’s life before, after and during the time he spent fighting in World War II. While Billy is trying to escape from behind enemy lines, he is captured and imprisoned in a German slaughterhouse. The author tells of Billy’s terrible experiences there. After the war, Billy marries and goes to school to

The anti-war message is upheld further with the ironies that Vonnegut provides in the book. One example is "when one of the soldiers, a POW, survives the fire-bombing, but dies afterward from the dry heaves because he has to bury dead bodies" (Vit). When Billy and one of his comrades join to other scouts the Vonnegut portrays as well trained, Vonnegut displays irony by killing the skillful scouts and allows the less competent Pilgrim and Roland to survive. Roland does eventually die because he is forced to walk around in wooden clogs that turn his feet to pudding. The greatest example of irony is seen in what Vonnegut claims to be the climax of the story. He explains the situation before the story even begins. He is referring to the:

The eight ridiculous Dresdeners ascertained that these hundred ridiculous creatures really were American fighting men fresh from the front. They smiled, and then they laughed. Their terror evaporated. There was nothing to be afraid of. Here were more crippled human beings, more fools like themselves. Here was light

This kind-of off the wall opinion can be interpreted as people being physically stuck in this world, that people don't have any choice over what mankind as a whole, do and what people head for. The only thing one can do is think about everything, but it won't affect anything. This idea appears many times throughout the novel. This is one of the examples, when Billy proposes marriage to Valencia:

At the time Billy is captured, he becomes “unstuck in time,” and he sees various moments of his life occur. Later, Billy experiences a nervous breakdown so the other prisoners give him a shot of morphine which sends him time-tripping once more. Afterwards, he and the other prisoners are sent to the city of Dresden which remains untouched y the war. Here, they work in an abandoned slaughterhouse which carries the name of “Slaughterhouse Five.” One of the nights of their stay, enemies of the Germans bomb the city to compose a firestorm which consequently incinerates roughly 130,000 people. Billy and his allies manage to survive in an airtight meat locker. When they depart the locker, they are introduced to the wreckage and destruction that is left of the

Throughout the novel, Vonnegut uses different characters to display his anti-war feelings and show how many innocent victims end up being casualties in a war. In order to display this effectively, he uses Edgar Derby as an example. Edgar Derby was a high school teacher that willingly left his career to fight in the war. He was much older then most of then most of the men he was serving with including his son who was also fighting in the war. Derby was also one of the soldiers that experienced the firebombing in Dresden with Billy. After the bombing occurred Derby and the others were sifting through the damage and he picked up a teapot. Later on in the book Derby is arrested for stealing this simplistic item and is sentenced to death by firing squad. This really bothered Billy because he saw an innocent man that he was friends with get killed for a teapot. Some can argue that this is just an aspect of war that soldiers need

Dresden was considered one of the most beautiful places to visit. We bombed people for no reason and in Slaughterhouse five Billy Pilgrim watches the bombing in reverse so that there can be no bad guys and so it looks liebe no bad guys and so it looks like everyone in the US military is helping them. Civilians were injured and killed and instead of making war to be bad and big thing, Billy looks at it as everything is good in the world and everyone’s helping each

In Slaughterhouse Five, Kurt Vonnegut explains his experience of the World War II bombing of Dresden, Germany. Vonnegut's creative antiwar novel shows the audience the hardships of the life of a soldier through his writing technique. Slaughterhouse Five is written circularly, and time travel is ironically the only consistency throughout the book. Vonnegut outlines the life of Billy Pilgrim, whose life and experiences are uncannily similar to those of Vonnegut. In Chapter 1, Kurt Vonnegut non-fictionally describes his intentions for writing the book. Vonnegut personally experienced the destruction of Dresden, and explains how he continuously tried to document Dresden but was unsuccessful for twenty-three years after the war. Vonnegut let

Kurt Vonnegut’s Slaughterhouse-Five brilliantly illustrates how being in combat traumatically affects soldiers in time of war. Indeed, the author uses science fiction and the creative use of time travel as a mold to bring about his true feelings towards war, thus making Slaughterhouse-Five a quintessential anti-war book. Vonnegut’s usage of science fiction creates an outlet to the planet of Tralfamadore where Billy is able to escape his mental damage from war.

Chaos is introduced in chapter one where the narrator acknowledges the “jumbled and jangled” (19) nature of the book. By anticipating the novel’s end—“Poo-tee-weet” (22)—even before the story truly begins, Vonnegut collapses the distinction between ‘end’ and ‘beginning’ that govern the notion of ‘order’. Order has failed from the start and any subsequent attempts to search for order is thus doomed to fail. However, despite acknowledging the illogicality of war and the futility of seeking any meaning, the structure of the novel is such that the reader is still continually reminded of the massacre that took place in Dresden. By mentioning it in the opening paragraph of the book and constantly reminding the readers of it throughout the novel, Vonnegut forces the reader to regard the atrocities of the war as a mental ‘present’, instead of ‘past’. This technique reinforces Vonnegut’s message about the horrors and senselessness of war and also makes the point that war, despite being irrational, is not to be