Comical Elements in Romeo & Juliet

In William Shakespeare's Romeo and Juliet, the character Mercutio is a foil for Romeo. They are both young men who enjoy each other's company and meet their death in this tragedy. Romeo is an impulsive, hopelessly dramatic romantic who overreacts to most life events. While Mercutio is more realistic, grounded, carefree and serious, although he can be impulsive. With Mercutio being a foil for Romeo, it is easy to see Romeo's dramatic and tragic life story as compared to the more calmer tragic ending for Mercitio.

Tybalt intended to fight Romeo because he disliked his presence at the Capulet’s party but after Romeo refuses to fight Mercutio feels the need to fight for him instead. This is not the only time Mercutio is a display of masculinity in the play. As Romeo’s friend he likes to mock him, calling him an petrarchan lover and joking about his version of love. The difference to Romeo is also found when juxtaposing how Romeo and Mercutio speak. For instance, when Romeo talks about the girls he is in love with or has a crush on he talks in poetic sentences. In comparision, Mercutios:” Laura was a kitchen slave. Surely she has a better love to make rhymes for her. Dido was shabbily dressed. Cleopatra was a gypsy girl. Helen and Hero were sluts and harlots.

In the drama, The Tragedy of Romeo and Juliet by William Shakespeare, there are several long speeches that show different types of figurative language and structure. One that is particularly intriguing is the speech Mercutio makes when trying to persuade Romeo to go to the Capulet party. In this speech Mercutio describes Queen Mab, who is a fairy like woman that controls dreams. She makes ladies dream of kisses, soldiers dream of the blood of enemies, and lawyers dream of money. Within this speech about Queen Mab, Shakespeare uses metaphorical language, imagery, specific tones, and structure to create an image for the audience and contribute to the larger plot of the play.

Mercutio cant keep still Mercurio is most known for his stories and games such as “More than a Prince of Cats…” (Shakespeare 412). He always lightens the mood with nonsense. To sum it up, Mercutio is a jokester, impulsive, impacient, but most of all a good friend to

In Act 2, scene 1, Mercutio calls for Romeo by saying, "Romeo! Humors! Madman! Passion! Lover!

When Romeo arrives, he meets Juliet from the Capulet family. They talk, kiss, and fall in love. Romeo is more content than ever, and Mercutio mocks Romeo’s vision of love saying “Romeo, Humors! Madman! Passion! Lover! Appear thou in the likeness of a sigh, Speak but one rhyme and I am satisfied.” (A2SI) While Romeo is caught up in his romantic love, Mercutio mocks love and views love as merely a sexual

Mercutio can also portray the jester because he is humorous. He always steals the show, he doesn’t believe in true love and then mocks Romeo about it. These are just some examples. William Shakespeare’s play “Romeo and Juliet” Mercutio is humorous because he sais Tybalt is going to be dead with his “nine lives”:

However it is due to those selfish wishes that this tragedy becomes the city’s and not just their own. Due to those self-centred desires Mercutio is fatally wounded, his parting words being, ‘...A plague o' both your houses!’ (III,i,68) The prince who is also impacted by the two lovers as well as the feud, states that, ‘...All are punished.’(V,iii,312) meaning that due to their actions, the whole city is suffering and bearing the pain of this tragedy. This proves that the tragedy is not only that of the two lovers but that of the whole

In Mercutio’s Queen Mab speech, Mercutio is talking about the unrequited love of Romeo and Rosaline and how pointless it is for Romeo to keep dreaming about Rosaline when she probably does not know he exists. Mercutio is trying to make a point to Romeo with humor and to also be serious. Mercutio did a good job of that by saying the Queen Mab speech in Act one, Scene

As one of the most complex characters in the play, Romeo and Juliet, Mercutio’s purpose is to act as a static catalyst for the death of most of the characters. Shakespeare uses Mercutio’s character cleverly as the kind of character that stays in the background, but influences the rest of the cast in the utmost amount. Mercutio’s light and occasionally sardonic humor at inapt times relieves the play from being a complete tragedy and allows the audience a false sense of security before calamity strikes, such as the death of his character. Mercutio also stands as a consistent character to prove that despite the fact that the majority of Shakespeare’s characters are unpredictable and impulsive, there has to be at least one character to steady

Verbal irony: To raise a spirit in his mistress’ circle Of some strange nature, letting it there stand Till she had laid it and conjur'd it down. That were some spite; my invocation Is fair and honest: in his mistress’ name, I conjure only but to raise up him.(2.1.25-31). Mercutio defends his mocking of Romeo by saying that Romeo would only be angry if he were to insult Rosaline. But, since this is subtly what Mercutio is really doing, Mercutio is being ironic.

This results in Romeo’s fate to be darkened. Second, Mercutio shows how Romeo is constantly dreaming. Mercutio’s realism contrasts Romeo’s head in the clouds. This is revealed when Mercutio says “True, I talk of dreams, which [is] the [child] of an [inactive] brain,” (1.4, 96-97). This quote exemplifies that dreaming cannot be a portent, and that it can change just like the wind. This also shows that Mercutio has a flamboyant imagination, while demonstrating his mocking side. This quote also acts as foreshadowing in which shows that if Romeo keeps his head in the clouds he will make mistakes in life, such as him quickly marring Juliet. Moreover, this quote reveals that Mercutio is an important foil character because his view on love contrasts that of Romeo. Mercutio’s view on love is that it is futile, however Romeo thinks of it as a key component to life. Mercutio’s mocking of the hopeless love, makes Romeo’s view look stronger and more passionate. Third, Mercutio shows how serious Romeo is. Mercutio always talks in a witting and light-hearted way, in which contrasts to Romeo’s seriousness. Mercutio always uses clever wordplay and puns to mock people and bring comic relief into the play. This is emphasized when Mercutio says “And but one word with one of us? ... Make it a word and a blow,” (3.1, 40-41). This quote illustrates the comedy that Mercutio brings. At the edgy moment when Tybalt was about to fight, Mercutio still made a mockery of him.

“I am hurt. A plague o’both houses. I am sped” (3.1.121). These were Mercutio’s last words after being stabbed by Tybalt. Mercutio is not from either side of the feuding families and he is Romeo’s best friend. He is known to be a loyal friend, funny, and also hot tempered, which can get him into trouble. Although he was killed by Tybalt, Mercutio is to blame for Tybalt’s death because he did not listen to Benvolio, he insisted on fighting after Romeo has backed down, and he drew his sword first.

Mercutio is a relative of the prince and friend to Romeo. He is an eloquent man and becomes the center of attention whenever he appears in the play. It seems like he dominates Romeo with his teasing and irony. He mocks Romeo as he thinks he is too sentimental and tells him how foolish he is; he turns all of Romeo’s thought about love into sexual metaphors.

Romeo and Juliet, a classic play by William Shakespeare, is known to many as a tragedy. But what makes this play tragic? Audiences favor this story because of the emotions evoked from a tale of love that sees two young souls torn apart. However, Romeo and Juliet when under my own definition of tragedy, does not resemble a tragic play. While the death of Mercutio and the deaths of Romeo and Juliet seem tragic, the story does not show one failing when trying to reach their full potential, instead the audience sees a forbidden love and death as a result, which does not demonstrate tragedy. Instead, Romeo and Juliet face flaws from within their families and society, forcing them to stay apart due to conflict. While both Romeo and Juliet try to reach the goal of being together and fail, the flaws of others cause the conflict, not the flaws of themselves. My definition surrounds the idea that the flaws of oneself leads to his or her demise, meaning that the play misses a key characteristic of the definition of tragedy. Both characters seem to die a “tragic death,” however, their death can only be considered sad or upsetting, especially to the audience. This play instead consists of somber scenes that show aspects of a tragedy, but not enough to place this play in a tragic category in the classic definition or in my own definition because the flaws of the main characters do not cause the fall of the characters as they try to reach their full potential. If a character who fell as a